The fourteen articles in this volume bring together some of the latest research on the cultural, intellectual and commercial interactions during the Renaissance between Western Europe and the Middle East, with particular reference to the Ottoman Empire. The articles contribute to an exciting cross-cultural and inter-disciplinary scholarly dialogue that explores elements of continuity and exchange between the two areas, and positions the Ottoman Empire as an integral element of the geo-political and cultural continuum within which the Renaissance evolved.
Key protagonists in these debates included Erasmus, Luther and Machiavelli. Today we might call them intellectuals, yet mostly they did not travel, and direct contact with the Ottoman Empire was scarce or nonexistent. Nor were they well disposed to its predecessor, the Byzantine Empire, whose fall presented them with an intellectual conundrum: how were they to explain the irresistible advance of the Ottomans across the Balkans and the inability of Christian Europe to hold the line? They also felt compelled to incorporate this significant new threat into their vision of a world order, to rationalise it, to unravel its origins. These discussions spawned a common market of ideas in the fifteenth and sixteenth century, as Europeans debated and represented the Ottoman threat. Readers of this book will find many echoes in Pippidi's analysis of today's debates about the relationship of Turkey with Europe and the struggle to accommodate the descendants of the Ottomans in our midst.
"....The aim of our exhibition is to focus on the Ottoman Empire...and to explore the different ways the Ottomans, or 'Turks' as they were already called by their contemporaries, impacted the art and culture of the Renaissance.
This major new history of the Ottoman dynasty reveals a diverse empire that straddled East and West. The Ottoman Empire has long been depicted as the Islamic, Asian antithesis of the Christian, European West. But the reality was starkly different: the Ottomans’ multiethnic, multilingual, and multireligious domain reached deep into Europe’s heart. Indeed, the Ottoman rulers saw themselves as the new Romans. Recounting the Ottomans’ remarkable rise from a frontier principality to a world empire, historian Marc David Baer traces their debts to their Turkish, Mongolian, Islamic, and Byzantine heritage. The Ottomans pioneered religious toleration even as they used religious conversion to integrate conquered peoples. But in the nineteenth century, they embraced exclusivity, leading to ethnic cleansing, genocide, and the empire’s demise after the First World War. The Ottomans vividly reveals the dynasty’s full history and its enduring impact on Europe and the world.
This book re-evaluates Ottoman art of the early modern period within the Renaissance paradigm. It argues that the Ottomans indeed had a Renaissance at the same time as the Europeans of the West.
The Ottoman empire as a political entity comprised most of the present Middle East (with the principal exception of Iran), north Africa and south-eastern Europe. For over 500 years, until its disintegration during World War I, it encompassed a diverse range of ethnic, religious and linguistic communities with varying political and cultural backgrounds. Yet, was there such a thing as an ‘Ottoman world’ beyond the principle of sultanic rule from Istanbul? Ottoman authority might have been established largely by military conquest, but how was it maintained for so long, over such distances and so many disparate societies? How did provincial regions relate to the imperial centre and what role was played in this by local elites? What did it mean in practice, for ordinary people, to be part of an ‘Ottoman world’? Arranged in five thematic sections, with contributions from thirty specialist historians, The Ottoman World addresses these questions, examining aspects of the social and socio-ideological composition of this major pre-modern empire, and offers a combination of broad synthesis and detailed investigation that is both informative and intended to raise points for future debate. The Ottoman World provides a unique coverage of the Ottoman empire, widening its scope beyond Istanbul to the edges of the empire, and offers key coverage for students and scholars alike.
In 1482 Francesco Berlinghieri produced the Geographia, a book of over 100 folio leaves describing the world in Italian verse interleaved with lavishly engraved maps. Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography.
In The Dragoman Renaissance, E. Natalie Rothman traces how Istanbul-based diplomatic translator-interpreters, known as the dragomans, systematically engaged Ottoman elites in the study of the Ottoman Empire—eventually coalescing in the discipline of Orientalism—throughout the sixteenth and seventeenth centuries. Rothman challenges Eurocentric assumptions still pervasive in Renaissance studies by showing the centrality of Ottoman imperial culture to the articulation of European knowledge about the Ottomans. To do so, she draws on a dazzling array of new material from a variety of archives. By studying the sustained interactions between dragomans and Ottoman courtiers in this period, Rothman disrupts common ideas about a singular moment of "cultural encounter," as well as about a "docile" and "static" Orient, simply acted upon by extraneous imperial powers. The Dragoman Renaissance creatively uncovers how dragomans mediated Ottoman ethno-linguistic, political, and religious categories to European diplomats and scholars. Further, it shows how dragomans did not simply circulate fixed knowledge. Rather, their engagement of Ottoman imperial modes of inquiry and social reproduction shaped the discipline of Orientalism for centuries to come. Thanks to generous funding from the Andrew W. Mellon Foundation, through The Sustainable History Monograph Pilot, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
This volume brings together some of the latest research on the cultural, intellectual, and commercial interactions during the Renaissance between Western Europe and the Middle East, with particular reference to the Ottoman Empire. Recent scholarship has brought to the fore the economic, political, cultural, and personal interactions between Western European Christian states and the Eastern Mediterranean Islamic states, and has therefore highlighted the incongruity of conceiving of an iron curtain bisecting the mentalities of the various socio-political and religious communities located in the same Euro-Mediterranean space. Instead, the emphasis here is on interpreting the Mediterranean as a world traversed by trade routes and associated cultural and intellectual networks through which ideas, people and goods regularly travelled. The fourteen articles in this volume contribute to an exciting cross-cultural and inter-disciplinary scholarly dialogue that explores elements of continuity and exchange between the two areas and positions the Ottoman Empire as an integral element of the geo-political and cultural continuum within which the Renaissance evolved. The aim of this volume is to refine current understandings of the diverse artistic, intellectual and political interactions in the early modern Mediterranean world and, in doing so, to contribute further to the discussion of the scope and nature of the Renaissance. The articles, from major scholars of the field, include discussions of commercial contacts; the exchange of technological, cartographical, philosophical, and scientific knowledge; the role of Venice in transmitting the culture of the Islamic East Mediterranean to Western Europe; the use of Middle Eastern objects in the Western European Renaissance; shared sources of inspiration in Italian and Ottoman architecture; musical exchanges; and the use of East Mediterranean sources in Western scholarship and European sources in Ottoman scholarship.
As the Ottoman Empire advanced westward from the fourteenth to the sixteenth centuries, humanists responded on a grand scale, leaving behind a large body of fascinating yet understudied works. These compositions included Crusade orations and histories; ethnographic, historical, and religious studies of the Turks; epic poetry; and even tracts on converting the Turks to Christianity. Most scholars have seen this vast literature as atypical of Renaissance humanism. Nancy Bisaha now offers an in-depth look at the body of Renaissance humanist works that focus not on classical or contemporary Italian subjects but on the Ottoman Empire, Islam, and the Crusades. Throughout, Bisaha probes these texts to reveal the significant role Renaissance writers played in shaping Western views of self and other. Medieval concepts of Islam were generally informed and constrained by religious attitudes and rhetoric in which Muslims were depicted as enemies of the faith. While humanist thinkers of the Renaissance did not move entirely beyond this stance, Creating East and West argues that their understanding was considerably more complex, in that it addressed secular and cultural issues, marking a watershed between the medieval and modern. Taking a close look at a number of texts, Bisaha expands current notions of Renaissance humanism and of the history of cross-cultural perceptions. Engaging both traditional methods of intellectual history and more recent methods of cross-cultural studies, she demonstrates that modern attitudes of Western societies toward other cultures emerged not during the later period of expansion and domination but rather as a defensive intellectual reaction to a sophisticated and threatening power to the East.
