British master spy Sidney Reilly tries to prevent Lenin from taking power over Russia in 1918. He fails but soon discovers that he was betrayed. After investigating, Reilly goes back to Russia on one final high-stakes gamble-- and disappears forever. Both SIS and KGB are completely stymied and invent "legends" to protect their interests. Private War, based on original research independent of the SIS and KGB, is the first telling of what really happened. Both Robin Lockhart, author of "Reilly: Ace of Spies" and Lev Bezymensky, the Soviet go-to man for information on Reilly, endorsed the book.
The Historical Dictionary of British Spy Fiction is a detailed overview of the rich history and achievements of the British espionage story in literature, cinema and television. It provides detailed yet accessible information on numerous individual authors, novels, films, filmmakers, television dramas and significant themes within the broader field of the British spy story. It contains a wealth of facts, insights and perspectives, and represents the best single source for the study and appreciation of British spy fiction. British spy fiction is widely regarded as the most significant and accomplished in the world and this book is the first attempt to bring together an informed survey of the achievements in the British spy story in literature, cinema and television. The Historical Dictionary of British Spy Fiction contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on individual authors, stories, films, filmmakers, television shows and the various sub-genres of the British spy story. This book is an excellent access point for students, researchers, and anyone wanting to know more about British spy fiction.
A revealing biography of Sidney Reilly, the early twentieth-century virtuoso of espionage Sidney Reilly (c. 1873–1925) is one of the most colorful and best–known spies of the twentieth century. Emerging from humble beginnings in southern Russia, Reilly was an inventive multilingual businessman and conman who enjoyed espionage as a sideline. By the early twentieth century he was working as an agent for Scotland Yard, spying on émigré communities in Paris and London, with occasional sorties to Germany, Russia, and the Far East. He spent World War I in the United States, brokering major arms deals for tsarist Russia, and then decided to become a professional spy, joining the ranks of MI6, Britain’s foreign intelligence service. He came close to overthrowing the Bolshevik regime in Moscow before eventually being lured back to Russia and executed. Said to have been the inspiration for Ian Fleming’s iconic James Bond character, Reilly was simultaneously married to three or four women and had mistresses galore. Sifting through the reality and the myth of Reilly’s life, historian Benny Morris offers a fascinating portrait of one of the most intriguing figures from the golden age of spies.
Looking-Glass Wars: Spies on British Screens since 1960 is a detailed historical and critical overview of espionage in British film and television in the important period since 1960. From that date, the British spy screen was transformed under the influence of the tremendous success of James Bond in the cinema (the spy thriller), and of the new-style spy writing of John le Carré and Len Deighton (the espionage story). In the 1960s, there developed a popular cycle of spy thrillers in the cinema and on television. The new study looks in detail at the cycle which in previous work has been largely neglected in favour of the James Bond films. The study also brings new attention to espionage on British television and popular secret agent series such as Spy Trap, Quiller and The Sandbaggers. It also gives attention to the more ‘realistic’ representation of spying in the film and television adaptations of le Carré and Deighton, and other dramas with a more serious intent. In addition, there is wholly original attention given to ‘nostalgic’ spy fictions on screen, adaptations of classic stories of espionage which were popular in the late 1970s and through the 1980s, and to ‘historical’ spy fiction, dramas which treated ‘real’ cases of espionage and their characters, most notably the notorious Cambridge Spies. Detailed attention is also given to the ‘secret state’ thriller, a cycle of paranoid screen dramas in the 1980s which portrayed the intelligence services in a conspiratorial light, best understood as a reaction to excessive official secrecy and anxieties about an unregulated security service. The study is brought up-to-date with an examination of screen espionage in Britain since the end of the Cold War. The approach is empirical and historical. The study examines the production and reception, literary and historical contexts of the films and dramas. It is the first detailed overview of the British spy screen in its crucial period since the 1960s and provides fresh attention to spy films, series and serials never previously considered.
The twentieth century has been fundamentally shaped by changes in Russia, where disaster in the First World War was followed by the fall of the Tsar. Nicholas II's replacement first by Kerensky's liberal government then by the Bolsheviks, and the subsequent Civil War and foreign intervention, led to the erection of a system of state tyranny previously unthought of. The Bolshevik regime, with its ideological hatred of other regimes, was a threat to the west where developments in Russia were watched with both horror and fascination. Britain's information about this series of extraordinary events, and about what might be about to happen next, was largely dependent on the small number of British officials, mainly diplomats, posted in Russia. Inside the Enigma gives us a view from an unusual and privileged angle of the history of Russia between the turn of the century and the beginning of the Second World War. The discomforts and privations suffered by British officials were matched by their frustration. Impenetrable Tsarist court intrigue was replaced by a wall of disinformation and suspicion after the Bolshevik seizure of power. Nevertheless, what they saw and reported makes remarkable reading.
Recounts the extraordinary and thrilling story of the British spies in revolutionary Russia, led by Mansfield Cumming, who would one day pioneer the field of covert action and become MI6, and their mission to foil Lenin's plot for global revolution. 40,000 first printing.
Living a life that seems incredible even for a spy novel, Dmitri Bystrolyotov was a sailor, doctor, lawyer, and writer, fluent in many languages, whose success as a spy hinged on the fact that he was a charming, handsome, and very adept at seducing women. He stole military secrets from Germany and Italy and fed Stalin information from all over Europe, with his conquests including a French embassy employee, the wife of a British official, and a disfigured Gestapo officer. His story took an unexpected turn when at the height of Stalin's purges he was arrested, tortured, and sentenced to hard labor in the Gulag, where he risked further punishment by documenting how the regime he once served fully and unquestioningly had descended into a monstrous legacy of crimes against humanity.
Ace of Spies reveals for the first time the true story of Sidney Reilly, the real-life inspiration behind fictional hero James Bond. Andrew Cook's startling biography cuts through the myths to tell the full story of the greatest spy the world has ever know. Sidney Reilly influenced world history through acts of extraordinary courage and sheer audacity. He was a master spy, a brilliant con man, a charmer, a cad and a lovable rogue who lived on his wits and thrived on danger, using women shamelessly and killing where necessary - and unnecessary. Sidney Reilly is one of the most fascinating spies of the twentieth century, yet he remains one of the most enigmatic - until now.
Here is the ultimate inside history of twentieth-century intelligence gathering and covert activity. Unrivalled in its scope and as readable as any spy novel, A Century of Spies travels from tsarist Russia and the earliest days of the British Secret Service to the crises and uncertainties of today's post-Cold War world, offering an unsurpassed overview of the role of modern intelligence in every part of the globe. From spies and secret agents to the latest high-tech wizardry in signals and imagery surveillance, it provides fascinating, in-depth coverage of important operations of United States, British, Russian, Israeli, Chinese, German, and French intelligence services, and much more. All the key elements of modern intelligence activity are here. An expert whose books have received high marks from the intelligence and military communities, Jeffrey Richelson covers the crucial role of spy technology from the days of Marconi and the Wright Brothers to today's dazzling array of Space Age satellites, aircraft, and ground stations. He provides vivid portraits of spymasters, spies, and defectors--including Sidney Reilly, Herbert Yardley, Kim Philby, James Angleton, Markus Wolf, Reinhard Gehlen, Vitaly Yurchenko, Jonathan Pollard, and many others. Richelson paints a colorful portrait of World War I's spies and sabateurs, and illuminates the secret maneuvering that helped determine the outcome of the war on land, at sea, and on the diplomatic front; he investigates the enormous importance of intelligence operations in both the European and Pacific theaters in World War II, from the work of Allied and Nazi agents to the "black magic" of U.S. and British code breakers; and he gives us a complete overview of intelligence during the length of the Cold War, from superpower espionage and spy scandals to covert action and secret wars. A final chapter probes the still-evolving role of intelligence work in the new world of disorder and ethnic conflict, from the high-tech wonders of the Gulf War to the surprising involvement of the French government in industrial espionage. Comprehensive, authoritative, and addictively readable, A Century of Spies is filled with new information on a variety of subjects--from the activities of the American Black Chamber in the 1920s to intelligence collection during the Cuban missile crisis to Soviet intelligence and covert action operations. It is an essential volume for anyone interested in military history, espionage and adventure, and world affairs.
When first published in 1932, this memoir was an immediate classic, both as a unique eyewitness account of Revolutionary Russia and as one mans story of struggle, and tragedy set against the background of great events. Aged 25, Lockhart became the British Vice-Consul to Moscow in 1912. With revolution in the air, it was dangerous, decadent posting. The 'Boy Ambassador' became an eyewitness to pivotal events and in 1918 was charged with establishing a diplomatic understanding with the Bolsheviks, to ensure that Russia remained in the war against Germany. It was a precarious mission: Whitehall could not be seen support revolutionaries; Lockhart grew wary of his masters secret machinations; while Lenin and Trotsky's cordial relations with the British agent never quite dispelled their mistrust of the nation he represented. When Lockhart met Moura Budberg, who became the great love of his life, he was in an increasingly vulnerable position. In September 1918 he would be falsely accused of a counter-revolutionary plot to overthrow the Bolsheviks, and sent to the Loubianka. His account even inspired a Hollywood movie. From his evocative descriptions of revolutionary Moscow, where the champagne flowed as the bourgeoisie trembled, to his audiences with Trotsky and his brushes with death, this is a vivid, unique memoir.
