The Cambridge Companion to Chopin

The Cambridge Companion to Chopin

Author: Jim Samson

Publisher: Cambridge University Press

Published: 1992

Total Pages: 364

ISBN-13: 9780521477529

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Twelve essays by leading Chopin scholars provide a uniquely comprehensive guide to the composer and his music.


Switched on Pop

Switched on Pop

Author: Nate Sloan

Publisher:

Published: 2020

Total Pages: 225

ISBN-13: 0190056657

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Based on the critically acclaimed podcast that has broken down hundreds of Top 40 songs, Switched On Pop dives in into eighteen hit songs drawn from pop of the last twenty years--ranging from Britney to Beyoncé, Kelly Clarkson to Kendrick Lamar--uncovering the musical explanations for why and how certain tracks climb to the top of the charts. In the process, authors Charlie Harding and Nate Sloan reveal the timeless techniques that animate music across time and space.


The Rest Is Noise

The Rest Is Noise

Author: Alex Ross

Publisher: Farrar, Straus and Giroux

Published: 2007-10-16

Total Pages: 706

ISBN-13: 1429932880

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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.


Problems of Modern Music

Problems of Modern Music

Author: Paul Henry Lang

Publisher: New York : W. W. Norton

Published: 1962

Total Pages: 140

ISBN-13:

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By way of introduction we may sketch in the background from which this mid-century stock-taking grew, and perhaps add a few comments of our own. The first half of the 20th century passed under the sign of violent antitheses. First there was revolutionary dissolution, followed by severe, tradition-oriented concentration; emphatic subjectivity, then dogged objectivity and studied collectivism, The same extremes can be detected in the constituent features of music. Form became so fragmented that its dangling remnants could hardly be detected, but subsequently it solidified, triumphantly rediscovering age-old esthetic tenets and then petrified.


Gender, Branding, and the Modern Music Industry

Gender, Branding, and the Modern Music Industry

Author: Kristin Lieb

Publisher: Routledge

Published: 2018-01-12

Total Pages: 302

ISBN-13: 1351662848

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Gender, Branding, and the Modern Music Industry combines interview data with music industry professionals with theoretical frameworks from sociology, mass communication, and marketing to explain and explore the gender differences female artists experience. This book provides a rare lens on the rigid packaging process that transforms female artists of various genres into female pop stars. Stars—and the industry power brokers who make their fortunes—have learned to prioritize sexual attractiveness over talent as they fight a crowded field for movie deals, magazine covers, and fashion lines, let alone record deals. This focus on the female pop star’s body as her core asset has resigned many women to being "short term brands," positioned to earn as much money as possible before burning out or aging ungracefully. This book, which includes interview data from music industry insiders, explores the sociological forces that drive women into these tired representations, and the ramifications for the greater social world.


Good Ol' Songs

Good Ol' Songs

Author: Hal Leonard Corp

Publisher: Hal Leonard Publishing Corporation

Published: 2001-02

Total Pages: 0

ISBN-13: 9780634018312

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(Paperback Songs). 140 beloved songs of yesteryear, all in one handy, bargain-priced book! Songs include: After You've Gone * Alexander's Ragtime Band * Bill Bailey, Won't You Please Come Home * By the Light of the Silvery Moon * Chicago * Dardanella * Dark Eyes * The Entertainer * Frankie and Johnny * Give My Regards to Broadway * The Glow Worm * I Ain't Got Nobody * I Wish I Could Shimmy like My Sister Kate * K-K-K-Katy * M-O-T-H-E-R * My Man * Paper Doll * Peg O' My Heart * Swanee * Take Me Out to the Ball Game * Tiger Rag * When Irish Eyes Are Smiling * When My Baby Smiles at Me * You Made Me Love You * and more!


Classical Music

Classical Music

Author: Michael Beckerman

Publisher: Open Book Publishers

Published: 2021-03-30

Total Pages: 154

ISBN-13: 1800641168

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This kaleidoscopic collection reflects on the multifaceted world of classical music as it advances through the twenty-first century. With insights drawn from leading composers, performers, academics, journalists, and arts administrators, special focus is placed on classical music’s defining traditions, challenges and contemporary scope. Innovative in structure and approach, the volume comprises two parts. The first provides detailed analyses of issues central to classical music in the present day, including diversity, governance, the identity and perception of classical music, and the challenges facing the achievement of financial stability in non-profit arts organizations. The second part offers case studies, from Miami to Seoul, of the innovative ways in which some arts organizations have responded to the challenges analyzed in the first part. Introductory material, as well as several of the essays, provide some preliminary thoughts about the impact of the crisis year 2020 on the world of classical music. Classical Music: Contemporary Perspectives and Challenges will be a valuable and engaging resource for all readers interested in the development of the arts and classical music, especially academics, arts administrators and organizers, and classical music practitioners and audiences.


Popular Music in a Digital Music Economy

Popular Music in a Digital Music Economy

Author: Tim J. Anderson

Publisher: Routledge

Published: 2013-12-17

Total Pages: 212

ISBN-13: 131791421X

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In the late 1990s, the MP3 became the de facto standard for digital audio files and the networked computer began to claim a significant place in the lives of more and more listeners. The dovetailing of these two circumstances is the basis of a new mode of musical production and distribution where new practices emerge. This book is not a definitive statement about what the new music industry is. Rather, it is devoted to what this new industry is becoming by examining these practices as experiments, dedicated to negotiating what is replacing an "object based" industry oriented around the production and exchange of physical recordings. In this new economy, constant attention is paid to the production and licensing of intellectual property and the rise of the "social musician" who has been encouraged to become more entrepreneurial. Finally, every element of the industry now must consider a new type of audience, the "end user", and their productive and distributive capacities around which services and musicians must orient their practices and investments.


The Classical Revolution

The Classical Revolution

Author: John Borstlap

Publisher: Courier Dover Publications

Published: 2017-06-15

Total Pages: 193

ISBN-13: 0486823350

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Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.


Making Music Modern

Making Music Modern

Author: Carol J. Oja

Publisher: Oxford University Press, USA

Published: 2000

Total Pages: 510

ISBN-13: 0195162579

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This book recreates an exciting and productive period in which creative artists felt they were witnessing the birth of a new age. Aaron Copland, Henry Cowell, George Gershwin, Roy Harris, and Virgil Thomson all began their careers then, as did many of their less widely recognized compatriots. While the literature and painting of the 1920's have been amply chronicled, music has not received such treatment. Carol Oja's book sets the growth of American musical composition against parallel developments in American culture, provides a guide for the understanding of the music, and explores how the notion of the concert tradition, as inherited from Western Europe, was challenged and revitalized through contact with American popular song, jazz, and non-Western musics.