The Complete Poetry of Giacomo da Lentini
The Complete Poetry of Giacomo da Lentini

Author: Giacomo da Lentini

Publisher: University of Toronto Press

Published: 2018-05-04

Total Pages: 204

ISBN-13: 1487518714

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This volume presents the first translation in English of the complete poetry of Giacomo da Lentini, the first major lyric poet of the Italian vernacular. He was the leading exponent of the Sicilian School (c.1220-1270) as well as the inventor of the sonnet. Featuring illustrations and new English translations of some forty lyrics, Richard Lansing revives the work of a pioneer of Italian literature, a poet who helped pave the way for later writers such as Dante and Petrarch. Giacomo da Lentini is hailed as the earliest poet to import the Occitan tradition of love poetry into the Italian vernacular. This edition of Giacomo fills a gap in the canon of translations of Italian literature in English and serves as a vital reference source for students as well as scholars and teachers interested in the literature of the romance languages.

Mirages of the Selfe
Mirages of the Selfe

Author: Timothy J. Reiss

Publisher: Stanford University Press

Published: 2003

Total Pages: 652

ISBN-13: 9780804745659

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Through extensive readings in philosophical, legal, medical, and imaginative writing, this book explores notions and experiences of being a person from European antiquity to Descartes. It offers quite new interpretations of what it was to be a person—to experience who-ness—in other times and places, involving new understandings of knowing, willing, and acting, as well as of political and material life, the play of public and private, passions and emotions. The trajectory the author reveals reaches from the ancient sense of personhood as set in a totality of surroundings inseparable from the person, to an increasing sense of impermeability to the world, in which anger has replaced love in affirming a sense of self. The author develops his analysis through an impressive range of authors, languages, and texts: from Cicero, Seneca, and Galen; through Avicenna, Hildegard of Bingen, and Heloise and Abelard; to Petrarch, Montaigne, and Descartes.

A History of Italy
A History of Italy

Author: Claudia Baldoli

Publisher: Bloomsbury Publishing

Published: 2009-11-19

Total Pages: 200

ISBN-13: 1350307130

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Until the beginning of the 18th century, to be 'Italian' meant to identify with a number of collective memories, rather than a national memory. Yet there are elements of continuity that have shaped Italian identity over the past 1,500 years. Religion, food, art and architecture, a literary language, as well as a particular relationship between cities and countryside, between family and civil society have all contributed to present day Italian culture and politics. Baldoli explores the history of Italy as a country, rather than as a nation, in order to trace its fascinating cultural and political development. Offering a way into each period of Italian history, the book brings Italy's past to life with extracts from poetry, novels and music. Drawing on the latest research published in English and Italian, this is the ideal introduction for all those interested in Italy's cultural and social past and its significance for the country's present.

America
America

Author:

Publisher:

Published: 1916

Total Pages: 640

ISBN-13:

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"The Jesuit review of faith and culture," Nov. 13, 2017-

The Birth of the Modern Mind
The Birth of the Modern Mind

Author: Paul Oppenheimer

Publisher: Oxford University Press

Published: 1989-07-06

Total Pages: 217

ISBN-13: 0195363477

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This revolutionary study presents new facts and an original theory about the origin of the thought and literature that may be considered "modern." Using fifty-one new translations of sonnets from four languages spanning seven centuries, Oppenheimer argues that "modern" thought and literature were born with the invention of the sonnet in 13th-century Italy. In revealing the sonnet as the first lyric form since the fall of the Roman Empire meant not for music or performance but for silent reading, the book demonstrates that the sonnet was the first modern literary form deliberately intended to portray the self in conflict and to explore self-consciousness. The wide-ranging essay of Part I traces the influences of the sonnet, as invented by Giacomo da Lentino, combining historical fact with the history of ideas and literary criticism. Part II illustrates, in bilingual format, the sonnet's growing appeal and variety during the centuries that followed with translations from Italian, German, French, and Spanish. The selection presents sonnets by more than thirty-five poets, among them Dante, Petrarch, Goethe, Rilke, Ronsard, Val'ery, Ibarbourou, and Lorca. The concluding section discusses previous scholarship, offers proofs of the sonnet's introspective and silent inventions, and for the first time establishes the source of the form, in Platonic-Pythagorean mathematics.