The Pushkin Handbook, a collection of studies by leading Pushkin scholars from the former Soviet Union, North America, and elsewhere, unites in one volume a multiplicity of voices engaged in a genuinely post-Soviet dialogue. From its beginnings, Pushkin’s oeuvre has accommodated numerous, often competing readings. This book is further testimony to the continuing complexity of Russia’s preeminent writer: his place in the literary and cultural cosmos, his relationship to his Russian predecessors and contemporaries, and his reception and interpretation at various points in history.
"From its beginnings Pushkin's oeuvre has accommodated numerous, often competing readings (of which the major trends are discussed in David Bethea's introduction). The Pushkin Handbook - containing arguments whose wellsprings lie in a range of intellectual traditions, including structuralism, prosody, Bakhtin, Orientalist studies, musicology, and more - if further testimony to the continuing complexity of Russia's preeminent writer."--Jacket.
Includes the original Russian text and, for the first time, an English translation of that version. “Antony Wood’s translation is fluent and idiomatic; analyses by Dunning et al. are incisive; and the ‘case’ they make is skillfully argued. . . . Highly recommended.”—Choice
Buy a pair of Levi’s, lose the Russian accent, become an American… how hard could it be? Moscow, 1988. After years of antisemitic harassment, countless hours waiting in line for toilet paper, and having zero access to cool jeans, Margarita decides it’s time to get the hell out of the Soviet Union. While dreaming of buying the boat-sized Buick she’d seen in a pirated VHS of Miami Vice and getting a taste of whatever it is Bruce Springsteen is singing about, she comes up with a plan to escape Mother Russia for good. When Margarita arrives in the US with her family, she has one objective – become fully American as soon as possible, and leave her Soviet past behind. But she soon learns that finding her new voice is harder than avoiding the KGB. Because, how do you become someone else completely? Is it as simple as changing your name, upgrading your wardrobe and working on your pronunciation of the word ‘sheet’? Can you let go of old habits (never, ever throw anything away), or learn to date without hang-ups (‘there is no sex in the Soviet Union’ after all)? Will you ever stop disappointing your parents, who expect you to become a doctor, a lawyer, an investment banker and a classical pianist – all at the same time? And can you still become the person you dreamed you’d be, while learning to embrace parts of yourself you’ve wanted to discard for good when you immigrated? Absolutely hilarious, painfully honest and sometimes heart-breaking, the award-winning I Named My Dog Pushkin will have fans of David Sedaris and Samantha Irby howling with laughter at Margarita’s failures, her victories and the life lessons she learns as she grows as both a woman and an immigrant, in a world that often doesn’t appreciate either. What readers are saying about I Named My Dog Pushkin: ‘Hilariously funny, whip-smart and absolutely fascinating… Silver shows that the only person she needs to ever become is herself. Just amazing.’ Caroline Leavitt, New York Times bestselling author of Pictures of You and With or Without You ‘Laugh-out-loud funny... a particular pleasure to see our splintered country through the eyes of this determined and appreciative emigree.’ NPR Books ‘An eye-opener… a whole other brand of Jewish humor… The book's wit, drama and erudition appear to me wholly miraculous. Margarita deserves a literary prize.’ Alicia Bay Laurel, New York Times bestselling author of Living on the Earth ‘Hysterically funny and thought-provoking… perfect for anyone fascinated with the USSR’ FangirlNation ‘I thoroughly enjoyed Margarita's witty and acerbic voice. This book was a delight!’ Jen Mann, New York Times bestselling author of People I Want to Punch in the Throat ‘Hilarious… From one USSR immigrant to another... I related a lot.’ Margarita Levieva, HBO's The Deuce ‘Hilarious and thought-provoking.’ California Bookwatch ‘A memoir like this is so very rare, one in which you learn a great deal, while laughing throughout. Highly, highly recommended.’ Wandering Educators ‘Plunges the reader into a world in which Coca-Cola is synonymous with freedom… riveting… moving… Gokun Silver is a gifted, witty writer.’ Los Angeles Review of Books ‘Sure to delight while tugging at your heartstrings.’ Jewish Book Council ‘Had me laughing and smiling all the way through… a perfect balance of wit and seriousness… Superb.’ Goodreads reviewer ‘Laughed my socks off!’ Goodreads reviewer ‘I loved this book so much… I just could not stop reading.’ NetGalley reviewer ‘A sharp, witty memoir… Margarita captured Jewish joy and grief together perfectly.’ Goodreads reviewer ‘Darkly funny… reminiscent of other acerbic comedian authors like Sara Barron… fascinating.’ NetGalley reviewer
In the last decades of the nineteenth century, two thousand women physicians formed a significant and lively scientific community in the United States. Many were active writers; they participated in the development of medical record-keeping and research, and they wrote self-help books, social and political essays, fiction, and poetry. Out of the Dead House rediscovers the contributions these women made to the developing practice of medicine and to a community of women in science. Susan Wells combines studies of medical genres, such as the patient history or the diagnostic conversation, with discussions of individual writers. The women she discusses include Ann Preston, the first woman dean of a medical college; Hannah Longshore, a successful practitioner who combined conventional and homeopathic medicine; Rebecca Crumpler, the first African American woman physician to publish a medical book; and Mary Putnam Jacobi, writer of more than 180 medical articles and several important books. Wells shows how these women learned to write, what they wrote, and how these texts were read. Out of the Dead House also documents the ways that women doctors influenced medical discourse during the formation of the modern profession. They invented forms and strategies for medical research and writing, including methods of using survey information, taking patient histories, and telling case histories. Out of the Dead House adds a critical episode to the developing story of women as producers and critics of culture, including scientific culture."
At the great Kirov Ballet of St. Petersburg, Alexander Pushkin danced many leading roles from 1925 to 1953. However, it was as a teacher that he ecame a legend. Rudolf Nureyev and Mikhail Baryshnikov were his star pupils, but nearly all the leading male dancers of the Kirov Ballet from the 1940s through to the 1960s were taught by him.
This book explores the historical insights of Alexander Pushkin (1799-1837), Russia’s most celebrated poet and arguably its greatest thinker. Svetlana Evdokimova examines for the first time the full range of Pushkin’s fictional and nonfictional writings on the subject of history—writings that have strongly influenced Russians’ views of themselves and their past. Through new readings of his drama, Boris Godunov; such narrative poems as Poltava, The Bronze Horseman, and Count Nulin; prose fiction, including The Captain’s Daughter and Blackamoor of Peter the Great; lyrical poems; and a variety of nonfictional texts, the author presents Pushkin not only as a progenitor of Russian national mythology but also as an original historical and political thinker. Evdokimova considers Pushkin within the context of Romantic historiography and addresses the tension between Pushkin the historian and Pushkin the fiction writer . She also discusses Pushkin’s ideas on the complex relations between chance and necessity in historical processes, on the particular significance of great individuals in Russian history, and on historical truth.
Profiles the careers of Russian authors, scholars, and critics and discusses the history of the Russian treatment of literary genres such as drama, fiction, and essays
The Oxford Handbook of European Romanticism focuses on the period beginning with the French Revolution and extending to the uprisings of 1848 across Europe. It brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism. The volume begins with a series of chapters examining key texts written by major writers in languages including French, German, Italian, Spanish, Russian, Hungarian, Greek, and Polish amongst others. Then follows a second section based on the naturally inter-disciplinary quality of Romanticism, encapsulated by the different discourses with which writers of the time, set up an internal comparative dynamic. These chapters highlight the sense a discourse gives of being written knowledgeably against other pretenders to completeness or comprehensiveness of understanding, and the Enlightenment encyclopaedic project. Discourses typically push their individual claims to resume European culture, collaborating and trying to assimilate each other in the process. The main examples featuring here are history, geography, drama, theology, language, geography, philosophy, political theory, the sciences, and the media. Each chapter offers original and individual interpretation of individual aspects of an inherently comparative world of individual writers and the discursive idioms to which they are historically subject. Together the forty-one chapters provide a comprehensive and unique overview of European Romanticism.
This book is intended to capture the interest of anyone who has been attracted to Russian culture through the greats of Russian literature, either through the texts themselves, or encountering them in the cinema, or opera. Rather than a conventional chronology of Russian literature, the book will explore the place and importance of literature of all sorts in Russian culture. How and when did a Russian national literature come into being? What shaped its creation? How have the Russians regarded their literary language? The book will uses the figure of Pushkin, 'the Russian Shakespeare' as a recurring example as his work influenced every Russian writer who came after hime, whether poets or novelists. It will look at such questions as why Russian writers are venerated, how they've been interpreted inside Russia and beyond, and the influences of such things as the folk tale tradition, orthodox religion, and the West ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
