How can preachers ensure that their sermons continue to engage listeners in a world defined by visual media and the short, segmented delivery of information? Alyce McKenzie harnesses the element of drama and the human fascination with scenes to offer ministers a modern means of sermon development and delivery. McKenzie's core strategy is to invite listeners into scenes—whether from Scripture or contemporary life—and, once they are there, to point them toward the larger story of God's relationship with humankind. Creating such scenes unifies the whole process of preaching, she says, from the preacher's daily life observations to interpretation of scenes from Scripture, to sermon shaping, sequencing, and delivery. The process culminates in a specific understanding of the purpose of the sermon: to send listeners out into the scenes they'll play in their lives for the next week, equipped to act out their parts in ways that are kinder, more just, and more courageous than last week.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Wilkie Collins (1824-1889) was an English novelist, playwright, and author of short stories. His best-known works are The Woman in White, No Name, Armadale, and The Moonstone. Table of Contents: After The Dark The Ostler Mr. Wray's Cash Box The Queen of Hearts A House To Let The Haunted House ("The Ghost in the Cupboard Room") My Miscellanies No Thoroughfare Miss or Mrs? "Blow up with the Brig!" The Hidden Cash The Perils of Certain English Prisoners The Lazy Tour of Two Idle Apprentices The Last Stage Coachman The Fatal Cradle The Frozen Deep and Other Stories The Captain's Last Love The Dead Hand The Devil's Spectacles The First Officer's Confession Farmer Fairweather Fatal Fortune Fie! Fie! Or The Fair Physician Love's Random Shot The Midnight Mass Nine O'Clock A Passage in the Life of Mr. Perugino Potts The Haunted Hotel My Lady's Money Who Killed Zebedee Little Novels The Poetry Did It A Sad Death and A Brave Life The Twin Sisters Volpurno - Or The Student John Steadiman's Account (The Wreck of The Golden Mary) A Message from The Sea The Seafaring Man The Dead Alive
Pulitzer Prize–winning author and presidential historian Doris Kearns Goodwin’s dynamic history of Theodore Roosevelt, William H. Taft and the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air. Winner of the Carnegie Medal. Doris Kearns Goodwin’s The Bully Pulpit is a dynamic history of the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air. The story is told through the intense friendship of Theodore Roosevelt and William Howard Taft—a close relationship that strengthens both men before it ruptures in 1912, when they engage in a brutal fight for the presidential nomination that divides their wives, their children, and their closest friends, while crippling the progressive wing of the Republican Party, causing Democrat Woodrow Wilson to be elected, and changing the country’s history. The Bully Pulpit is also the story of the muckraking press, which arouses the spirit of reform that helps Roosevelt push the government to shed its laissez-faire attitude toward robber barons, corrupt politicians, and corporate exploiters of our natural resources. The muckrakers are portrayed through the greatest group of journalists ever assembled at one magazine—Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—teamed under the mercurial genius of publisher S.S. McClure. Goodwin’s narrative is founded upon a wealth of primary materials. The correspondence of more than four hundred letters between Roosevelt and Taft begins in their early thirties and ends only months before Roosevelt’s death. Edith Roosevelt and Nellie Taft kept diaries. The muckrakers wrote hundreds of letters to one another, kept journals, and wrote their memoirs. The letters of Captain Archie Butt, who served as a personal aide to both Roosevelt and Taft, provide an intimate view of both men. The Bully Pulpit, like Goodwin’s brilliant chronicles of the Civil War and World War II, exquisitely demonstrates her distinctive ability to combine scholarly rigor with accessibility. It is a major work of history—an examination of leadership in a rare moment of activism and reform that brought the country closer to its founding ideals.
When American Methodist preachers first arrived in Upper Canada in the 1790s, they brought with them more than an alluring religious faith. They also brought saddlebags stuffed with books published by the New York Methodist Book Concern – North America’s first denominational publisher – to sell along their preaching circuits. Pulpit, Press, and Politics traces the expansion of this remarkable transnational market from its earliest days to the mid-nineteenth century, a period of intense religious struggle in Upper Canada marked by fiery revivals, political betrayals, and bitter church schisms. The Methodist Book Concern occupied a central place in all this conflict as it powerfully shaped and subverted the religious and political identities of Canadian Methodists, particularly in the wake of the American Revolution. The Concern bankrolled the bulk of Canadian Methodist preaching and missionary activities, enabled and constrained evangelistic efforts among the colony’s Native groups, and clouded Methodist dealings with the British Wesleyans and other religious competitors north of the border. Even more importantly, as Methodists went on to assume a preeminent place in Upper Canada’s religious, cultural, and educational life, their ongoing reliance on the Methodist Book Concern played a crucial role in opening the way for the lasting acceptance and widespread use of American books and periodicals across the region.
