The Renaissance Garden in England

The Renaissance Garden in England

Author: Roy Strong

Publisher: Thames & Hudson

Published: 1998

Total Pages: 240

ISBN-13: 9780500272145

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Revealing the glories of the English formal gardens of the Tudors and Stuarts, which ranked among the masterpieces of Renaissance Europe.


The Renaissance Garden in Britain

The Renaissance Garden in Britain

Author: John Anthony

Publisher: Shire Publications

Published: 1991

Total Pages: 104

ISBN-13:

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The great formal gardens of Britain are now rare survivals from a long-past age. The gardens of essentially geometrical design which had been laid out since the time of the Tudors were largely obliterated by the landscape gardens of the eighteenth century but here and there it is still possible to see traces of the style of garden design once common throughout the land. This book traces the fascinating story of these gardens, mostly long vanished, describing changing fashions in design in relation to changing social conditions. During the two centuries from the Tudors to the Hanoverian monarchs there was a steady increase in the introduction of new plants to British gardens and the influence which this greatly expanded range of plants had on those gardens is a theme throughout the book. Scotland is not forgotten, for Scottish gardens developed along distinctive lines, and Scottish gardeners were celebrated for their skill through Britain. There are notes on gardens where traces of their Renaissance predecessors can still be seen. -- Book cover.


Literature and the Renaissance Garden from Elizabeth I to Charles II

Literature and the Renaissance Garden from Elizabeth I to Charles II

Author: Amy L. Tigner

Publisher: Routledge

Published: 2016-05-13

Total Pages: 284

ISBN-13: 1317104358

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Spanning the period from Elizabeth I's reign to Charles II's restoration, this study argues the garden is a primary site evincing a progressive narrative of change, a narrative that looks to the Edenic as obtainable ideal in court politics, economic prosperity, and national identity in early modern England. In the first part of the study, Amy L. Tigner traces the conceptual forms that the paradise imaginary takes in works by Gascoigne, Spenser, and Shakespeare, all of whom depict the garden as a space in which to imagine the national body of England and the gendered body of the monarch. In the concluding chapters, she discusses the function of gardens in the literary works by Jonson, an anonymous masque playwright, and Milton, the herbals of John Gerard and John Parkinson, and the tract writing of Ralph Austen, Lawrence Beal, and Walter Blithe. In these texts, the paradise imaginary is less about the body politic of the monarch and more about colonial pursuits and pressing environmental issues. As Tigner identifies, during this period literary representations of gardens become potent discursive models that both inspire constructions of their aesthetic principles and reflect innovations in horticulture and garden technology. Further, the development of the botanical garden ushers in a new world of science and exploration. With the importation of a new world of plants, the garden emerges as a locus of scientific study: hybridization, medical investigation, and the proliferation of new ornamentals and aliments. In this way, the garden functions as a means to understand and possess the rapidly expanding globe.


Garden and Grove

Garden and Grove

Author: John Dixon Hunt

Publisher: University of Pennsylvania Press

Published: 1996

Total Pages: 289

ISBN-13: 0812216040

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"This is a major work and, I think, Hunt's best. . . . Once picked up, the book cannot be put down, for it is an exciting exegesis of the continuing Italian influence upon English garden art."—Country Life


Garden and Grove

Garden and Grove

Author: John Dixon Hunt

Publisher: University of Pennsylvania Press

Published: 2016-02-15

Total Pages: 290

ISBN-13: 0812292782

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Garden and Grove is a pioneering study of the English fascination with Italian Renaissance gardens. John Dixon Hunt studies reactions of English visitors in their journals and travel books to the exciting world of Italian gardens: its links with classical villas, with Virgil and farming, with Ovid and metamorphosis, its association with theater, its variety, its staged debates between art and nature. Then he looks at what English visitors made of these Italian garden experiences upon their return home and at how they created Italianate gardens on their estates, on their stages, and in their poems. With a wealth of literary and visual materials previously untapped, Hunt provides a new history of an intriguing and vital phase of English garden history. Not only does he suggest the centrality of the garden as a focus for many social, aesthetic, political, and philosophical ideas but he argues that the so-called English landscape garden before "Capability" Brown, in the late eighteenth century, owed much to a long and continuing emulation of Italian Renaissance models.


Gardens of Renaissance Europe and the Islamic Empires

Gardens of Renaissance Europe and the Islamic Empires

Author: Mohammad Gharipour

Publisher: Penn State Press

Published: 2017-10-12

Total Pages: 706

ISBN-13: 0271080671

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The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India. In illustrating commonalities in the design, development, and people’s perceptions of gardens and nature in both regions, this volume substantiates important parallels in the revolutionary advancements in landscape architecture that took place during the era. The contributors explain how the exchange of gardeners as well as horticultural and irrigation techniques influenced design traditions in the two cultures; examine concurrent shifts in garden and urban landscape design, such as the move toward more public functionality; and explore the mutually influential effects of politics, economics, and culture on composed outdoor space. In doing so, they shed light on the complexity of cultures and politics during the Renaissance. A thoughtfully composed look at the effects of cross-cultural exchange on garden design during a pivotal time in world history, this thought-provoking book points to new areas in inquiry about the influences, confluences, and connections between European and Islamic garden traditions. In addition to the editor, the contributors include Cristina Castel-Branco, Paula Henderson, Simone M. Kaiser, Ebba Koch, Christopher Pastore, Laurent Paya, D. Fairchild Ruggles, Jill Sinclair, and Anatole Tchikine.


The History of Gardens

The History of Gardens

Author: Christopher Thacker

Publisher: Univ of California Press

Published: 1985-10-22

Total Pages: 290

ISBN-13: 0520056299

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Christopher Thacker tells the history of gardens from their origins in the 'natural' paradises of Greek myth to the present day. Studying individual gardens or garden topics which are representative of an age or region, he builds up a comprehensive survey of the gardens and garden theories of an era. -- Google Books


Literature and the Renaissance Garden from Elizabeth I to Charles II

Literature and the Renaissance Garden from Elizabeth I to Charles II

Author: Amy L. Tigner

Publisher: Routledge

Published: 2016-05-13

Total Pages: 328

ISBN-13: 131710434X

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Spanning the period from Elizabeth I's reign to Charles II's restoration, this study argues the garden is a primary site evincing a progressive narrative of change, a narrative that looks to the Edenic as obtainable ideal in court politics, economic prosperity, and national identity in early modern England. In the first part of the study, Amy L. Tigner traces the conceptual forms that the paradise imaginary takes in works by Gascoigne, Spenser, and Shakespeare, all of whom depict the garden as a space in which to imagine the national body of England and the gendered body of the monarch. In the concluding chapters, she discusses the function of gardens in the literary works by Jonson, an anonymous masque playwright, and Milton, the herbals of John Gerard and John Parkinson, and the tract writing of Ralph Austen, Lawrence Beal, and Walter Blithe. In these texts, the paradise imaginary is less about the body politic of the monarch and more about colonial pursuits and pressing environmental issues. As Tigner identifies, during this period literary representations of gardens become potent discursive models that both inspire constructions of their aesthetic principles and reflect innovations in horticulture and garden technology. Further, the development of the botanical garden ushers in a new world of science and exploration. With the importation of a new world of plants, the garden emerges as a locus of scientific study: hybridization, medical investigation, and the proliferation of new ornamentals and aliments. In this way, the garden functions as a means to understand and possess the rapidly expanding globe.