The publication in English of this classic work will be welcomed by students and researchers in early modern European history, culture and politics. The Revolt of Naples examines one of the major events in the years of `revolution' in Europe in the 1640s: the revolt by the people of the Kingdom of Naples against the Spanish monarchy which ruled over them. Villari analyses the preconditions of the revolt, going back to its roots in the late 16th Century and discussing economic, social and political developments in the Kingdom.
Naples is always a shock, flaunting beauty and squalor like nowhere else. Naples is the only city in Europe whose ancient past still lives in its irrepressible people. Peter Robb's book ranges across nearly 3,000 years of Neapolitan life and art, from the first Greeklandings in Italy to his own less auspicious arrival over 30 years ago.
"Baroque Naples" presents documents on the history, culture, and art of the city during its golden age of prestige and prosperity under the Spanish Hapsburgs and Bourbons. Texts cover the history of the city and kingdom, contemporary travel guides, descriptions of the city's art, architecture and classical inheritance, its literature, music and theater. There are also chapters that offer texts by the famed Neapolitan economists, legal thinkers and philosophers of the age; a survey of religious thought, and of the Neapolitan contribution to the natural sciences. The selections are preceded by brief introductions to the writers and the ideas presented in the texts. Sixty-nine selections include Enrico Bacco, John Evelyn, Salvator Rosa, Luigi Vanvitelli, the Neapolitan Marinisti, Pietro Trapassi (Metastasio), Giovanni Battista Della Porta, Antonio Serra, Giuseppe Palmieri, Gaetano Filangieri, Tommaso Campanella, Giambattista Vico, Fynes Moryson and many others. The volume also includes brief biographies and chronologies. 60 illustrations, 3 maps, introduction, bibliography, index.
Naples is always a shock, flaunting beauty and squalor like nowhere else. It is the only city in Europe whose ancient past still lives in its irrepressible people. In 1503, Naples was the Mediterranean capital of Spain's world empire and the base for the Christian struggle with Islam. It was a European metropolis matched only by Paris and Istanbul, an extraordinary concentration of military power, lavish consumption, poverty and desperation. It was to Naples in 1606 that Michelangelo Merisi fled after a fatal street fight, and there released a great age in European art - until everything erupted in a revolt by the dispossessed, and the people of an occupied city brought Europe into the modern world. Ranging across nearly three thousand years of Neapolitan life and art, from the first Greek landings in Italy to the author's own, less auspicious, arrival thirty-something years ago, Street Fight in Naples brings vividly to life the tumultuous and, at times, tragic history of Naples.
In September 1943, Naples lay devastated by incessant bombardment from Allied planes. The city, under an iron occupation by the Germans, was without food. During the bombardment, the famed scugnizzi, the street boys, of Naples grew increasingly exasperated by the passiveness of their elders. Known for their daring, verve, and enterprise, the boys staged an incredible revolt against the Germans on September 28, 1943. Dragging furniture into the roadways, they built barricades and shot at the enemy with stolen guns, inspiring many adults and Italian army deserters to join their ranks. Three days and hundreds of deaths later, the Germans left the city for good. The author, who heard the story of those historic four days from the scugnizzi themselves in 1948, recounts the battle.
Fentress, a former political philosophy professor at Brunel U. in London, England and current resident of Italy, describes the historical emergence and evolution of the Mafia, from the early- to mid-19th century Sicilian alliances between "men of honor" and intellectuals in the struggle for independence from the Bourbon Kingdom of Naples to the longstanding covert relationships that are protecting today's mafiosi. Annotation copyrighted by Book News Inc., Portland, OR
Naples was one of the largest cities in early modern Europe, and for about two centuries the largest city in the global empire ruled by the kings of Spain. Its crowded and noisy streets, the height of its buildings, the number and wealth of its churches and palaces, the celebrated natural beauty of its location, the many antiquities scattered in its environs, the fiery volcano looming over it, the drama of its people’s devotions, the size and liveliness - to put it mildly - of its plebs, all made Naples renowned and at times notorious across Europe. The new essays in this volume aim to introduce this important, fascinating, and bewildering city to readers unfamiliar with its history. Contributors are: Tommaso Astarita, John Marino, Giovanni Muto, Vladimiro Valerio, Gaetano Sabatini, Aurelio Musi, Giulio Sodano, Carlos José Hernando Sánchez, Elisa Novi Chavarria, Gabriel Guarino, Giovanni Romeo, Peter Mazur, Angelantonio Spagnoletti, J. Nicholas Napoli, Gaetana Cantone, Anthony DelDonna, Sean Cocco, Melissa Calaresu, Nancy Canepa, David Gentilcore, Diana Carrió-Invernizzi, and Anna Maria Rao. The publisher, editor, and contributors mourn the passing of Gaetana Cantone, who died in April 2013.
2011 Winner of the Phyllis Goodhart Gordan Book Prize of the Renaissance Society of America Naples in the sixteenth and seventeenth centuries managed to maintain a distinct social character while under Spanish rule. John A. Marino's study explores how the population of the city of Naples constructed their identity in the face of Spanish domination. As Western Europe’s largest city, early modern Naples was a world unto itself. Its politics were decentralized and its neighborhoods diverse. Clergy, nobles, and commoners struggled to assert political and cultural power. Looking at these three groups, Marino unravels their complex interplay to show how such civic rituals as parades and festival days fostered a unified Neapolitan identity through the assimilation of Aragonese customs, Burgundian models, and Spanish governance. He discusses why the relationship between mythical and religious representations in ritual practices allowed Naples's inhabitants to identify themselves as citizens of an illustrious and powerful sovereignty and explains how this semblance of stability and harmony hid the city's political, cultural, and social fissures. In the process, Marino finds that being and becoming Neapolitan meant manipulating the city's rituals until their original content and meaning were lost. The consequent widening of divisions between rich and poor led Naples's vying castes to turn on one another as the Spanish monarchy weakened. Rich in source material and tightly integrated, this nuanced, synthetic overview of the disciplining of ritual life in early modern Naples digs deep into the construction of Neapolitan identity. Scholars of early modern Italy and of Italian and European history in general will find much to ponder in Marino's keen insights and compelling arguments.
