Poetry. Religion & Sprituality. Edited by Todd Swift, Fr. Oliver Brennan, Kelly Davio and Cate Myddleton-Evans. This major anthology, the first of its kind, gathers work from renowned contemporary poets from America, Britain, and the world. Representative of poets from a wide variety of faiths as well as agnostics and atheists&8212;and introduced by renowned religious scholar Professor Ewan Fernie, this volume includes work by Andrew Motion, Rowan Williams, Ian Duhig, Rae Armantrout, Fanny Howe, Charles Bernstein, and over 200 others."
'A profoundly valuable collection, full of fresh perspective, and opening doors into all kinds of material that has been routinely neglected or patronized' Rowan Williams, TLS This rich and surprising anthology is a holistic, global survey of a lyric conversation about the divine, one which has been ongoing for millennia. Beginning with the earliest attributable author in all of human literature, the twenty-third century BCE Sumerian High Priestess Enheduanna, and taking in a constellation of voices - from King David to Lao Tzu, from the Epic of Gilgamesh to the Malian Epic of Sundiata - this selection presents a number of canonical figures like Blake, Dickinson and Tagore, alongside lesser-anthologized, diverse poets going up to the present day. Together they show the breathtaking multiplicity of ways humanity has responded to the spiritual, across place and time.
"To be both visionary and accurate, true to physics and metaphysics at the same time, is rare and puts the poet in some rarefied company. Black, like a few other younger poets, is willing to include all the traditional effects of the lyric poem in his work, but he has set them going in new and lively ways, with the confidence of virtuosity and a belief in the ancient pleasures of pattern and repetition."—Mark Jarman, American Poet Lush and daring, Malachi Black's poems in Storm Toward Morning press all points along the spectrum of human positions, from sickness, isolation, and insomniac disarray to serenity, wonder, and spiritual yearning. Pulsing at the intersections of "eye and I," body and mind, physical and metaphysical, Black brings distinctive voice, vision, and music to matters of universal mortal concern. Query on Typography What is the light inside the opening of every letter: white behind the angles is a language bright because a curvature of space inside a line is visible is script a sign of what it does or does not occupy scripture the covenant of eye and I with word or what the word defines which is source and which is shrine the light of body or the light behind? Malachi Black holds a BA in literature from New York University and an MFA in creative writing from the University of Texas at Austin’s Michener Center for Writers. His poems have appeared in AGNI, Boston Review, Ploughshares, and Poetry. He currently teaches at the University of San Diego and lives in California.
Conceived as a convenience to those readers concerned with doubt and faith, Denise Levertov's 34 selected poems originally were published in seven separate volumes. The poet presents a selection of thirty-four of her own poems culled from previously published volumes, tracing her movement from agnosticism to Christian faith and her oscillation from doubt to affirmation along the way.
Peggy Rosenthal considers the world's poets as creators who dreamed or destroyed visions of Jesus which shaped the spiritual climate of their times and nations.
This first extended study of Derek Walcott's Tiepolo's Hound (2000) defines the book as the culmination of the poetry and poetic of the Caribbean writer and Nobel Prize winner. In this long poem, Walcott achieves three goals pursued throughout his career: to develop an original Caribbean aesthetic; to meld the modes of poetry and prose; and to formulate the Bildung of the island-artist in terms of an 'autobiographical' narrative. The analysis provides an aesthetic and cultural evaluation of the poem, in terms both of the Western poetic tradition to which it refers through its rich intertextuality and of its significance as a postcolonial milestone. The commentary locates Walcott in an aesthetic tradition running from Emerson through the American Pragmatists to modernist poets; describes his experimental use of certain central narrative strategies in his semi-autobiographical long poems, which is compared to those of another, openly admired, bilingual writer, Vladimir Nabokov; explores Walcott's revision of the epic mode and of the genre of autobiography; delineates his unfolding of a post-Romantic internalization of the poet's Arthurian quest; and discusses his complex treatment of the multi-layered metaphor of light as major evidence of the maturity of his style and poetic, with their conscious cross-fertilization between the literary cultures of Europe and the Caribbean. An appendix to this study contains the transcriptions of various 'Walcott events' that took place in Italy in the summers of 2000 and 2001, including a creative writing seminar, a press conference, and readings. This extensive material opens a window onto Walcott's gifts as a teacher, to his stringent yet passionate commitment to the art of poetry, and to the ways in which he and his students grapple with the challenges of literary translation.
Susceptible to Light, by Chelan Harkin, is a collection of inspired poetry that is mystical and ecstatic in nature--mystical defined as anything having to do with opening the heart to light and ecstatic having to do with anything expressed from this place. Susceptible to Light is here to remind you of your joy, to assist you in reconsidering ways of relating to your life that better serve to open your heart, to deconstruct anything about God that doesn't feel close, intimate, authentic, and warm, and to remind your soul to break the surface and take a breath. Rumi says, "What was said to the rose that made it open was said to me here in my chest." May this collection help you feel a taste of that sweet openness. Hafiz says, "God and I have become like two giant fat people living in a tiny boat. We keep bumping into each other and laughing." May this collection help you feel the possibility of that kind of laughter. Eric Weiner, NY Times Bestselling Author of "The Geography of Bliss" says of Chelan's work: "These pages bear witness to a beautifully reckless and vulnerable love. Susceptible to Light shares the ineffable, all-consuming love of a Rumi or Hafiz, but situated in the here-and-now, amidst our dirty dishes and carpools. Do yourself a favor and savor these poems. Make yourself susceptible to their light." Alfred K. LaMotte, author of 'Wounded Bud' says of Chelan's work: "So much of today's 'spiritual poetry' is not poetry at all, but pedagogy, full of do's and don'ts. Chelan is a true spiritual poet because hers is not the voice of instruction but the voice of holy bewilderment. If she teaches us, she teaches us to dance. She teaches us the taste of what comes out of the grape when it gets crushed. All your tears will find sisters in her poems, and all your laughter will find a home in her belly. Her poems take us to the deepest, darkest loam, where lightning goes."
A comprehensive selection of religious poetry that Scotland has produced over the centuries, including some Gaelic voices and reflecting the mixed religious profile of Scotland today. An earlier edition published in 2000 was a huge success, selling out very quickly. This eagerly awaited follow-up offers the very best from a diverse, often turbulent history and reveals an attractive and distinctive spirituality that is unique to Scotland. The poetry spans 15 centuries and includes poets from every corner of Scotland. It reflects the rich range of language across regions and centuries and is a unique collection of the deepest religious thought of a nation. Selected and introduced by three experts in the field, this offers an attractive and informed volume that will appeal to all lovers of Scottish literature.
