A Listener's Guide to Free Improvisation
A Listener's Guide to Free Improvisation

Author: John Corbett

Publisher: University of Chicago Press

Published: 2016-03-13

Total Pages: 191

ISBN-13: 022635380X

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In the first book of its kind, John Corbett's A Listener's Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all. Drawing on over three decades of writing about, presenting, playing, teaching, and studying freely improvised music, Corbett offers an enriching set of tools that show any curious listener how to really listen, and he encourages them to enjoy the human impulse-- found all around the world-- to make up music on the spot.

Free Play
Free Play

Author: Stephen Nachmanovitch

Publisher: Penguin

Published: 1991-05-01

Total Pages: 257

ISBN-13: 144067308X

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Free Play is about the inner sources of spontaneous creation. It is about why we create and what we learn when we do. It is about the flow of unhindered creative energy: the joy of making art in all its varied forms. An international bestseller and beloved classic, Free Play is an inspiring and provocative book, directed toward people in any field who want to contact, honor, and strengthen their own creative powers. It reveals how inspiration arises within us, how that inspiration may be blocked, derailed or obscured, and how finally it can be liberated—how we can be liberated—to speak or sing, write or paint, dance or play, with our own authentic voice. Stephen Nachmanovitch, a pioneer in free improvisation, integrates material from a wide variety of sources among the arts, sciences, and spiritual traditions of humanity, drawing on unusual quotes, amusing and illuminating anecdotes, and original metaphors. The whole enterprise of improvisation in life and art, of recovering free play and awakening creativity, is about being true to ourselves and our visions. Free Play brings us into direct, active contact with boundless creative energies that we may not even know we had.

Improvisation
Improvisation

Author: Derek Bailey

Publisher: Da Capo Press

Published: 1993-08-22

Total Pages: 184

ISBN-13:

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Derek Bailey's IMPROVISATION, originally published in 1980, now revised with additional interviews and photographs, deals with the nature of improvisation in all its forms--Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and "free" music. Bailey offers a clear view of the breathtaking spectrum of possibilities inherent in improvisational practice.

I Want to Be Ready
I Want to Be Ready

Author: Danielle Goldman

Publisher: University of Michigan Press

Published: 2010-05-04

Total Pages: 187

ISBN-13: 0472050842

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A conceptual framework for understanding the development of improvised dance in late 20th-century America

The Philosophy of Improvisation
The Philosophy of Improvisation

Author: Gary Peters

Publisher: University of Chicago Press

Published: 2009-08-01

Total Pages: 199

ISBN-13: 0226662802

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Improvisation is usually either lionized as an ecstatic experience of being in the moment or disparaged as the thoughtless recycling of clichés. Eschewing both of these orthodoxies, The Philosophy of Improvisation ranges across the arts—from music to theater, dance to comedy—and considers the improvised dimension of philosophy itself in order to elaborate an innovative concept of improvisation. Gary Peters turns to many of the major thinkers within continental philosophy—including Heidegger, Nietzsche, Adorno, Kant, Benjamin, and Deleuze—offering readings of their reflections on improvisation and exploring improvisational elements within their thinking. Peters’s wry, humorous style offers an antidote to the frequently overheated celebration of freedom and community that characterizes most writing on the subject. Expanding the field of what counts as improvisation, The Philosophy of Improvisation will be welcomed by anyone striving to comprehend the creative process.

The Free Musics
The Free Musics

Author: Jack Wright (Musician)

Publisher: Createspace Independent Publishing Platform

Published: 2017

Total Pages: 0

ISBN-13: 9781537777245

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This book has been provocative, since it views the situation playersfind themselves in and ignores the perspective of consumers, the media,and academics. It explores their assumptions and practices--their musicalapproach, relations to the music world, to each other, and to the socialorder. It traces the changes in these conditions since the origins ofthese musics. The response to it from musicians has been very strong,many saying it puts their own thoughts into words."--Résumé du site web de l'éditeur.

Records Ruin the Landscape
Records Ruin the Landscape

Author: David Grubbs

Publisher: Duke University Press

Published: 2014-03-03

Total Pages: 367

ISBN-13: 0822377101

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John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.

Effortless Mastery
Effortless Mastery

Author: Kenny Werner

Publisher: Alfred Music

Published: 1996

Total Pages: 192

ISBN-13: 9781562240035

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My story -- Why do we play? -- Beyond limited goals -- Fear, the mind and the ego -- Fear-based practicing -- Teaching dysfunctions: fear-based teaching -- Hearing dysfunctions: fear-based listening -- Fear-based composing -- "The space"--"There are no wrong notes" -- Meditation #1 -- Effortless mastery -- Meditation #2 -- Affirmations -- The steps to change -- Step one -- Step two -- Step three -- Step four -- An afterthought -- I am great, I am a master -- Stretching the form -- The spiritual (reprise) -- One final meditation.

No Sound is Innocent
No Sound is Innocent

Author: Eddie Prévost

Publisher: Small Press United

Published: 1995

Total Pages: 206

ISBN-13:

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Music/culture/politics. Once again in stock, imported from the UK. No Sound is Innocent presents the collected writings -- or 'meta-musical narrative' -- of Edwin Prevost, musician-theoretician and founding member of AMM, perhaps the western world's most long-lived and rigorously engaged improvising band. Since the 60s AMM, involving especially Keith Rowe, John Tilbury, the late composer/theorist Cornelius Cardew, and Lou Gare besides Prevost have attacked established conventions of music-making to arrive at a synthesis of spontaneity, invention and musical praxis of extraordinary interest.