This book follows four Seventeenth-century Englishmen on their journeys around the Ottoman Empire while the British were, for the first time in history, becoming important players in the Mediterranean. This book shows that hostility between East and West is neither historical nor inevitable, but rather the result of selective memory.
This interdisciplinary work engages with the issue of how Europe and Europeans were perceived by observers from various parts of the world during the early modern period.
"West Lake, near scenic Hangzhou on China's east coast, has been a major tourist site since the twelfth century and a model for idealized nature. Visitors boat to its islands, stroll through its gardens, worship in its temples, and celebrate it in poetry and painting. Xiaolin Duan examines the interplay between cultural norms and the natural environment around West Lake during the Song dynasty (960-1279). After the Song lost north China to the Jurchens and the imperial court fled south, a new capital was established at Hangzhou in 1127, making the area the national political and cultural center. Duan shows how leisure activities in, on, and around West Lake influenced visitors' conceptualization of nature and sparked the emergence of the lake as a tourist destination, and how the natural landscape played an active role in shaping social pursuits and cultural constructs. Incorporating evidence from miscellanies, local and temple gazetteers, paintings, maps, poems, and anecdotes, she explores the complexity of the lake as an interactive site where ecological and economic concerns contended and where spiritual pursuits overlapped with aesthetic ones. The book will appeal to readers interested in urban and environmental history, cultural geography, and the sociology of tourism"--
The early modern era is often envisioned as one in which European genres, both narrative and visual, diverged indelibly from those of medieval times. This collection examines a disparate set of travel texts, dating from the thirteenth to the seventeenth centuries, to question that divergence and to assess the modes, themes, and ethnologies of travel writing. It demonstrates the enduring nature of the itinerary, the variant forms of witnessing (including imaginary maps), the crafting of sacred space as a cautionary tale, and the use of the travel narrative to represent the transformation of the authorial self. Focusing on European travelers to the expansive East, from the soft architecture of Timur's tent palaces in Samarqand to the ambiguities of sexual identity at the Mughul court, these essays reveal the possibilities for cultural translation as travelers of varying experience and attitude confront remote and foreign (or not so foreign) space.
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.
The religious upheavals of the early modern period and the fierce debate they unleashed about true devotion gave conversion an unprecedented urgency. With their rich variety of emotive, aesthetic and rhetoric means of expression, literature and the visual arts proved particularly well-adapted means to address, explore and represent the complex nature of conversion. At the same time, many artists and authors experimented with the notion that the expressive character of their work could cultivate a sensory experience for the viewer that enacted conversion. Indeed, focusing on conversion as one of early modern Europe’s most pressing religious issues, this volume demonstrates that conversion cannot be separated from the creative and spiritual ways in which it was given meaning. Contributors include Mathilde Bernard, John R. Decker, Xander van Eck, Shulamit Furstenberg-Levi, Lise Gosseye, Chloë Houston, Philip Major, Walter Melion, Bart Ramakers, E. Natalie Rothman, Alison Searle, Lieke Stelling, Jayme Yeo, and Federico Zuliani.
This first systematic study of a wide range of Persian and European archival and primary sources, analyzes how the Muharram rituals changed from being an orginally devotional practice to public events of political significance, setting the stage for the emergence of the early modern Iranian public sphere in the Safavid period.