Analyzes the manner in which Barack Obama uses race strategically to engage with and win the loyalty of potential supporters. Price uses examples from Obama's campaigns and presidency to demonstrate his ability to authentically tap into notions of blackness and whiteness to appeal to particular constituencies. By tailoring his unorthodox personal narrative to emphasize those parts of it that most resonate with a specific racial group, Obama targets his message effectively to that audience, shoring up electoral and governing support. The author also considers the impact of Obama's use of race on the ongoing quest for black political empowerment. Unfortunately, racial advocacy for African Americans has been made more difficult because of the intense scrutiny of Obama's relationship with the black community, Obama's unwillingness to be more publicly vocal in light of that scrutiny, and the black community's reluctance to use traditional protest and advocacy methods on a black president. --From publisher description.
The election of Barack Obama marked a critical point in American political and social history. Did the historic election of a black president actually change the status of blacks in the United States? Did these changes (or lack thereof) inform blacks' perceptions of the President? This book explores these questions by comparing Obama's promotion of substantive and symbolic initiatives for blacks to efforts by the two previous presidential administrations. By employing a comparative analysis, the reader can judge whether Obama did more or less to promote black interests than his predecessors. Taking a more empirical approach to judging Barack Obama, this book hopes to contribute to current debates about the significance of the first African American presidency. It takes care to make distinctions between Obama's substantive and symbolic accomplishments and to explore the significance of both.
You've heard of Horse Whisperers and Dog Whisperers, but Ellis thinks he might be a Worm Whisperer! Ellis Coffey loves animals. He spends so much time outdoors that sometimes he thinks he can talk with them. When he discovers a caterpillar that seems to follow his directions, he knows he has a chance to win the annual Woolly Worm race. The prize money is $1,000--exactly the amount of the deductible for his dad's back surgery. If Ellis is right and he can train his woolly worm to be the fastest in the county, he's sure can solve all his family's problems. But when you're trying to talk to insects, nothing is as simple as it seems. From Betty Hicks, author of the Gym Shorts series for new readers, comes a story of friendship, family, and hidden talents that might be more useful than they first seemed.
A complex portrait of contemporary black political stances Black Nationalism is one of the oldest and most enduring ideological constructs developed by African Americans to make sense of their social and political worlds. In Dreaming Blackness, Melanye T. Price explores the current understandings of Black Nationalism among African Americans, providing a balanced and critical view of today’s black political agenda. She argues that Black Nationalism continues to enjoy moderate levels of support by most black citizens but has a more difficult time gaining a larger stronghold because of increasing diversity among blacks and a growing emphasis on individualism over collective struggle. She shows that black interests are a dynamic negotiation among various interested groups and suggests that those differences are not just important for the "black agenda" but also for how African Americans think and dialogue about black political questions daily. Using a mix of everyday talk and impressive statistical data to explain contemporary black opinions, Price highlights the ways in which Black Nationalism works in a "post-racial" society. Ultimately, Price offers a multilayered portrait of African American political opinions, providing a new understanding of race specific ideological views and their impact on African Americans, persuasively illustrating that Black Nationalism is an ideology that scholars and politicians should not dismiss.
Don’t Whisper Too Much was the first work of fiction by an African writer to present love stories between African women in a positive light. Bona Mbella is the second. In presenting the emotional and romantic lives of gay, African women, Ekotto comments upon larger issues that affect these women, including Africa as a post-colonial space, the circulation of knowledge, and the question of who writes history. In recounting the beauty and complexity of relationships between women who love women, Ekotto inscribes these stories within African history, both past and present. Don’t Whisper Too Much follows young village girl Ada’s quest to write her story on her own terms, outside of heteronormative history. Bona Mbella focuses upon the life of a young woman from a poor neighborhood in an African megalopolis. And “Panè,” a love story, brings the many themes from Don’t Whisper Much and Bona Mbella together as it explores how emotional and sexual connections between women have the power to transform, even in the face of great humiliation and suffering. Each story in the collection addresses how female sexuality is often marked by violence, and yet is also a place for emotional connection, pleasure and agency. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Winner of the 2021 Boston Globe Horn Book Award for Nonfiction Longlisted for the 2021 National Book Award for Young People's Literature Finalist for the 2022 YALSA Award for Excellence in Young Adult Nonfiction An NPR Best Book of 2021 A Washington Post Best Children's Book of 2021 A Time Young Adult Best Book of 2021 A Kirkus Reviews Best Children's Book of 2021 A Publishers Weekly Best Young Adult Book of 2021 A School Library Journal Best Book of 2021 A Horn Book Best Book of 2021 A compelling account of the killing of Vincent Chin, the verdicts that took the Asian American community to the streets in protest, and the groundbreaking civil rights trial that followed. America in 1982: Japanese car companies are on the rise and believed to be putting U.S. autoworkers out of their jobs. Anti–Asian American sentiment simmers, especially in Detroit. A bar fight turns fatal, leaving a Chinese American man, Vincent Chin, beaten to death at the hands of two white men, autoworker Ronald Ebens and his stepson, Michael Nitz. Paula Yoo has crafted a searing examination of the killing and the trial and verdicts that followed. When Ebens and Nitz pled guilty to manslaughter and received only a $3,000 fine and three years’ probation, the lenient sentence sparked outrage. The protests that followed led to a federal civil rights trial—the first involving a crime against an Asian American—and galvanized what came to be known as the Asian American movement. Extensively researched from court transcripts, contemporary news accounts, and in-person interviews with key participants, From a Whisper to a Rallying Cry is a suspenseful, nuanced, and authoritative portrait of a pivotal moment in civil rights history, and a man who became a symbol against hatred and racism.
Lumley, winner of the British Fantasy Award for short fiction, presents a collection of nine of his best short works, including the short novel "Return of the Deep Ones, The Disapproval of Jeremy Cleave, Aunt Hester, " and the title story "The Whisperer."
Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world What exactly is Blackness and what does it mean to be Black? Is Blackness a matter of biology or consciousness? Who determines who is Black and who is not? Who’s Black, who’s not, and who cares? In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later? One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.
In The Price of the Ticket, Fred Harris contends that Obama's success has, in reality, exacted a negative price. His victory has not only utterly transformed the forms of black politics that emerged in the 1960s and which laid the foundation for his eventual ascendance, Harris claims-it has profoundly weakened them.
"Fine and Turner present a wonderful exploration into what our seemingly mundane rumor-sharing means for race in our society. Filled with examples that we all can recognize, and superbly written and argued, Whispers on the Color Line will be a classic in the study of race and culture."—Mary Pattillo-McCoy, author of Black Picket Fences: Privilege and Peril among the Black Middle Class "Fine and Turner have written a disturbing, yet important book. Taking racially tinged (or drenched, as the case may be) rumors as an unobtrusive measure of the state of black-white relations in the U.S., the authors document the yawning social-cultural chasm in the nation. Contradicting the tepid national narrative that celebrates the "before" and "after" racial transformation achieved by the civil rights struggle, Whispers on the Color Line reminds us that the "peculiar dilemma" Gunnar Myrdal wrote about fifty-seven years ago is still very much with us. Until the "whispers" grow into a far more open and honest dialogue, nothing will change."—Doug McAdam, author of Freedom Summer "Whispers on the Color Line is a logical and necessary extension of the authors' earlier books (Fine's Manufacturing Tales and Turner's I Heard It Through the Grapevine), which work in tandem to explore racial issues through everyday narratives. The authors themselves represent an American cultural dialectic."—Janet Langlois, author of Belle Gunness, The Lady Bluebeard "Whispers on the Color Line is insightful and thought-provoking, powerfully underscoring the social significance of hearsay, rumors, and legends in everyday life. This rich and poignant narrative reveals and educates--an important contribution to social science understanding and to the ongoing discourse about race matters in this country."—Elijah Anderson, author of Code of the Street: Decency, Violence, and the Moral Life of the Inner City "This book speaks loudly to our most troubling contemporary problem: interactions among the "races" that are carried out in secret. The development of media such as the Internet (with its various aspects, from personal email to screeds sent out through listserves) has helped us recognize that rumors have gone public--and that we need to become involved in managing this process."—Roger Abrahams, author of Singing the Master: The Emergence of African-American Culture in the Plantation South
