The period from the end of the 19th century to 1960 was one of significant change and development in the popular magazine industry. The growth of an interlocking railway system in the earlier part of the 19th century had presented new distribution opportunities for magazine publishers, who quickly exploited them. Later in the century, the introduction of cheaper paper and smoother print surfaces enabled the development of half-tone printing. Other factors, such as the introduction of rotary presses and mechanical typesetting, also had a significant impact on costs and speed of production.
Ayesha, Reincarnated “Think then what it is to live on here eternally and yet be human; to age in soul and see our beloved die and pass to lands whither we may not hope to follow; to wait while drop by drop the curse of the long centuries falls upon our imperishable being, like water slow dripping on a diamond that it cannot wear, till they be born anew forgetful of us, and again sink from our helpless arms into the void unknowable.” - H. Rider Haggard, Ayesha: The Return of She Horace Holly and Leo Vincey are convinced Ayesha didn’t die in Africa so they embark on a journey to Asia and Tibet where they meet the wife of an evil emperor, Khania Atene who claims to be the descendant of one of Alexander the Great’s Hellenic generals. The two also find out that Atene has a rival, in the mysterious Princess of He's, Hesea. Both Atene and Hesea declare their love for Leo. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
This anthology collects some of the best original short fiction published in Apex Magazine in its first six years. The stories include our numerous award-nominated works, our readers' Story of the Year selections, and personal favorites chosen by Apex Magazine editor-in-chief Jason Sizemore and managing editor Lesley Conner. TABLE OF CONTENTS Jackalope Wives by Ursula Vernon Going Endo by Rich Larson Candy Girl by Chikodili Emelumadu If You Were a Dinosaur, My Love by Rachel Swirsky Advertising at the End of the World Keffy R.M. Kehrli The Performance Artist by Lettie Prell A Matter of Shapespace by Brian Trent Falling Leaves by Liz Argall Blood from Stone by Alethea Kontis Sexagesimal by Katharine E.K. Duckett Keep Talking by Marie Vibbert Remembery Day by Sarah Pinsker Blood on Beacon Hill by Russell Nichols The Green Book by Amal El-Mohtar L’esprit de L’escalier by Peter M. Ball Still Life (A Sexagesimal Fairy Tale) by Ian Tregillis Build a Dolly by Ken Liu Multo by Samuel Marzioli Armless Maidens of the American West by Genevieve Valentine Pocosin by Ursula Vernon She Gave Her Heart, He Took Her Marrow by Sam Fleming Also includes a foreword by Jason Sizemore and afterword by Lesley Conner.
Launched in 1976, Punk magazine announced an exploding youth movement, a new direction in American counterculture. Punk was to magazines what the stage at CBGB was to music: the gritty, live-wired, throbbing center of the punk universe. Despite its low-rent origins, the mag was an overnight success in the underground music scene, selling out every print run across the US and UK. Every musician who appeared on the cover of Punk became an icon of the era. But Punk not only championed music, it became a launching pad for writers, artists, cartoonists, and graphic designers. And the wacky, sardonic, slapstick vibe of the magazine resonated with an international army of music fanatics who were ready to burn their bell bottoms and stage-dive into the punk universe. The Best of Punk Magazine collects the best of these pages into the ultimate, must-have anthology: Interviews with the Ramones, Sex Pistols, John Cale and Brian Eno Photos by Roberta Bayley David Godlis, and Bob Gruen Cartoons by R. Crumb, Bobby London, and John Holmstrom The articles that formed the groundwork for Please Kill Me, the legendary oral history of punk by Legs McNeil and Gillian McCain Two "graphic novels"—The Legend of Nick Detroit and Mutant Monster Beach Party—told through photographs featuring Debbie Harry, Joey Ramone, Richard Hell, Andy Warhol, Peter Wolf, and David Johansen The Best of Punk Magazine is a must-have for people who love punk rock music, comics, fanzines, Blondie, the Ramones, Lou Reed, the Velvet Underground, the Sex Pistols, and the legendary CBGB scene.
Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.
Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.
Today, monthly issues of Cosmopolitan magazine scream out to readers from checkout counters and newsstands. With bright covers and bold, sexy headlines, this famous periodical targets young, single women aspiring to become the quintessential “Cosmo girl.” Cosmopolitan is known for its vivacious character and frank, explicit attitude toward sex, yet because of its reputation, many people don’t realize that the magazine has undergone many incarnations before its current one, including family literary magazine and muckraking investigative journal, and all are presented in The Improbable First Century of Cosmopolitan Magazine. The book boasts one particularly impressive contributor: Helen Gurley Brown herself, who rarely grants interviews but spoke and corresponded with James Landers to aid in his research. When launched in 1886, Cosmopolitan was a family literary magazine that published quality fiction, children’s stories, and homemaking tips. In 1889 it was rescued from bankruptcy by wealthy entrepreneur John Brisben Walker, who introduced illustrations and attracted writers such as Mark Twain, Willa Cather, and H. G. Wells. Then, when newspaper magnate William Randolph Hearst purchased Cosmopolitan in 1905, he turned it into a purveyor of exposé journalism to aid his personal political pursuits. But when Hearst abandoned those ambitions, he changed the magazine in the 1920s back to a fiction periodical featuring leading writers such as Theodore Dreiser, Sinclair Lewis, and William Somerset Maugham. His approach garnered success by the 1930s, but poor editing sunk Cosmo’s readership as decades went on. By the mid-1960s executives considered letting Cosmopolitan die, but Helen Gurley Brown, an ambitious and savvy businesswoman, submitted a plan for a dramatic editorial makeover. Gurley Brown took the helm and saved Cosmopolitan by publishing articles about topics other women’s magazines avoided. Twenty years later, when the magazine ended its first century, Cosmopolitan was the profit center of the Hearst Corporation and a culturally significant force in young women’s lives. The Improbable First Century of Cosmopolitan Magazine explores how Cosmopolitan survived three near-death experiences to become one of the most dynamic and successful magazines of the twentieth century. Landers uses a wealth of primary source materials to place this important magazine in the context of history and depict how it became the cultural touchstone it is today. This book will be of interest not only to modern Cosmo aficionadas but also to journalism students, news historians, and anyone interested in publishing.
