The Presentable Art of Reading Absence takes as impulse the act of meditation, in which the energetic relationship between a meditative body and its universe is not only the envisioning of absence by presence but also vision itself: "Here begins the revelation of a kiosk." With occult emotionality and analytic brilliance, Jay Wright has written the user's guide to evanescence: "I have become attuned / to the disappearance of all things / and of my self . . ."
"Pitch and Revelation is the first book-length study of the poetry, prose, and dramatic literature of the African American poet Jay Wright (1934-). The authors premise their reading on joy as a foundational philosophical concept. In this, they follow Spinoza, who understood joy as that affect necessary for the construction of an intellectual love of God, leading into the infinite univocity of everything. Similarly, with Wright, joy leads to a visceral sense of what the authors call the great weave of the world. This weave is akin to the notion of entanglement made popular by physicists and contemporary scholars of Science Studies, such as Karen Barad, which speaks of the always ongoing, mutually constitutive connections of all matter and intellectual processes. By exhibiting and detailing the joy of reading Wright, Pitch and Revelation intends to help others chart their own paths into the intellectual, musical, and rhythmical territories of Wright's world so as to more fully experience joy in the world generally. Although the exhibitions of meaning making presented are instructive, they do not follow the "do as I do" or "do as I say" model of instructional texts. Instead,they invite the reader to "do along with us" as the authors make meaning from selections across Wright's erudite, dense, rhythmically fascinating, endlessly lyrical, highly structured, and seemingly hermetic body of work."--publisher's website.
Moving through a variety of locales and adventures, The Truth about Marie revisits the unnamed narrator of Toussaint’s acclaimed Running Away, reporting on his now disintegrated relationship with the titular Marie—the story switching deftly between first- and third-person as the narrator continues to drift through life, and Marie does her best to get on with hers. Like all of Toussaint’s novels, The Truth about Marie’s plot matters far less than its pace and tempo, its chain of images, its sequence of events. From pouring rain in Paris to blazing fires on the island of Elba, from moments of intense action to perfectly paced lulls, The Truth about Marie relies on a series of contrasts to tell a beguiling, and finally touching, story of intimacy forever being regained and lost.
Arkadii Dragomoshchenko, Russia's leading founder of Language poetry, in his new collection of essays fuses seemingly disparate elements of poetry, philosophy, journalism, and prose in an attempt to capture the workings of memory. At stake is not what he writes about--whether memory, Gertrude Stein, immortality, or a walk on Nevsky Prospect--but how he writes it. Formally, Dragomoshchenko never tires of digression, creating playful games of patience and anticipation for his reader. In so doing, he pushes story and closure into the background--arriving, finally, but not to a destination. Ultimately, Dragomoshchenko "carefully seeks out the dust of traces from the period of oblivion," which evidently lead to the oblivion of minds.
The hero, Monsieur, is a successful young executive in Paris whose daily life is examined with precision. He is nothing if not unremarkable. Here, he muses on everything from the night sky to a Rotring pen. And he is very funny.
"Olivier Rolin is a towering figure in French literature . . . Rolin is a consummate artist who will speak profoundly to the American heart." Robert Olen Butler, author of the Pulitzer Prize-winning novel A Good Scent from a Strange Mountain
It wasn't until after Dumitru Tsepeneag fled Romania for France in 1971 that he was able to speak frankly about the literary movement that he had helped create.
Seventeen years after the publication of the first volume of Jacques Roubaud's epic and moving "The Great Fire of London," Dalkey Archive Press is proud to publish the first English translation of The Loop, the second novel in Roubaud's Proustian series, which has in its capacity to astonish been compared to the compositions of Messiaen and the buildings of Antonio Gaudi. Devastated after the death of his young wife, Alix, the author conceives of a project that will allow him not only to continue writing, but continue living--writing a book that leads him to confront his terrible loss as well as examine the lonely world in which he now seems, more and more, to exist: that of Memory. The Loop finds Roubaud returning to his earliest recollections, as well as considering the nature of memory itself, and the process--both merciful and terrible--of forgetting. Neither memoir nor novel, by turns playful and despairing, The Loop is a masterpiece of contemporary prose.
This volume collects new short stories from one of Ireland’s leading writers in both the Irish and English languages. Eilis Ni Dhuibhne’s stories are widely acclaimed for their acute perception of Irish women’s lives, the power of her verbal economy, and her skillful and unique use of both humor and the fantastic.
