The Ravishing of Lol Stein is a haunting early novel by the author of The Lover. Lol Stein is a beautiful young woman, securely married, settled in a comfortable life—and a voyeur. Returning with her husband and children to the town where, years before, her fiancé had abandoned her for another woman, she is drawn inexorably to recreate that long-past tragedy. She arranges a rendezvous for her friend Tatiana and Tatiana’s lover. She arranges to spy on them. And then, she goes one step further . . .
Unlock the more straightforward side of The Ravishing of Lol Stein with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Ravishing of Lol Stein by Marguerite Duras, an ambitious and innovative novel which follows the titular character’s attempts to rebuild her life after her fiancé leaves her for another woman. The narrative interweaves themes such as memory, madness, adultery and the inability to communicate, resulting in a novel that is engrossing and thought-provoking. Although less well-known than Duras’ later novel The Lover, The Ravishing of Lol Stein is nonetheless critically acclaimed, and was named by the French newspaper Le Monde as one of the 100 best books of the 20th century. Marguerite Duras was a French writer, playwright and filmmaker. She often moved away from the structure and style of traditional fiction in favour of a more abstract approach, making her one of the most influential and innovative authors of the 20th century. Find out everything you need to know about The Ravishing of Lol Stein in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
By one of the world1s most acclaimed writers and author of The Lover One of France1s leading literary figures, Marguerite Duras casts a brooding, elegant spell over her readers with her acute portrayals of love: its aphrodisiacal powers and its sweet, inevitable pain. This novella is haunting, erotic, and tragic, with the distinctive evocation that is Duras1 own. 3Ms. Duras1 1980 novella, The Man Sitting in the Corridor, whose superb translation by Barbara Bray is only now appearing, was Š an exercise in the author1s progressive distillation of her prose. Thus unencumbered, the rare bits of writing gain resonance, like a lone voice echoing through a tunnel. Moreover, by writing less‹and thereby suggesting more‹Ms. Duras invests her information with a power unavailable to more copious, if still evocative, forms of literary expression.2 - from The New York Times Book Review
Published for the first time in English, the debut novel of Marguerite Duras—renowned author of The Lover and The War—is the story of a family’s moral reckoning and a daughter’s fall from grace Marguerite Duras rose to global stardom with her erotic masterpiece The Lover (L’Amant), which won the prestigious Prix Goncourt, has over a million copies in print in English, has been translated into forty-three languages, and was adapted into a canonical film in 1992. While almost all of Duras’s novels have been translated into English, her debut The Impudent Ones (Les Impudents) has been a glaring exception—until now. Fans of Duras will be thrilled to discover the germ of her bold, vital prose and signature blend of memoir and fiction in this intense and mournful story of the Taneran family, which introduces Duras’s classic themes of familial conflict, illicit romance, and scandal in the sleepy suburbs and southwest provinces of France. Duras’s great gift was her ability to bring vivid and passionate life to characters with whom society may not have sympathized, but with whom readers certainly do. With storytelling that evokes in equal parts beauty and brutality, The Impudent Ones depicts the scalding effects of seduction and disrepute on the soul of a young French girl. Including an essay on the story behind The Impudent Ones by Jean Vallier—biographer of the late Duras—which contextualizes the origins of Duras’s debut novel, this one-of-a-kind publishing endeavor will delight established Duras fans and a new generation of readers alike.
The work of writer and filmmaker Marguerite Duras raises theoretical issues of representation and formal issues of cinematic and literary languages. The novel Le Ravissement de Lol V. Stein and the film India Song are examine using a psychoanalytic model of interpretation.
An international best-seller with more than one million copies in print and a winner of France's Prix Goncourt, The Lover has been acclaimed by critics all over the world since its first publication in 1984. Set in the prewar Indochina of Marguerite Duras's childhood, this is the haunting tale of a tumultuous affair between an adolescent French girl and her Chinese lover. In spare yet luminous prose, Duras evokes life on the margins of Saigon in the waning days of France's colonial empire, and its representation in the passionate relationship between two unforgettable outcasts. Long unavailable in hardcover, this edition of The Lover includes a new introduction by Maxine Hong Kingston that looks back at Duras's world from an intriguing new perspective--that of a visitor to Vietnam today.
This is a book about the meanings we make out of pain. The greatest surprise I encountered in discussing this topic over the past ten years was the consistency with which I was asked a single unvarying question: Are you writing about physical pain or mental pain? The overwhelming consistency of this response convinces me that modern culture rests upon and underlying belief so strong that it grips us with the force of a founding myth. Call it the Myth of Two Pains. We live in an era when many people believe--as a basic, unexamined foundation of thought--that pain comes divided into separate types: physical and mental. These two types of pain, so the myth goes, are as different as land and sea. You feel physical pain if your arm breaks, and you feel mental pain if your heart breaks. Between these two different events we seem to imagine a gulf so wide and deep that it might as well be filled by a sea that is impossible to navigate.
Unseen voices narrate this story of the affair between the haunting Anne-Marie Stretter and the disgraced French vice-consul in Lahore. In the India of 1937, with the smell of laurels and leprosy permeating the air, the characters perform a dance of doomed love to the strains of a dying colonialism.
"In this volume of four short novels, Duras demonstrates her remarkable ability to create an emotional intensity and unity by focusing on the intimate details of the relationships among only a few central characters: from the park bench couple in "The Square" (1955) to the double love triangle in "10:30 on a Summer Night" (1960), each novel probes the depths and complexities of human emotion, of love and of despair. Exceptional for their range in mood and situation, these four novels are unparalleled exhibitions of a poetic beauty that is uniquely Duras."--Publisher description.
This panoramic exploration of French life between the wars reads like a prequel to Irène Némirovsky’s international bestseller Suite Française. At the end of the First World War, Bernard Jacquelain returns from the trenches a changed man. Broken by the unspeakable horrors he has witnessed, he becomes addicted to the lure of wealth and success. He wallows in the corruption and excess of post-war Paris, but when his lover abandons him, Bernard turns to a childhood friend for comfort. For ten years, he lives the good bourgeois life, but when the drums of war begin to sound again, everything around which he has rebuilt himself starts to crumble, and the future—of his marriage and of his country—suddenly becomes terribly uncertain. Written after Némirovsky fled Paris in 1940, just two years before her death, and first published in France in 1957, The Fires of Autumn is a coruscating, tragic novel of war and its aftermath, and of the ugly color it can turn a man's soul.
