Fanny is new to Margate, the daughter of Evangelist parents. When her brother finds an entrance to a hidden grotto on land their father has been advised to buy, the discovery sets into motion events that will rock this outsider family. This novel is about childhood secrets, hidden treasure and the lengths people go to protect what is valuable.
Cheryl Claassen offers an authoritative, readable and clear guide to the study of shells, which is addressed to students and professional archaeologists and palaeontologists. She considers the history of archaeological interest in shells, the biology of freshwater and marine molluscs, and critically discusses current techniques, methods, and research problems. Drawing on examples worldwide, and covering prehistoric and historic periods, among the topics covered are: is shell deposit natural or cultural? How long do shells last? What can shells tell us about the environmental characteristics and ancient habitats or about the people who collected them? What symbolic roles have shells served in human societies? This is a well balanced account, and all aspects of the subject are clearly represented.
During a dire battle against the fearsome Skinners, Daine and her mage teacher Numair are swept into the Divine Realms. Though happy to be alive, they are not where they want to be. They are desperately needed back home, where their old enemy, Ozorne, and his army of strange creatures are waging war against Tortall. Trapped in the mystical realms Daine discovers her mysterious parentage. And as these secrets of her past are revealed so is the treacherous way back to Tortall. So they embark on an extraordinary journey home, where the fate of all Tortall rests with Daine and her wild magic.
Structural colorations originate from self-organized microstructures, which interact with light in a complex way to produce brilliant colors seen everywhere in nature. Research in this field is extremely new and has been rapidly growing in the last 10 years, because the elaborate structures created in nature can now be fabricated through various types of nanotechnologies. Indeed, a fundamental book covering this field from biological, physical, and engineering viewpoints has long been expected.Coloring in nature comes mostly from inherent colors of materials, though it sometimes has a purely physical origin such as diffraction or interference of light. The latter, called structural color or iridescence, has long been a problem of scientific interest. Recently, structural colors have attracted great interest because various photonic architectures, now developing in modern technologies, have been spontaneously created in the self-organization process and have been extensively used as one of the important visual functions. In this book, the fundamental optical properties underlying structural colors are explained, and these mysteries of nature are surveyed from the viewpoint of biological diversity and according to their sophisticated structures. The book proposes a general principle of structural colors based on the structural hierarchy and presents up-to-date applications.
Haunted Landscapes offers a fresh and innovative approach to contemporary debates about landscape and the supernatural. Landscapes are often uncanny spaces embroiled in the past; associated with absence, memory and nostalgia. Yet experiences of haunting must in some way always belong to the present: they must be felt. This collection of essays opens up new and compelling areas of debate around the concepts of haunting, affect and landscape. Landscape studies, supernatural studies, haunting and memory are all rapidly growing fields of enquiry and this book synthesises ideas from several critical approaches – spectral, affective and spatial – to provide a new route into these subjects. Examining urban and rural landscapes, haunted domestic spaces, landscapes of trauma, and borderlands, this collection of essays is designed to cross disciplines and combine seemingly disparate academic approaches under the coherent locus of landscape and haunting. Presenting a timely intervention in some of the most pressing scholarly debates of our time, Haunted Landscapes offers an attractive array of essays that cover topics from Victorian times to the present.
In the 1960s Geoffrey Grigson travelled around England writing the story of the secret landscape that is all around us, if only we take the time to look and see. The result is a book that will take you on an imaginative journey, revealing hidden stories, unexpected places and strange phenomena. From green men, ice-scratches, cross-legged knights and weathercocks to rainbows, clouds and stars; from place-names and poets to mazes, dene-holes and sham ruins, via avenues, dewponds and village greens, The Shell Country Alphabet will help you discover the world that remains, just off the motorway. 'Geoffrey Grigson resurrected the minor, the provincial and the parochial ... [he was] an erudite and unrivalled topographer ... ardent in promoting informed awareness of the distinctiveness of place' Toby Barnard 'An anthologist of genius' P.J. Kavanagh
Ex-changes: Comparative Studies in British and American Cultures is a collection of articles exploring a variety of cultural texts – such as fiction, film, drama, poetry, and critical thought – in order to present the on-going transfer of ideas and processes of complementation that characterise cultural (re)production. The analyses gathered in the volume document the shifting ways of thinking about individual identity and social formations, describe the mobility of definitions of gender and nationality, and address the changing relations between various genres and disciplines through adaptation and re-writing. All of these preoccupations can be located within the broad domain of Comparative Studies, drawing comparisons across time, space, societies, cultures, genres, media and disciplines. The scope of the themes covered by the essays comprising this volume not only confirms the significance of comparative studies in contemporary cultural research, but also testifies to the validity of comparative methods, both in individual critical analysis and the writing process. Beneath the well-defined divisions of comparative studies in their inter-disciplinary preoccupations, such as comparisons involved in translation, adaptation, cross-cultural studies or relationships between various arts, this volume exposes to what extent individual cultural texts are founded on comparative structures and concepts, conceptualised through analogies, changes and internal splits.