After Isobella Douglas is pulled back in time by the ghost of her infamous ancestor, The Black Douglas, she encounters a Highland laird who's completely captivated by the modern lass. Original.
"Coffman's writing is deft, capable, and evocative." -Publishers Weekly He'll help a woman in need, no matter where she came from... Alysandir Mackinnon rules his clan with a fair but iron fist. He has no time for softness or, as he sees it, weakness. But when he encounters a bewitching young beauty who may or may not be a dangerous spy, but is surely in mortal danger, he's compelled to help... She's always wondered if she was born in the wrong time... Thrown back in time to the tumultuous, dangerous Scottish Highlands of the sixteenth century, Isobella Douglas has a lot to learn about her ancestors, herself, and her place in the world. Especially when she encounters a Highland laird who puts modern men to shame... Each one has secrets to keep, until they begin to strike a chord in each other's hearts that's never been touched before... "With an eloquent pen, Ms. Coffman weaves words into a tapestry." -RT Book Reviews "Elaine Coffman touches the heart while making her readers laugh and cry." -Atlanta Journal
Eighteen-year-old James Douglas can only watch, helpless, as the Scottish freedom fighter, William Wallace, is hanged, drawn, and quartered. Even under the heel of a brutal English conqueror, James's blood-drenched homeland may still have one hope for freedom, the rightful king of the Scots, Robert the Bruce. James swears fealty to the man he believes can lead the fight against English tyranny. The Bruce is soon a fugitive, king in name and nothing more. Scotland is occupied, the Scottish resistance crushed. The woman James loves is captured and imprisoned. Yet James believes their cause is not lost. With driving determination, he blazes a path in blood and violence, in cunning and ruthlessness as he wages a guerrilla war to restore Scotland's freedom. James knows he risks sharing Wallace's fate, but what he truly fears is that he has become as merciless as the conqueror he fights. Keywords: Scotland, Historical Fiction, Black Douglas, Robert the Bruce, William Wallace, Military Fiction, Medieval Historical Fiction, General Fiction
Sir James the Good, one of the finest soldiers Scotland ever produced, is sometimes better known by the name given to him by the English - the 'Black Douglas'. He terrified the northern shires of England throughout the reign of King Robert the Bruce and the Wars of Independence. When Robert the Bruce died Sir James, as his champion, was entrusted with his heart which he carried on the Crusades. David R Ross brings history alive as he tells the story of Sir James' life. Ross' research found him retracing Sir James' journey to the Holy Land and rediscovering battle grounds, providing a personal view of history. With a refreshing look at the subject, and featuring all new information and research, interesting maps, battleplans and photographs, this book will make Scottish history accessible and understandable for the casual reader, while delighting history buffs.
If we want to understand contemporary American culture wars, we must first come to grips with the culture wars of the nineteenth century. Many current social evils can be explained by our nation's failure to remove slavery in a biblical way. But who is qualified to talk about such things? What is a biblical view of racism? And why do the Christian answers to such questions so infuriate the radical left and the radical right? This collection of essays lays out some of the answers from a view unafraid of historic biblical orthodoxy.
The complex issues of race and politics in nineteenth-century Texas may be nowhere more dramatically embodied than in three generations of the family of Norris Wright Cuney, mulatto labor and political leader. Douglas Hales explores the birthright Cuney received from his white plantation-owner father, Philip Cuney, and the way his heritage played out in the life of his daughter Maud Cuney-Hare. This intergenerational study casts light on the experience of race in the South before Emancipation, after Reconstruction, and in the diaspora that eventually led cultural leaders of African American heritage into the cities of the North. Most Texas history books name Norris Wright Cuney as one of the most influential African American politicians in nineteenth-century Texas, but they tell little about him beyond his elected positions. In The Cuneys, Douglas Hales not only fills in the details of Cuney’s life and contributions but places him in the context of his family’s generations. A politically active plantation owner and slaveholder in Austin County, Philip Cuney participated in the annexation of Texas to the United States and supported the role of slavery and cotton in the developing economy of the new state. Wealthy and powerful, he fathered eight slave children whom he later freed and saw educated. Hales explores how and why Cuney differed from other planters of his time and place. He then turns to the better-known Norris Wright Cuney to study how the black elite worked for political and economic opportunity in the reactionary period that followed Reconstruction in the South. Cuney led the Texas Republican Party in those turbulent years and, through his position as collection of customs at Galveston, distributed federal patronage to both white and black Texans. As the most powerful African American in Texas, and arguably in the entire South, Cuney became the focal point of white hostility, from both Democrats and members of the “Lily White” faction of his own party. His effective leadership won not only continued office for him but also a position of power within the Republican Party for Texas blacks at a time when the party of Lincoln repudiated African Americans in many other Southern states. From his position on the Galveston City Council, Cuney worked tirelessly for African American education and challenged the domination of white labor within the growing unions. Norris Wright Cuney’s daughter, Maud, who was graced with a prestigious education, pursued a successful career in the arts as a concert pianist, musicologist, and playwright. A friend of W. E. B. Du Bois, she became actively involved in the racial uplift movement of the early twentieth century. Hales illuminates her role in the intellectual and political “awakening” of black America that culminated in the Harlem Renaissance of the 1920s. He adroitly explores her decision against “passing” as white and her commitment to uplift. Through these three members of a single mixed-race family, Douglas Hales gives insight into the issues, challenges, and strengths of individuals. His work adds an important chapter to the history of Texas and of African Americans more broadly.
A reformatted and reduced price edition—including a revised and updated introduction by Sam Durant and new text on the artist today by Colette Gaiter--of the first book to show the provocative posters and groundbreaking graphics of the Black Panther Party. The Black Panther Party for Self Defense, formed in the aftermath of the assassination of Malcolm X in 1965, sounded a defiant cry for an end to the institutionalized subjugation of African Americans. The Black Panther newspaper was founded to articulate the party’s message, and artist Emory Douglas became the paper’s art director and later the party’s minister of culture. Douglas’s artistic talents and experience proved a powerful combination: his striking collages of photographs and his own drawings combined to create some of the era’s most iconic images. This landmark book brings together a remarkable lineup of party insiders who detail the crafting of the party’s visual identity.
During the century and a half of their power the Black Douglases earned fame as Scotland's champions in the front line of war against England. On their shields they bore the bloody heart of Robert Bruce, the symbol of their claim to be the physical protectors of the hero-king's legacy. But others saw the power of these lords and earls of Douglas in a different light. To their critics the Douglases were a force for disorder in the kingdom, lawless, arrogant and violent, whose power rested on coercion and whose defiance of kings and guardians ultimately provoked James II into slaying the Douglas earl with his own hand. Michael Brown analyses the rise and fall of this family as the dominant magnates of the south, from the deeds of the Good Sir James Douglas in the service of Bruce to the violent destruction of the Douglas earls in the 1450s. Alongside this study of the accumulation and loss of power by one of the great noble houses, The Black Douglases includes a series of thematic examinations of the nature of aristocratic power. In particular these emphasise the link between warfare and political power in southern Scotland during the fourteenth century. For the Black Douglases, war was not just a patriotic duty but the means to power and fame in Scotland and across Europe.