J. Scott Campbell presents The Ravishing RED Collection, dedicated to make a compilation of published artwork for comic book publishers, movies and personal projects. Features a centerfold with Danger Girl/GIJOE and X-Men. Also new better protective coating and end pages.
From acclaimed New York Times bestselling author Madeline Hunter comes a dazzling tale of untamed passion, the first in a delicious quartet of regency romances… Armed with her cousin’s gun, Audrianna travels to an inn in Brighton to confront the mysterious “Domino”, a man who claims to have information that could clear her deceased father’s once good name. But the handsome man of commanding sensuality who shows up is not the Domino at all, but Lord Sebastian Sommerhays—one of her father’s persecutors. And when the gun accidentally fires, the secretive situation suddenly becomes mortifyingly public... There is only one way out of the scandal that erupts, and so these two passionate and headstrong adversaries find themselves joined in a marriage of necessity. Expecting a practical alliance, Audrianna quickly discovers she is helpless to resist Sebastian’s seductive persuasions as he teaches her the meaning of desire. But she remains determined to exonerate her father, even if it means risking her life, her marriage—and her heart.
J. Scott Campbell presents The Violent VIOLET Collection, dedicated to make a compilation of published artwork for comic book publishers, movies and personal projects. Features a centerfold with Danger Girl/GIJOE and X-Men. Also new better protective coating and end pages.
Examples from jewelry, millinery, handbags, perfume, couture, and everyday dress show how the rose--both beautiful and symbolic--has inspired fashion over hundreds of years.
The Packet War -- The Children -- Blondes -- Sirens -- Voice -- Noble Rot -- The Rivals -- Guess Who's Coming To Dinner -- Sister Shadow -- Elephants' Graveyard.
A star-studded anthology infuses English poetry with the rigor and wit of a foreign form. In recent years, the ghazal (pronounced "ghuzzle"), a traditional Arabic form of poetry, has become popular among contemporary English language poets. But like the haiku before it, the ghazal has been widely misunderstood and thus most English ghazals have been far from the mark in both letter and spirit. This anthology brings together ghazals by a rich gathering of 107 poets including Diane Ackerman, John Hollander, W. S. Merwin, William Matthews, Paul Muldoon, Ellen Bryant Voigt, and many others. As this dazzling collection shows, the intricate and self-reflexive ghazal brings the writer a unique set of challenges and opportunities. Agha Shahid Ali's lively introduction gives a brief history of the ghazal and instructions on how to compose one in English. An elegant afterword by Sarah Suleri Goodyear elucidates the larger issues of cultural translation and authenticity inherent in writing in a "borrowed" form.
Millicent understands the terms of her arranged marriage all too well. She gets to be a Countess by marrying an impoverished Earl. And in return, the Earl Fitzhugh receives the benefit of her vast wealth, saving his family from bankruptcy. Because of her youth, they have agreed to wait eight years before consummating the marriage--and then, only to beget an heir. After which, they will lead separate lives. It is a most sensible arrangement. Except for one little thing. Somehow Millie has fallen head over heels in love with her husband. Her husband, who has become her very best friend, but nothing more...Her husband, who plans to reunite with his childhood sweetheart, the beautiful and newly widowed Isabella, as soon as he has honored the pact with his wife... As the hour they truly become husband-and-wife draws near, both Millie and Fitzhugh must face the truth in their hearts. Has their pact bred only a great friendship--or has it, without either of them quite noticing, given rise to a great love?
The debut collection of raucous, dark, strange, satirical stories from the former Late Show with Stephen Colbert writer and New Yorker contributor, featuring a foreword by Stephen Colbert “Jen Spyra’s stories are shocking, silly, smart, and absurdly funny. Underline both those words, I don’t care how much it costs!”—Tina Fey A bride so desperate to get in shape for her wedding that she enrolls in a new kind of workout program that promises the moon but costs more than she bargained for. A snowman who, on the wish of a child, comes to life in a decidedly less savory way than in the childhood classic. And in the title story, a time-hopping 1940s starlet tries to claw her way to the top in modern-day Hollywood, despite being ridiculously unwoke. In this uproarious, addictive debut, Jen Spyra takes a culture that seems almost beyond parody and holds it up to a funhouse mirror, immersing the reader in a world of prehistoric influencers, woodland creatures plagued by millennial neuroses, and an all-out birthday bash determined to be the most lavish celebration of all time, by any means necessary. Welcome, brave soul, to the world of Jen Spyra.
Hugo Award–winning author Elizabeth Bear returns to the epic fantasy world of the Lotus Kingdoms with The Red-Stained Wings, the sequel to The Stone in the Skull, taking the Gage into desert lands under a deadly sky to answer the riddle of the Stone in the Skull. io9—New Sci-Fi and Fantasy for May The Verge—13 New Science Fiction and Fantasy Novels for May The Gage and the Dead Man brought a message from the greatest wizard of Messaline to the ruling queen of Sarathai, one of the Lotus Kingdoms. But the message was a riddle, and the Lotus Kingdoms are at war. Elizabeth Bear created her secondary world of the Eternal Sky in her highly praised novel The Range of Ghosts and its sequels. The Lotus Kingdoms #1 The Stone in the Skull #2 The Red-Stained Wings The Eternal Sky Trilogy #1 Range of Ghosts #2 Shattered Pillars #3 Steles of the Sky At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Winner of the Seamus Heaney First Collection Poetry Prize 2021 Shortlisted for the Michael Murphy Memorial Poetry Prize 2021 Arrow is a debut volume extraordinary in ambition, range and achievement. At its centre is 'Dear, beloved', a more-than-elegy for her younger sister who died suddenly: in the two years she took to write the poem, much else came into play: 'it was my hope to write the mood of elegy rather than an elegy proper,' following the example of the great elegists including Milton, to whose Paradise Lost she listened during the period of composition, also hearing the strains of Brigit Pegeen Kelly's Song, of Alice Oswald and Marie Howe. The poem becomes a kind of kingdom, 'one that is at once evil, or blighted, and beautiful, not to mention everything in between'. As well as elegy, Chakraborty composes invocations, verse essays, and the strange extended miracle of the title poem, in which ancient and modern history, memory and the lived moment, are held in a directed balance. It celebrates the natural forces of the world and the rapt experience of balance, form and - love. She declares a marked admiration for poems that 'will write into being a world that already in some way exists'. This is what her poems achieve.