In The Reason to Sing, renowned composer-lyricist and teacher Craig Carnelia provides musical actors with a step-by-step guide to making their singing performances more truthful, vivid, and full of life. Using a technique developed over decades of teaching the professional community of Broadway actors and students alike, The Reason to Sing utilizes detailed descriptions of sessions the author has had with his notable students and lays out a new and proven approach to help you build your skills, your confidence, and your career. This book is intended for musical theater acting students as well as working professionals and teachers of the craft.
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.
The day Lacey Sturm planned to kill herself was the day her grandmother forced her to go to church, a place Lacey thought was filled with hypocrites, fakers, and simpletons. The screaming match she had with her grandmother was the reason she went to church. What she found there was the Reason she is alive today. With raw vulnerability, this hard rock princess tells her own story of physical abuse, drug use, suicide attempts, and more--and her ultimate salvation. She asks the hard questions so many young people are asking--Why am I here? Why am I empty? Why should I go on living?--showing readers that beyond the temporary highs and the soul-crushing lows there is a reason they exist and a purpose for their lives. She not only gives readers a peek down the rocky path that led her to become a vocalist in a popular hardcore band, but she shows them that the same God is guiding their steps today.
Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.
Sing! has grown from Keith and Kristyn Getty’s passion for congregational singing; it’s been formed by their traveling and playing and listening and discussing and learning and teaching all over the world. And in writing it, they have five key aims: • to discover why we sing and the overwhelming joy and holy privilege that comes with singing • to consider how singing impacts our hearts and minds and all of our lives • to cultivate a culture of family singing in our daily home life • to equip our churches for wholeheartedly singing to the Lord and one another as an expression of unity • to inspire us to see congregational singing as a radical witness to the world They have also added a few “bonus tracks” at the end with some more practical suggestions for different groups who are more deeply involved with church singing. God intends for this compelling vision of His people singing—a people joyfully joining together in song with brothers and sisters around the world and around his heavenly throne—to include you. He wants you,he wants us, to sing.
Ten years of infertility issues culminate in the destruction of music therapist Zoe Baxter's marriage, after which she falls in love with another woman and wants to start a family, but her ex-husband, Max, stands in the way.
What is music during the worship service supposed to do? Dr. Heather Josselyn-Cranson proposes that there are several roles for music in worship and that these roles are manifested in various worshiping traditions. In this book, she hopes to give readers a renewed respect for their own traditions, but also a new-found understanding of the different genres of music sung by Christians today, each with its own function and charm.
When a bug sleeping on a jug is chased by a frog, he has to jump to get away. But then that frog (who’s sleeping on a log) is in for a similar surprise! He’s attacked by a cat…who needs to jump away from a dog…and on it goes, until not even a shark is free from getting a little fright! Building on repetition that’s fun to read and fun to listen to, Jump! is a rip-roaring, read-aloud with simple rhymes and lively illustrations that leap off the pages.
Changes in music have affected the way we think, the way we worship-even the way we are able to worship. We are steeped in a culture of pop music that makes other genres seem strangely foreign and unhelpful. Worship has become a conflict are, rather than a source of unity. Book jacket.
When a good church girl starts singing in a jazz club and falls for the music—as well as a handsome, African-American man—she struggles to reconcile her childhood faith with her newfound passions. When a good church girl starts singing in a jazz club and falls for the music—as well as a handsome African American man—she struggles to reconcile her childhood faith with her newfound passions. Raised in the Danish Baptist Church, Rose Sorensen knows it’s wrong to sing worldly songs. But Rose still yearns for those she hears on the radio—“Cheek to Cheek,” “Smoke Gets in Your Eyes”—and sings them when no one is around. One day, Rose’s cousin takes her to Calliope’s, a jazz club, where she discovers an exciting world she never knew existed. Here, blacks and whites mingle, brought together by their shared love of music. And though Rose worries it’s wrong—her parents already have a stable husband in mind for her—she can’t stop thinking about the African American pianist of the Chess Men, Theo Chastain. When Rose returns to the jazz club, she is offered the role of singer for the Chess Men. The job would provide money to care for her sister, Sophy, who has cerebral palsy—but at what cost? As Rose gets to know Theo, their fledgling relationship faces prejudices she never imagined. And as she struggles to balance the dream world of Calliope’s with her cold, hard reality, she also wrestles with God’s call for her life. Can she be a jazz singer? Or will her faith suffer because of her worldly ways? Set in Depression-era Chicago and rich in historical detail, Sing for Me is a beautiful, evocative story about finding real, unflinching love and embracing—at all costs—your calling.
