Ten specially commissioned cases set in the dark alleyways and hidden lairs of Victorian London, each designed to test your powers of perception, logic and deduction... and the strength of your stomach. The mysteries are divided into three parts, at the end of which the reader is asked to answer a question to move on to the next part, or, in the case of the final section, to identify the sinister culprit!
Missing persons, mystery suicides, haunted houses and murder...Tony Stockwell is regularly asked by victims of crime and their families, to use his psychic powers to help investigate cases, often criminal, that have not yielded to conventional methods. In this fascinating collection, he opens his case files, including: "Suicide or Murder?" in which, at the request of a family, Tony investigates the death of a young boy who was killed in an apparent suicide, which Tony believes involved foul play. In "Missing Children", two children mysteriously disappear while their mother's back is turned. Years later, Tony reads for her and finds a clue to their whereabouts...And many more...This is a treasure trove for anyone who is interested in the realm beyond our own.
Cold case investigators scrape back paint in a renovated flat where a murder was committed twelve years earlier, and find a blood stain that leads them to a killer. Scientists extract DNA from crime-scene samples collected in 1973, and a 21st-century hunt for a triple murderer begins. A forensic dentist probes the mysterious death of an ancient Egyptian mummy. A long-forgotten palm print leads detectives to the real perpetrator of a murder for which an innocent man has already served 12 years' jail. In this collection of fascinating cold cases from Australia, the UK and the US, award-winning writer Liz Porter shows how modern forensic science can unlock solutions for crimes and mysteries unsolved for decades, and, in some cases, centuries. Praise for Liz Porter: "...each of her stories reads like good crime fiction... a compulsive read" - The Sydney Morning Herald "A delightful and entertaining writer..." - Weekend Australian Winner of Davitt Award for Best True Crime 2011
From the files of Scotland Yard's "Black Museum" (open only to police officers) come true crime stories of some of the most infamous murder cases of the 19th and 20th centuries--the Lambeth Poisoner, "baby farmer" Amelia Elizabeth Dyer, the Gentleman Vampire of Bournemouth, the Brides in the Bath Murders, the Rillington Place murders and many others. Along the way, investigators pass a number of crime-solving milestones, included the first use of fingerprint technology, the early use of photography and the first time "The Yard" enlisted the press to help hunt down a killer.
It's a Monday, and Detective Christopher Coyle, a member of Chicago's finest, is back from suspension. He was woken up in the dead of night and given the most sinister case of his career. To make matters worse, he was attached to the often-mysterious and off-putting Constable Ignatius Abernathy. As Abernathy and Coyle traverse through the Windy City, he learns that there is more to Chicago than he previously expected. Needless to say, he regrets many things, and chief among them is the regret of getting out of bed and answering his phone. To make matters worse, he can't shake the feeling that there is someone following him. One thing is for certain, Coyle's meticulous documentation of his first encounter with the supernatural and uncanny will leave you questioning what's real and what's fantasy.
Inspector Abberline and Sergeant Mudgett have had many difficult cases in their ten years as partners at Scotland Yard, but none as baffling as the Ripper case. The pair had no idea just how involved the case would turn out to be, nor were they prepared for staff of the Royal Crown to be implicated. The pressure from the police hierarchy was building. A suspect had to be named.
Now updated with new material that brings the killer's picture into clearer focus. In the fall of 1888, all of London was held in the grip of unspeakable terror. An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End. Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim. And then the Ripper’s violent spree seemingly ended as abruptly as it had begun. He had struck out of nowhere and then vanished from the scene. Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel. But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death. Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer. In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history. Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert. It has been said of Cornwell that no one depicts the human capability for evil better than she. Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate. She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press. Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created. New information and startling revelations detailed in Portrait of a Killer include: - How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...
In a world parallel to our own, where the ability to hide magic is fading away—faster still with the digital age—a coalition of law enforcement officers, intelligence agents, soldiers, and specialists have all been given one job: stop World War III. But who will start it? This is where the fun begins. This group, known as the Cabal (gross, we know, right?), has made it their mission to keep the world safe from any threats to peace, freedom, and the safety of all human and inhuman kind. These are their stories.
Jack the Ripper has haunted the world's imagination since his murderous reign drew to a close in 1888. Exploring the social context of the crimes, this invaluable survey includes police reports, letters purporting to be from the notorious killer, and newspaper clippings from the time. These documents enable readers to become armchair detectives, sifting through the evidence, sorting out the complex and contradictory theories, and assessing all the clues and conclusions gathered through the decades.
The crimes of Jack the Ripper have haunted the imagination of the world since his murderous reign drew to a close late in 1888. This Casebook is an invaluable survey of the killer, his times and the web of complex and contradictory theories that have sprung up in his wake.
