Datch and Carina have just been joined in a ceremony on Bellatrix five. They are on honeymoon and sitting enjoying the sun in a beach resort on Luyten seven when they decide that they want Ice-cream. The real thing as Datch put it is only twelve light years away on Sol three AKA Earth. Can they sneak on to the world and get ice-cream without being noticed after all it has not made contact yet. Datch however does not do quiet and the Raven is quite a large ship and therefore they can't just land it anywhere, can they?
Originally published in 1966, the full Georgian text of the oldest version of this Christian version of this matchless classic of Oriental wisdom literature is made accessible to a wider readership in an English translation. Based on a unique manuscript preserved in the Greek Patriarchate at Jerusalem, this rendering should appeal to those interested in comparative religion, Buddhism, medieval Christianity, the history of monasticism and in the literature of the Georgians and other ancient nations of the former Soviet Union.
"This book has been written for the artist, for the theologian, and for the philosopher, each of whom must be concerned with the question, "What does it mean to be human?" But at a deeper level, it is written for any reader who knows what it means to be fragmented, and who is willing to undertake a quest for wholeness in experiential and reflective terms." — from the Preface The Quest for Wholeness is a philosophic odyssey into humankind's feelings of fragmentation, and the search for unity born of those feelings. It blends the concreteness of art and religion with the discipline of philosophy to illuminate those places in experience and reflection where fragmentation is encountered and the meaning of wholeness is first discovered. Carl Vaught discusses the problems of fragmentation and unity, beginning with the aesthetic concreteness represented by the quest in Herman Melville's Moby Dick; moving through the religious dimension represented by the biblical stories of Abraham, Isaac, Jacob, Joseph, and Moses; passing on to the reflective discourse in Plato's Euthyphro; and ending in a confrontation with Hegel that unites the concrete particularity of religious and communal life with the dialectic of Socrates' normative reasoning. This book is written with the conviction that the professional philosopher should not address a merely professional audience, but the larger world as well, and that in the end he must come to terms with himself and with the most pressing questions that confront the human spirit.
"In his most ambitious work yet, Shermer sets out to discover what drives humans' belief in life after death, focusing on recent scientific attempts to achieve immortality by radical life extentionists, extropians, transhumanists, cryonicists, and mind-uploaders, along with utopians who have attempted to create heaven on earth. For millennia, religions have concocted numerous manifestations of heaven and the afterlife, the place where souls go after the death of the physical body. Religious leaders have toiled to make sense of this place that a surprising 74% of Americans believe exists, but from which no one has ever returned to report what it is really like. Heavens on Earth concludes with an uplifting paean to purpose and progress and what we can do in the here-and-now, whether or not there is a hereafter" --
An award-winning journalist and producer of This American Life traces the stories of five convicted murderers to assess their struggles for redemption, efforts toward parole and first steps in transitioning back to civilian life. 25,000 first printing.
Datch was born on the planet of Bellatrix Five and is about to become an adolescent, at the age of six which is about twelve in earth terms, he is about to get his brain implant and he's scared. His life is about to change forever, the implant will give him access to a fountain of knowledge and much, much more. Follow him, as he learns to use it, and be with him as his mum and dad take him on a great adventure, he'll see stars explode and visit alien worlds. He'll be frightened, scared and there will be tears, he'll learn to dance and sing, the mountains will tremble at him, the universe will be his play ground. He will make friends on the way and save the day, join him as he parties his way through life and carries everyone along with him. He's given the stars, will the universe survive the onslaught of Datch? Just how much trouble can a six-year-old adolescent get into anyway? Read on to find out or just ask a Bellatrixian squirrel.
The Pack is a rock band from the planet of Bellatrix Five and are on their forth galactic tour. They are nearly half way through it when the daughter of the Arcaneus president comes to them for help when a barbaric race ensalved her world. The Pack are asked to help save her dad and maybe her world. This is a challenge for Datch and The Pack. Carina has also asked Datch a very big question. Read Arcaneus to find out what happens.
The Pack are having a break. The younger members of The Pack have decided to help explore a newly discovered world that had been wandering through space and had be pulled into orbit around a star.. The older members of the Pack have voted to stay at home in a very posh resort in Traxsend, drink lots of beer and play with their bike up the mountains. Datch has acquired a vehicle to help the exploration of the new planet and in normal Datch style, it is a little on the big side. They are technically working for the IPSF but its more a holiday for them - well to start with anyway. Will they find life, will they discover a civilisation, Will Datch blow the planet up? Read the Orphaned world to find out.
‘Let the lion of Vedanta roar, and the foxes (out of fear) will fly to their holes’, said Swami Vivekananda. It is that lion roar which we get in the Upanishads. And it is precisely this truth that the author of this book tries to uncover and present to the readers. He brilliantly succeeds in bringing out the tremendous potency of the Upanishads in playing the role of a torchbearer illuminating the dark labyrinths of human life and destiny. Published by Advaita Ashrama, a publication house of Ramakrishna Math, Belur Math, India.
"This book is MacDonald's magnum opus: it represents a deep immersion in and advocacy for independent, experimental cinema."—Patricia R. Zimmerman, author of States of Emergency: Documentaries, Wars, Democracies "This is a brilliant study--learned, authoritative, and often eloquent. One reads this book with astonishment at the wealth of thoughtful and playful and provocative work that has occurred in this medium--and astonishment too that most scholars of environmental literature and nature in the visual arts have had minimal contact with independent film and video. MacDonald provides an immensely valuable, readable overview of this field, profoundly relevant to my own work and that of many other contemporary ecocritics."—Scott Slovic, editor of ISLE: Interdisciplinary Studies in Literature and Environment "The Garden in the Machine is clearly MacDonald's major work. It is very original and wide reaching especially in its analysis of the relationship of American avant-garde films to the poetry and painting of the native landscape. MacDonald's authority is evident everywhere: he probably knows more about most of the films he discusses than anyone alive."—P. Adams Sitney, author of Modernist Montage : The Obscurity of Vision in Cinema and Literature "The Garden in the Machine reflects Scott MacDonald's career-long lived engagement with avant-garde film and filmmakers. With deep respect for the artists and a rich, wide-ranging curiosity about the cultural histories that inform these films, MacDonald makes a powerful argument for why they should be screened, taught, and discussed within the wider context of American Studies. Throughout, MacDonald analyzes themes of race, history, personal and public memory, and the central role of avant-garde films in shaping our possible futures."—Angela Miller, author of Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875
