For centuries, Westminster Abbey has inspired and challenged poets to try to capture and contain the spirit of its haunting beauty and worship-full reverence. This anthology includes poems written between 1413 to the present day, poems which contribute to the greatest epic imaginable in English, Westminster Abbey.
A comprehensive and authoritative history that explores the significance of one of the most famous buildings and institutions in England Westminster Abbey was one of the most powerful churches in Catholic Christendom before transforming into a Protestant icon of British national and imperial identity. Celebrating the 750th anniversary of the consecration of the current Abbey church building, this book features engaging essays by a group of distinguished scholars that focus on different, yet often overlapping, aspects of the Abbey's history: its architecture and monuments; its Catholic monks and Protestant clergy; its place in religious and political revolutions; its relationship to the monarchy and royal court; its estates and educational endeavors; its congregations; and its tourists. Clearly written and wide-ranging in scope, this generously illustrated volume is a fascinating exploration of Westminster Abbey's thousand-year history and its meaning, significance, and impact within society both in Britain and beyond. Paul Mellon Centre for Studies in British Art in association with the Dean and Chapter of the Collegiate Church of St Peter Westminster (Westminster Abbey)/Distributed by Yale University Press
Westminster Abbey is the most complex church in existence. National cathedral, coronation church, royal mausoleum, burial place of poets, resting place of the great and of the Unknown Warrior, former home of parliament, backdrop to the funeral of Diana, Princess of Wales—this rich and extraordinary building unites many functions. Westminster Abbey is both an appreciation of an architectural masterpiece and an exploration of the building’s shifting meanings. We hear the voices of those who have described its forms, moods, and ceremonies, from Shakespeare and Voltaire to Dickens and Henry James; we see how rulers have made use of it, from medieval kings to modern prime ministers. In a highly original book, classicist and cultural historian Richard Jenkyns teaches us to look at this microcosm of history with new eyes.
"We are what we remember, the self is a trick of memory . . . history is the remembered tightrope that stretches across the abyss of all that we have forgotten" —Maualaivao Albert Wendt Built around the abyss, the tightrope, and the trick that we all have to perform to walk across it, Pasifika poetry warrior Selina Tusitala Marsh brings to life in Tightrope her ongoing dialogue with memory, life and death to find out whether ‘stories' really can ‘cure the incurable'. In Marsh's poetry, sharp intelligence combines a focused warrior fierceness with perceptive humour and energy, upheld by the mana of the Pacific. She mines rich veins – the tradition and culture of her whanau and Pacific nations; the works of feminist poets and leaders; words of distinguished poets Derek Walcott and Albert Wendt – to probe the particularities of words and cultures. Selina Tusitala Marsh's Tightrope takes us from the bustle of the world's largest Polynesian city, Auckland, through Avondale and Apia, and on to London and New York on an extraordinary poetic voyage.
- New edition of this exploration of one of Britain's greatest buildings - A comprehensive, beautifully illustrated survey of Westminster Abbey's art treasures Westminster Abbey has a history stretching back over a thousand years. Founded as a Benedictine monastery in the mid-tenth century, it is the coronation church where monarchs have been crowned amid great splendor since 1066. The present church, begun by Henry III in 1245, is a treasure house of architectural and artistic achievement on which each succeeding century has left its mark. The medieval and Renaissance tombs within the Abbey, though among the most important in Europe, form only a small part of the extraordinary collection of gravestones, memorials and monumental sculpture for which it has long been famous. Ranging from the thirteenth-century shrine of St Edward and the Renaissance splendor of Henry VII's Lady Chapel, to the literary memorials of Poets' Corner and the statues of twentieth-century martyrs on the Abbey's west front, this book describes the stained glass, furniture, sculpture, textiles, wall paintings and many other historic artefacts found within this remarkable church. Contents: Introduction; Edward the Confessor's Chapel; Sacrarium and High Altar; Quire and Crossing; North Transept and Ambulatory; South Ambulatory and Transept; Nave; Lady Chapel; Cloisters; Abbey Precincts.
Philip Larkin met Monica Jones at University College Leicester in autumn 1946, when they were both twenty-four; he was the newly-appointed assistant librarian and she was an English lecturer. In 1950 Larkin moved to Belfast, and thence to Hull, while Monica remained in Leicester, becoming by turns his correspondent, lover and closest confidante, in a relationship which lasted over forty years until the poet's death in 1985. This remarkable unpublished correspondence only came to light after Monica Jones's death in 2001, and consists of nearly two thousand letters, postcards and telegrams, which chronicle - day by day, sometimes hour by hour - every aspect of Larkin's life and the convolutions of their relationship.
The Ladybird Book of London is a gem from the Ladybird vintage archive. First published in 1961, this is a classic Ladybird hardback book, packed with information about Britain's capital. This new edition is exactly the same as the original, with a dust jacket and beautifully reproduced images. 'The story of London, her sights and history, is illustrated with twenty-four beautiful full-page pictures. Starting from Trafalgar Square this book takes you through famous streets to see historic buildings, to learn something of the story of Britain's famous capital. Westminster Abbey and St Paul's Cathedral, the Tower, Guildhall and the City, Hampton Court and Kew Gardens, the Zoo and Madame Tussaud's - they are all here.'
The First World War was the first industrialised war in Europe, and produced horrors undreamt of by the young men who gaily volunteered for service in a war that was supposed to be over by Christmas. From the patriotic enthusiasm of Rupert Brooke through the disillusionment of Charles Hamilton Sorley to the bitter denunciations of Sassoon, Owen and Rosenberg, the war produced an astonishing outpouring of powerful poetry. The major poets are all represented here, as well as many whose voices are less well known. This anthology is illustrated with contemporary motifs.
The poems in this collection establish Robert Graves' reputation as a war poet. (He is one of sixteen poets of World War I commemorated on the stone in Poet's Corner, Westminster Abbey.) Yet Graves omitted all of them from his own collections after 1927 in an effort to put the war behind him. William Graves, his son, has edited this completely new volume, including many of the marginal notes from Robert;s library copies. Appendices include bibliographic detail, the publication record, and variant forms of the poems.