Why is public space disappearing? Why is this disappearance important to democratic politics and how has it become an international phenomenon? Public spaces are no longer democratic spaces, but instead centres of private commerce and consumption, and even surveillance and police control. "The Politics of Public Space" extends the focus of current work on public space to include a consideration of the transnational - in the sense of moving people and transformations in the nation or state - to expand our definition of the 'public' and public space. Ultimately, public spaces are one of the last democratic forums for public dissent in a civil society. Without these significant central public spaces, individuals cannot directly participate in conflict resolution. "The Politics of Public Space" assembles a superb list of contributors to explore the important political dimensions of public space as a place where conflicts over cultural and political objectives become concrete.
Memory and the Impact of Political Transformation in Public Space explores the effects of major upheavals—wars, decolonization, and other social and economic changes—on the ways in which public histories are presented around the world. Examining issues related to public memory in twelve countries, the histories collected here cut across political, cultural, and geographic divisions. At the same time, by revealing recurring themes and concerns, they show how basic issues of history and memory transcend specific sites and moments in time. A number of the essays look at contests over public memory following two major political transformations: the wave of liberation from colonial rule in much of Africa, Asia, and Central and South America during the second half of the twentieth century and the reorganization of Eastern Europe and the former Soviet bloc beginning in the late 1980s. This collection expands the scope of what is considered public history by pointing to silences and absences that are as telling as museums and memorials. Contributors remind us that for every monument that is erected, others—including one celebrating Sri Lanka’s independence and another honoring the Unknown Russian Soldier of World War II—remain on the drawing board. While some sites seem woefully underserved by a lack of public memorials—as do post–Pinochet Chile and post–civil war El Salvador—others run the risk of diluting meaning through overexposure, as may be happening with Israel’s Masada. Essayists examine public history as it is conveyed not only in marble and stone but also through cityscapes and performances such as popular songs and parades. Contributors James Carter John Czaplicka Kanishka Goonewardena Lisa Maya Knauer Anna Krylova Teresa Meade Bill Nasson Mary Nolan Cynthia Paces Andrew Ross Daniel Seltz T. M. Scruggs Irina Carlota Silber Daniel J. Walkowitz Yael Zerubavel
The Politics of Public Space is a quarterly publication of transcripts that speak directly to the city and the way we read it. The publication is edited and published by not for profit, design and research practice, OFFICE. Beginning in 2018 at OFFICE curated a series of informal lectures within contentious public places around Melbourne. Every Wednesday evening via an Instagram tip-off, students and members of the general public would meet for the discussions. The theme for the series was the Politics of Public Space, and it only seemed fitting for this to occur in situ. Thirty-one speakers have contributed to this discourse so far with backgrounds in; architecture, landscape architecture, planning, law, criminology, activism, urban design, public housing, sociology and public art, all with varying readings of the city. Each issue draws out new forms of investigation between the individual practices and the content gathered from the discussions.The second volume addresses the effects of COVID-19, including the sudden changes in the way we interact and view our public spaces. It contains excerpts from Myria Georgiou, Saskia Sassen, Jack Self, Brooke Holmes, Ian Strange and Alfredo Brillembourg.This publication curates a series of global perspectives as we all come to terms with a new way of life due to the virus. Myria Georgiou observes the emergence of digital solidarity groups throughout the UK as inequalities and vulnerabilities are foregrounded. World-renowned sociologist Saskia Sassen reveals the pervasiveness of power as the fragility of our global connectedness is further disclosed. The true publicness of our cities is revealed in Jack Self's account of protest and opposition to the political structures. Brooke Holmes depicts an interconnectedness between the health of the city and it's citizens traced back to antiquity. Australian artist Ian Strange unpacks his understanding of the home as he recounts a decade of practice into the subject. And Venezuelan architect Alfredo Brillembourg calls to arms the architecture profession to deal directly with issues of injustice within the built environment.
Published in 1999, the book invites readers to rethink about the contemporary form of politics in terms of the cultural and narrative logics of public discourse. The author proposes that the notions of 'public' and 'narrative' are central to understanding the discursive formation of public opinion. Incorporating a reformulated conception of the public into a theory of narrative progression, Dr. Ku explains (1) the interaction between narrative construction and political conflicts in politics of public credibility and (2) the progressive or narrative formation of the force of the ’public’ out of the struggle as well as its power over the positioning and re-positioning of the actors. Using the method of textual interpretation of newspaper discourses, she analyzes the interplay between politics and the 'public' by delving into the continuously changing narrative contexts wherein the controversy over governor Patten’s reform proposals unfolded in Hong Kong between 1992 and 1994.
Why is public space disappearing? Why is this disappearance important to democratic politics and how has it become an international phenomenon? Public spaces are no longer democratic spaces, but instead centres of private commerce and consumption, and even surveillance and police control. "The Politics of Public Space" extends the focus of current work on public space to include a consideration of the transnational - in the sense of moving people and transformations in the nation or state - to expand our definition of the 'public' and public space. Ultimately, public spaces are one of the last democratic forums for public dissent in a civil society. Without these significant central public spaces, individuals cannot directly participate in conflict resolution. "The Politics of Public Space" assembles a superb list of contributors to explore the important political dimensions of public space as a place where conflicts over cultural and political objectives become concrete.
Museum exhibits, public music performances, sports, art festivals - these events and spaces are truly immediate. While media might be involved, these phenomena are wholly different from broadcast mass media objects. This text interrogates these events and spaces in order to discover the ways in which they affect subjectivity.
This study uses new arguments to reinvestigate the relation between aesthetics and politics in the contemporary debates on democratic theory and radical democracy. First, Carl Schmitt and Claude Lefort help delineate the contours of an aesthetico-political understanding of democracy, which is developed further by studying Merleau-Ponty, Rancière, and Arendt. The ideas of Merleau-Ponty serve to establish a general "ontological" framework that aims to contest the dominant currents in contemporary democratic theory. It is argued that Merleau-Ponty, Arendt, and Rancière share a general understanding of the political as the contingently contested spaces and times of appearances. However, the articulation of their thought leads to reconsider and explore under-theorized as well as controversial dimensions of their work. This search for new connections between the political and the aesthetic thought of Arendt and Merleau-Ponty on one hand and the current widespread interest in Rancière's aesthetic politics on the other make this book a unique study that will appeal to anyone who is interested in political theory and contemporary continental philosophy.
This volume takes a global view of the emergence of public protest movements over the last decade, asking whether such movements contribute to the globalization of civil society. Through a variety of studies, organised around the themes of public agency, public norms, public memory and public art, it considers the tendency of political contestations to move beyond national boundaries and create transnational connections. Departing from the approaches of social movements perspectives, it focuses on public space as a site of social "mixity" and opens up a new field for the study of politics and cultural controversies. An analysis of the paradigmatic change in the way in which society is made and politics is conducted, this study of the new enactment of citizenship in public space will appeal to scholars of sociology, anthropology, geography and politics with interests in protest movements and contentious politics, citizenship and the public sphere, and globalization.
