Now the second-longest-reigning monarch after Elizabeth II, Queen Victoria ruled at the height of Britain's power on the world stage and was a symbol of stability at home and abroad. Against this background of pomp and power, she was a passionate woman who led an often turbulent private life. Victoria was just eight months old when her father died and his paternal role was taken by her uncle Leopold of Saxe-Coburg and Sir John Conroy, an ally of her mother. The two of them sought to control Victoria and isolate her from others. This is the story of the Queen of England who had to fight to forge her own way in the world, and who found true romance with Prince Albert only to have happiness snatched from her when he died of typhoid at the age of 42.
In the late 19th century the conventions of domesticity came under scrutiny by British writers & others intent on bringing a modern spirit into the home. Rosner reveals the connections between those who elegantly synthesized modernist literature with architetcural plans, room designs, & decorative art.
In one of those rare books that allows us to see the world not as we've never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.
'Writing about Queen Victoria has been one of the most joyous experiences of my life. I have read thousands (literally) of letters never before published, and grown used to her as to a friend. Maddening? Egomaniac? Hysterical? A bad mother? Some have said so. What emerged for me was a brave, original woman who was at the very epicentre of Britain's changing place in the world: a solitary woman in an all-male world who understood politics and foreign policy much better than some of her ministers; a person possessed by demons, but demons which she was brave enough to conquer. Above all, I became aware, when considering her eccentric friendships and deep passions, of what a loveable person she was.' A. N. Wilson
“860 glittering pages” (Janet Maslin, The New York Times): The first volume of the full-scale astonishing life of one of our greatest screen actresses—her work, her world, her Hollywood through an American century. Frank Capra called her, “The greatest emotional actress the screen has yet known.” Now Victoria Wilson gives us the first volume of the rich, complex life of Barbara Stanwyck, an actress whose career in pictures spanned four decades beginning with the coming of sound (eighty-eight motion pictures) and lasted in television from its infancy in the 1950s through the 1980s. Here is Stanwyck, revealed as the quintessential Brooklyn girl whose family was in fact of old New England stock; her years in New York as a dancer and Broadway star; her fraught marriage to Frank Fay, Broadway genius; the adoption of a son, embattled from the outset; her partnership with Zeppo Marx (the “unfunny Marx brother”) who altered the course of Stanwyck’s movie career and with her created one of the finest horse breeding farms in the west; and her fairytale romance and marriage to the younger Robert Taylor, America’s most sought-after male star. Here is the shaping of her career through 1940 with many of Hollywood's most important directors, among them Frank Capra, “Wild Bill” William Wellman, George Stevens, John Ford, King Vidor, Cecil B. Demille, Preston Sturges, set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II, and a fast-changing, coming-of-age motion picture industry. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, losses, and desires—how she made use of the darkness in her soul, transforming herself from shunned outsider into one of Hollywood’s most revered screen actresses. Fifteen years in the making—and written with full access to Stanwyck’s family, friends, colleagues and never-before-seen letters, journals, and photographs. Wilson’s one-of-a-kind biography—“large, thrilling, and sensitive” (Michael Lindsay-Hogg, Town & Country)—is an “epic Hollywood narrative” (USA TODAY), “so readable, and as direct as its subject” (The New York Times). With 274 photographs, many published for the first time.
“A remarkable biography . . . Well written and researched, this book warrants a spot on every serious American history student’s bookshelf.” —Kirkus Reviews, starred review She was the first woman to run for president. She was the first woman to address the U.S. Congress and to operate a brokerage firm on Wall Street. She’s the woman Gloria Steinem called “the most controversial suffragist of them all.” So why have most people never heard of Victoria Woodhull? In this extensively researched biography, journalist Mary Gabriel offers readers a balanced portrait of a unique and complicated woman who was years ahead of her time—and perhaps ahead of our own. “One of the most controversial American women of the late nineteenth century springs to life in this study that leaves no stone unturned.” —Publishers Weekly “[A] deftly written biography . . . of a hell-raising visionary.” —Mirabella “A meaty slice of feminist history peppered with Victorian drama.” —Civilization
An insightful and fascinating portrait of Queen Victoria, from her childhood through her adult life, detailing her personal life and relationships with friends, family, and the public. A “vivid” (Kirkus Reviews) and multilayered biography of Queen Victoria chronicling the life of the longest-reigning British monarch who ruled for sixty-four years, offering an intimate portrait of a woman who after losing her beloved husband went on to fulfill her duties as mother, grandmother, and queen of England.
The Queen of Great Britain and Ireland for 63 years, the mother of nine children and grandmother to 42, Queen Victoria’s life was one of magnificent proportions. Victoria’s childhood was difficult and lonely but from the time she took the throne aged just eighteen she blossomed into a powerful woman, both frivolous and formidable. Inside you will read about... ✓ An Unsentimental Marriage ✓ Race to Produce an Heir ✓ Finally an Adult and Finally a Queen ✓ V&A ✓ Die Shattenseite ✓ The Hungry Forties and Albert’s Great Exhibition ✓ The Widow at Windsor And much more! In her later years, Victoria struggled to find balance between her wish to live a very private life as a widow and her duty to live the very public life of a Queen and later Empress. The world Victoria was born into was a very different world to that which she left behind and her life story is an incredible journey from infant heir to matriarchal Queen and Empress.
