"The Portrait of a Lady", Henry The plot of the novel "The Portrait of a Lady" is very simple and fits the saying: if you look at a girl for a long time, you can see how she marries. In the novel, everything is as it is: a young lady comes from America to England to visit her mother's relatives. Suddenly a man dies, he leaves a young lady, beloved by his son, a fortune. At the same time, a peer of England is wedded to this lady, but she refuses him and marries a man much older than she . But this marriage appears to be unlucky…
The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-81 and then as a book in 1881. It is one of James's most popular long novels and is regarded by critics as one of his finest. The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who, "confronting her destiny", finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates.
How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Portrait of a Lady by Henry James The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-81 and then as a book in 1881. It is one of James's most popular long novels, and is regarded by critics as one of his finest. The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who in "affronting her destiny", finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. Generally regarded as the masterpiece of James's early period, this novel reflects James's continuing interest in the differences between the New World and the Old, often to the detriment of the former. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal.
The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-81 and then as a book in 1881. It is one of James's most popular long novels and is regarded by critics as one of his finest.
This eBook features the unabridged text of ‘The Portrait of a Lady’ from the bestselling edition of ‘The Complete Works of Henry James’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of James includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Portrait of a Lady’ * Beautifully illustrated with images related to James’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Portrait of a Lady - Volume 2 by Henry James The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-81 and then as a book in 1881. It is one of James's most popular long novels, and is regarded by critics as one of his finest. The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who in "affronting her destiny", finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. Generally regarded as the masterpiece of James's early period, this novel reflects James's continuing interest in the differences between the New World and the Old, often to the detriment of the former. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal.
Regarded by many as Henry James's finest work, and a lucid tragedy exploring the distance between money and happiness, The Portrait of a Lady contains an introduction by Philip Horne in Penguin Classics. When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy the freedom that her fortune has opened up and to determine her own fate, does not hesitate to turn down two eligible suitors. Then she finds herself irresistibly drawn to Gilbert Osmond. Charming and cultivated, Osmond sees Isabel as a rich prize waiting to be taken. Beneath his veneer of civilized behaviour, Isabel discovers cruelty and a stifling darkness. In this portrait of a 'young woman affronting her destiny', Henry James created one of his most magnificent heroines, and a story of intense poignancy. This edition of The Portrait of a Lady, based on the earliest published copy of the novel, is the version read first and loved by most readers in James's lifetime. It also contains a chronology, further reading, notes and an introduction by Philip Horne.
Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.
Finalist for the Pulitzer Prize Finalist for National Book Critics Circle Award (Biography) One of the Best Books of 2012: The New Yorker, Wall Street Journal, Guardian, The Millions, Kirkus Reviews, Boston Phoenix A revelatory biography of the American master as told through the lens of his greatest novel. Henry James (1843–1916) has had many biographers, but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism, and travelogue in re-creating the dramatic backstory of James’s masterpiece, Portrait of a Lady (1881). Gorra, an eminent literary critic, shows how this novel—the scandalous story of the expatriate American heiress Isabel Archer—came to be written in the first place. Traveling to Florence, Rome, Paris, and England, Gorra sheds new light on James’s family, the European literary circles—George Eliot, Flaubert, Turgenev—in which James made his name, and the psychological forces that enabled him to create this most memorable of female protagonists. Appealing to readers of Menand’s The Metaphysical Club and McCullough’s The Greater Journey, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written. It becomes a piercing detective story on its own.
Through the story of a portrait of a woman in a silk dress, historian Zara Anishanslin embarks on a fascinating journey, exploring and refining debates about the cultural history of the eighteenth-century British Atlantic world. While most scholarship on commodities focuses either on labor and production or on consumption and use, Anishanslin unifies both, examining the worlds of four identifiable people who produced, wore, and represented this object: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter. Blending macro and micro history with nuanced gender analysis, Anishanslin shows how making, buying, and using goods in the British Atlantic created an object-based community that tied its inhabitants together, while also allowing for different views of the Empire. Investigating a range of subjects including self-fashioning, identity, natural history, politics, and trade, Anishanslin makes major contributions both to the study of material culture and to our ongoing conversation about how to write history.
