Sam was gone, and no one knew where or why. Her car was found near the old oak tree, empty and abandoned. There was no sign of foul play, but also no sign of Sam, except for footprints that led to the oak tree...and stopped. Two years later, her best friend Kate still cares for Sam’s children, waiting for Sam to return for them. Then one day she does. “I don’t have long,” Sam says. “Can you help me?” Kate must help her return home from a place that is closer than you might think, but still a world away. Sam's escape is just the beginning of her journey. Sam must go back to confront and defeat her abductor, leaving Kate to care for her children. Sam returns to the old oak tree, and the Portal to the world where she was held prisoner. In a whirlwind world of magic and monsters, where people and things are not who or what they appear to be, there are hard choices ahead, and Sam must learn if she's strong enough to make them.
Release untapped supernatural power! In a world of pain and confusion, you have the supernatural keys to bring heaven to earth. From angelic visitations and revelatory visions, to supernatural healings and prophetic utterances, Jerame Nelson teaches you to operate in new spiritual dimensions. Here “Thy Kingdom Come” is not...
ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR NAMED ONE OF THE 50 BEST MEMOIRS OF THE PAST 50 YEARS BY THE NEW YORK TIMES SELECTED AS A BEST BOOK OF THE YEAR BY: The Washington Post * Elle * NPR * New York Magazine * Boston Globe * Nylon * Slate * The Cut * The New Yorker * Chicago Tribune WINNER OF THE THURBER PRIZE FOR AMERICAN HUMOR “Affectionate and very funny . . . wonderfully grounded and authentic. This book proves Lockwood to be a formidably gifted writer who can do pretty much anything she pleases.” – The New York Times Book Review From Booker Prize finalist Patricia Lockwood, author of the novel No One Is Talking About This, a vivid, heartbreakingly funny memoir about balancing identity with family and tradition. Father Greg Lockwood is unlike any Catholic priest you have ever met—a man who lounges in boxer shorts, loves action movies, and whose constant jamming on the guitar reverberates “like a whole band dying in a plane crash in 1972.” His daughter is an irreverent poet who long ago left the Church’s country. When an unexpected crisis leads her and her husband to move back into her parents’ rectory, their two worlds collide. In Priestdaddy, Lockwood interweaves emblematic moments from her childhood and adolescence—from an ill-fated family hunting trip and an abortion clinic sit-in where her father was arrested to her involvement in a cultlike Catholic youth group—with scenes that chronicle the eight-month adventure she and her husband had in her parents’ household after a decade of living on their own. Lockwood details her education of a seminarian who is also living at the rectory, tries to explain Catholicism to her husband, who is mystified by its bloodthirstiness and arcane laws, and encounters a mysterious substance on a hotel bed with her mother. Lockwood pivots from the raunchy to the sublime, from the comic to the deeply serious, exploring issues of belief, belonging, and personhood. Priestdaddy is an entertaining, unforgettable portrait of a deeply odd religious upbringing, and how one balances a hard-won identity with the weight of family and tradition.
From the New York Times bestselling author of Steal Like an Artist and Show Your Work! comes an interactive journal and all-in-one logbook to get your creative juices flowing, and keep a record of your ideas and discoveries. The Steal Like an Artist Journal is the next step in your artistic journey. It combines Austin Kleon’s unique and compelling ideas with the physical quality that makes journals like Moleskines so enormously popular. Page after page of ideas, prompts, quotes, and exercises are like a daily course in creativity. There are lists to fill in—Ten Things I Want to Learn, Ten Things I Probably Think About More Than the Average Person. Challenges to take. Illustrated creative exercises—Make a Mixtape (for someone who doesn’t know you) and Fill in the Speech Balloons. Pro and con charts—What Excites You?/What Drains You? The journal has an elastic band for place-marking and a special pocket in the back—a “swipe file” to store bits and pieces of inspiration. Because if you want to steal like an artist, you need a place to keep your loot.
She was born to save what he is sworn to destroy A lapsed Wiccan, Indira Simon doesn't believe in magic anymore. But when strange dreams of being sacrificed to an ancient Babylonian god have her waking up with real rope burns on her wrists, she's forced to acknowledge that she may have been too hasty in her rejection of the unknown. Then she meets mysterious and handsome Father Thomas. Emerging from the secrecy of an obscure Gnostic sect, he arrives with stories of a demon, a trio of warrior witches—and Indira's sacred calling. Yet there's something even Tomas doesn't know, an inescapable truth that will force him to choose between saving the life of the woman he's come to love—and saving the world.
A striking new reissue of an epic fantasy by popular Harper author Shirley Rousseau Murphy, featuring a princess's dangerous quest to reclaim her throne...and, of course, cats! There is a door in an artist's garden: an elaborate carved passageway into a realm ruled by a dark sorceress queen. There entities strange and wondrous roam the Netherworld––yet none as astonishing as the shape–shifting Catswold... Raised by the oldwitch Mag, Melissa discovers a perilous secret. She has more than one form––human girl and magical cat––and once inhabited two worlds. And it is her destiny to return to a mystic realm of wonder and terror, to do battle for her people's liberation and the crown that is rightfully hers. A man beset by tragedy, painter Braden West is intrigued by the calico cat who has charmed her way into his studio. But his "guest" is more than she seems, and Braden's very existence will be radically altered as he follows Melissa from the Hell Pit into the dread perils of an evil ruling court, thrust into the heart of a magical conflict with more at stake than he could possibly have imagined.
Now back in print, Mrs. Caliban is “totally unforgettable” (The New York Times Book Review) and “something of a miracle” (The New Yorker) In the quiet suburbs, while Dorothy is doing chores and waiting for her husband to come home from work, not in the least anticipating romance, she hears a strange radio announcement about a monster who has just escaped from the Institute for Oceanographic Research… Reviewers have compared Rachel Ingalls’s Mrs. Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.
Translated by David L. Schindler, JrIn what is one of the greatest Catholic poetic works of our century, Péguy offers a comprehensive theology ordered around the often-neglected second virtue which is incarnated inhis celebrated image of the ‘little girl Hope'.
The chant of "Azadi!"—Urdu for "Freedom!"—is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism. Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could. In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism. The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times. The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.
