Sixty-eight-year-old Hollis and his wife Debra have settled into their golden years in a gated community outside of Tucson, Arizona. Although they are devoted to each other, events that took place decades earlier, when Hollis fought in the Korean War, have left him with a deep-seated trauma — and with a secret he has never been able to share with his wife. As a reluctant Hollis revisits his past after his wife becomes dangerously ill, we see just how much the years of war changed his life forever. In rapturous prose, Cullin captures in The Post-War Dream the complexity of a marriage and the indelible force of the past on one man's life.
War broke his spirit. Can a young marine find healing in a world he’ll never see the same way again? The South Atlantic Ocean, 1982. Royal Marine Fletcher Layne never expected to see combat when he enlisted, despite his father’s vehement protests. Yet when he is deployed to the tiny Falklands Islands, he figures Argentina wouldn’t dare challenge the islands’ mighty British sovereignty. But all hell breaks loose over the territorial dispute, and he’s devastated when a bullet misses him and kills a young comrade. Returning home with a heavy heart plagued by guilt, Fletcher resents any celebration of his heroism and his parent’s disapproval. And as the traumatized survivor wrestles with two imagined voices of nagging conscience, he fears not even the gentle touch of a kind nurse will get him through to a peaceful tomorrow. Can he gain ground over his anguish before the darkness drags him down forever?
Sixty-eight-year-old Hollis and his wife Debra have settled into their golden years in a gated community outside of Tucson, Arizona. Although they are devoted to each other, events that took place decades earlier, when Hollis fought in the Korean War, have left him with a deep-seated trauma — and with a secret he has never been able to share with his wife. As a reluctant Hollis revisits his past after his wife becomes dangerously ill, we see just how much the years of war changed his life forever. In rapturous prose, Cullin captures in The Post-War Dream the complexity of a marriage and the indelible force of the past on one man's life.
In The British Dream, David Goodhart tells the story of postwar immigration and charts a course for its future. Drawing on hundreds of interviews with people from all over the country and a wealth of statistical evidence, he paints a striking picture of how Britain has been transformed by immigration and examines the progress of its ethnic minorities—projected to be around 25 per cent of the population by the early 2020s. Britain today is a more open society for minorities than ever before, but it is also a more fragmented one. Goodhart argues that an overzealous multiculturalism has exacerbated this problem by reinforcing difference instead of promoting a common life. The multi-ethnic success of Team GB at the 2012 Olympics and a taste for chicken tikka masala are not, he suggests, sufficient to forge common bonds; Britain needs a political culture of integration. Goodhart concludes that if Britain is to avoid a narrowing of the public realm and sharply segregated cities, as in many parts of the U.S., its politicians and opinion leaders must do two things. Firstly, as advocated by the center right, they need to bring immigration down to more moderate and sustainable levels. Secondly, as advocated by the center left, they need to shape a progressive national story about openness and opportunity, one that captures how people of different traditions are coming together to make the British dream.
The Routledge Handbook of Pink Floyd is intended for scholars and researchers of popular music, as well as music industry professionals and fans of the band. It brings together international researchers to assess, evaluate and reformulate approaches to the critical study and interpretation of one of the world’s most important and successful bands. For the first time, this Handbook will ‘tear down the wall,’ examining the band’s collective artistic creations and the influence of social, technological, commercial and political environments over several decades on their work. Divided into five parts, the book provides a thoroughly contextualised overview of the musical works of Pink Floyd, including coverage of performance and sound; media, reception and fandom; genre; periods of Pink Floyd’s work; and aesthetics and subjectivity. Drawing on art, design, performance, culture and counterculture, emergent theoretical resources and analytical frames are evaluated and discussed from across the social sciences, humanities and creative arts. The Handbook is intended for scholars and researchers of popular music, as well as music industry professionals. It will appeal across a range of related subjects from music production to cultural studies and media/communication studies.
The story of our nation from the A-bomb to the iPhone-from bestselling historian H.W. Brands With keen insight and an impeccable sense of the spirit of the times, H. W. Brands, one of today's preeminent historians, captures the American experience through the last six decades. As he chronicles politics, pop culture, and everything in between, Brands traces the changes we have gone through as a nation, recounting the great themes and events that have driven America- from the Yalta conference to the fall of the Berlin Wall, Apollo 11 to 9/11, My Lai to "shock and awe." In his adroit hands, movements and trends unfold through a character- driven narrative that shines a brilliant light on America's watershed moments and reveals a still unfolding legacy of dreams.
In tracing the rise of these three distinctively American institutions, Andrew Hurley examines the struggle of Americans with modest means to attain the good life after two long decades of depression and war.".
with essays by Peter S. Reed, Robert Friedel, Margaret Crawford, Greg Hise, Joel Davidson, and Michael Sorkin Among the legacies of World War II was a massive building program on a scale that America had not seen before and has not seen since. The war effort created thousands of factories, homes, even entire cities throughout the country. Many of these structures still stand, the physical evidence of an unprecedented ability to harness the power and resources of a people. The complex legacy of this most notable period in our nation's history is discussed from a different perspective by each contributor. Peter S. Reed, Associate Curator of the Department of Architecture and Design at the Museum of Modern Art, details the rise of modern architecture during the war -- housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped popularize modernism as the appropriate image of American industrial might and corporate success. Robert Friedel, Professor of History at the University of Maryland, documents the development of new materials, especially plastics, and discusses techniques for employing traditional materials in novel ways. Margaret Crawford, Chair of the History and Theory of Architecture Program at the Southern California Institute of Architecture, explores the struggle of women and blacks for public housing. Greg Hise, Assistant Professor in the School of Urban and Regional Planning at the University of Southern California, considers how the construction of large-scale residential communities near defense plants prefigured postwar suburbia. Joel Davidson, historian of the "World War II and the American Dream" exhibition, analyzes the impact of the war's building program on the postwar military-industrial complex. Finally, Michael Sorkin, architect and writer, explores the migration of certain values and aesthetics from the necessities of war to the choices of peace. Among these are images of speed, camouflage, ruin, totalization, and flight. Copublished with The National Building Museum, Washington, D.C.
Sally J. Freedman was ten when she made herself a movie star. She would have been happy to reach stardom in New Jersey, but in 1947 her older brother Douglas became ill, so the Freedman family traveled south to spend eight months in the sunshine of Florida. That’s where Sally met her friends Andrea, Barbara, Shelby, Peter, and Georgia Blue Eyes—and her unsuspecting enemy, Adolf Hitler. Dear Chief of Police: You don’t know me but I am a detective from New Jersey. I have uncovered a very interesting case down here. I have discovered that Adolf Hitler is alive and has come to Miami Beach to retire. He is pretending to be an old Jewish man... While she watches and waits, and keeps a growing file of letters under her bed, Sally’s Hitler will play an important—though not quite starring—role in one of her grandest movie spectaculars.
