The Poetics of the Limit
The Poetics of the Limit

Author: Tim Woods

Publisher: Springer

Published: 2016-09-27

Total Pages: 300

ISBN-13: 1137039205

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This book situates Louis Zukofsky's poetics (and the lineage of Objectivist poetics more broadly) within a set of ethical concerns in American poetic modernism. The book makes a strong case for perceiving Zukofsky as a missing key figure within this ethical matrix of modernism. Viewing Zukofsy's poetry through the lens of the theoretical work of Theodor Adorno and Emmanuel Levinas, Woods argues for an ethical genealogy of American poetics leading from Zukofsky through the contemporary school of LANGUAGE poetry. Woods brings together modernism and postmodernism, ethics and aesthetics, in interesting and innovative ways which shed new light on our understanding of this neglected strain of modernist poetics.

Sounding/Silence
Sounding/Silence

Author: David Nowell Smith

Publisher: Fordham Univ Press

Published: 2013-09-02

Total Pages: 257

ISBN-13: 0823251535

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Goku's life is hanging by a thread. Gohan and Kuririn must use the seven Dragon Balls of Namek to summon the mighty Dragon Lord.

At the Limit of the Obscene
At the Limit of the Obscene

Author: Erica Weitzman

Publisher: Northwestern University Press

Published: 2021-02-15

Total Pages: 447

ISBN-13: 0810143186

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As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.

The Poetics of Death
The Poetics of Death

Author: Beatrice Martina Guenther

Publisher: SUNY Press

Published: 1996-01-01

Total Pages: 230

ISBN-13: 9780791430231

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Discusses literary representations of death to explore the relation between writing and death--death understood as both the death of the individual and the death of meaning.

Thinking on Thresholds
Thinking on Thresholds

Author: Subha Mukherji

Publisher: Anthem Press

Published: 2011

Total Pages: 253

ISBN-13: 085728665X

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Through a combination of case studies and theoretical investigations, the essays in this book address the imaginative power of the threshold as a productive space in literature and art.

Reading at the Limits of Poetic Form
Reading at the Limits of Poetic Form

Author: Jacob McGuinn

Publisher: Northwestern University Press

Published: 2024-05-15

Total Pages: 260

ISBN-13: 0810147009

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Pushing the boundaries of critical reading and the role of objects in literature How does literary objecthood contend with the challenge of writing objects that emerge at an extreme limit of material presence? Jacob McGuinn delves into the ways literature writes this indeterminate presence in the context of pre- and post-’68 Paris, a vital moment in the history of criticism. The works of poet Paul Celan, philosopher Theodor Adorno, and writer Maurice Blanchot highlight how the complexities of reading such a dematerialized object are part of the indeterminacy of material itself. Indeterminate objects—glass, snow, walls, screens—are subjects Celan describes as existing in “meridian” space, while for Adorno and Blanchot, criticism not only responds to this indeterminacy but also takes it as its condition. Reading at the Limits of Poetic Form: Dematerialization in Adorno, Blanchot, and Celan shows how these readings simultaneously limit the object of criticism and outline alternative ways of thinking that lie between the models of critical formalism and historicism, ultimately revealing the possible materiality of literature in unrealized history, incomplete politics, and nondetermining thinking.

The Poetics of Scale
The Poetics of Scale

Author: Conrad Steel

Publisher: University of Iowa Press

Published: 2024

Total Pages: 261

ISBN-13: 160938931X

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Conrad Steel shows how the history of poetry has always been bound with our changing logistics of macroscale representation. This history takes us back to the years before the First World War in Paris, where the poet Guillaume Apollinaire claimed to have invented a new mode of poetry large enough to take on the challenges of the coming twentieth century. The Poetics of Scale follows Apollinaire's ideas across the Atlantic and examines how and why his work became such a vital source of inspiration for American poets through the era of intensive American economic expansion and up to the present day.

The Limits of Fabrication
The Limits of Fabrication

Author: Nathan Brown

Publisher: Fordham Univ Press

Published: 2017-01-02

Total Pages: 312

ISBN-13: 0823274780

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Poetry, or poiēsis, has long been understood as a practice of making. But how are experiments in the making of poetic forms related to formal making in science and engineering? The Limits of Fabrication takes up this question in the context of recent developments in nanoscale materials science, investigating concepts and ideologies of form at stake in new approaches to material construction. Tracing the direct pertinence of fields crucial to the new materials science (nanotechnology, biotechnology, crystallography, and geodesic design) in the work of Shanxing Wang, Caroline Bergvall, Christian Bök, and Ronald Johnson back to the midcentury development of Charles Olson’s “objectist” poetics, Nathan Brown carves out a tradition of constructivist, nonorganic poetics that has developed in conversation with science and engineering. While proposing a new approach to the relation of technē (craft, skill) and poiēsis (making, forming), this book also intervenes in philosophical debates concerning the concept of the object, the distinction between organic and inorganic matter, theories of self-organization, and the relation between “design” and “nature.” Engaging with Heidegger, Agamben, Whitehead, Stiegler, and Nancy, Brown shows that materials science and materialist poetics offer crucial resources for thinking through the direction of contemporary materialist philosophy.

Plurality and the Poetics of Self
Plurality and the Poetics of Self

Author: Bruce Bond

Publisher: Springer

Published: 2019-06-18

Total Pages: 123

ISBN-13: 3030187187

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Plurality and the Poetics of Self investigates the words “I” and “self” as suggestive of eight territories of meaning. Via poetry’s lens into language and its limits, Bruce Bond explores the notion of self as identity, volitional agent, ego, existential monad, subjectivity, ontological origin, soul, and transpersonal psyche. Taking poetic meaning as our common currency, the book emphasizes the critical role of the un-representable and how embattled and confused assumptions threaten ever deeper alienation from one another and ourselves.