The Pocket Essential Michael Mann

The Pocket Essential Michael Mann

Author: Mark Steensland

Publisher:

Published: 2002

Total Pages: 104

ISBN-13:

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Whether as the writer of 'Starsky & Hutch', the producer of 'Miami Vice' or the director of 'Heat', 'The Insider' and the upcoming 'Ali' starring Will Smith, Michael Mann's impact on film and TV is undeniable. The introductory essay and analyses of each of Mann's films featured here make up the first book-length look into the work of this unique visual artist.


Michael Mann

Michael Mann

Author: Jean-Baptiste Thoret

Publisher:

Published: 2024-05-21

Total Pages: 354

ISBN-13: 0711294127

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A new biography on the revolutionary Michael Mann. More than just a comprehensive essay on his career, this work from Jean-Baptiste Thoret is also a treaty on contemporary times.


The Philosophy of Michael Mann

The Philosophy of Michael Mann

Author: Steven M. Sanders

Publisher: University Press of Kentucky

Published: 2014-04-17

Total Pages: 368

ISBN-13: 0813144728

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A collection of essays exploring the philosophical themes and aesthetic vision behind blockbuster film including The Insider, Public Enemies,and more. Known for his finely crafted crime thrillers, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile, the cult favorite The Keep, the American epic The Last of the Mohicans, and the Academy Award-nominated The Insider, as well as more recent works such as Ali, Miami Vice, and Public Enemies. The Philosophy of Michael Mann provides a comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.


The Cinema of Michael Mann

The Cinema of Michael Mann

Author: Steven Rybin

Publisher: Lexington Books

Published: 2007-08-29

Total Pages: 241

ISBN-13: 073915303X

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Few other contemporary Hollywood filmmakers fit the category of 'genre stylist' as well as Michael Mann, the director of such films as Heat, The Insider, Ali, Collateral, Manhunter, Thief, and Miami Vice. Mann's film style marks him as a director who chooses the iconographic backdrop of a genre as a canvas upon which he and his collaborators can craft a unique cinematic vision. The Cinema of Michael Mann traces the innovative and under-explored stylistic contours of Mann's work, the director's inflection upon and innovation within preexisting genre frameworks, and the relationship of both style and genre to issues of authorship and film criticism. Steven Rybin's critical study of Mann's cinema, and the importance of the filmmaker's themes to our contemporary world, is valuable for both film scholars and cinephiles alike.


Michael Mann

Michael Mann

Author: Steven Rybin

Publisher: Scarecrow Press

Published: 2013-04-04

Total Pages: 320

ISBN-13: 0810890844

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Michael Mann first made his mark as a writer for such television programs as Starsky and Hutch, Police Story, and Vegas. In 1981 he made his feature film directing debut with the James Caan thriller Thief, and in the 1980s he served as a writer and executive producer for the groundbreaking programs Miami Vice and Crime Story. Though he has delved into other genres, Mann’s career as a writer, producer, and director has consistently focused on criminal activity, from small-time hoods and professional thieves to corporate manipulators and serial killers. In Michael Mann: Crime Auteur, Steven Rybin looks at the television programs and films that Mann has stamped with his personal signature. This book closely examines the themes and techniques used in films such as Manhunter, Heat, The Insider, and Collateral and connects these elements to his work on the non-genre films The Last of the Mohicans and Ali. A revised and significantly expanded edition of The Cinema of Michael Mann (2007), this book includes new chapters on Public Enemies and the big screen version of Miami Vice, as well as Mann’s work on the shows Crime Story and Luck. Covering Mann’s entire career, this book will be of interest to fans of the writer/director’s body of work as well as to scholars of both film and television.


The Pocket Essential Film Noir

The Pocket Essential Film Noir

Author: Paul Duncan

Publisher: Oldcastle Books

Published: 2000

Total Pages: 100

ISBN-13: 9781903047088

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1940 to 1950 was the heyday of Film Noir, that elusive mixture of stark film lighting and even starker emotions. Many films of that period explored the dark side of society - gangsters, hoodlums, prostitutes and killers - and showed how it corrupted the good and the beautiful. Even worse, sometimes the so called good and the beautiful revealed themselves to be even sicker than the dregs of society.


Michael Mann

Michael Mann

Author: F. X. Feeney

Publisher: Taschen America Llc

Published: 2006

Total Pages: 191

ISBN-13: 9783822831410

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Over the course of the eight feature films he has directed since 1979, Michael Mann has shown himself, time and again, to be a rigorous, honest dramatist, a maker of solid worlds. So much so that in America, at least, he tends to be underrated. The most respectful of his critics often define him (a bit too simply) as a ""realist."" Certainly, whether the subject is thievery (The Jericho Mile, Thief, Heat), killers (Manhunter, Collateral), frontier life (The Last of the Mohicans), the nuanced struggle between the news media and corporate money (The Insider), or that of a celebrated athlete looking to find his life's meaning in a world of bigotry (Ali), Mann seeks authenticity above all. Whatever suspense, entertainment value, and emotional or philosophical insight his work may yield rises from a truthfully imagined, painstakingly observed set of human beings and their warring intentions. This book explores Mann's multifaceted oeuvre, including his most recent film, Miami Vice. Made with full access to Michael Mann's archives! The author: F.X. Feeney is a screenwriter and critic based in Los Angeles. His film credits include The Big Brass Ring, based on a story by Orson Welles, and Frankenstein Unbound, directed by Roger Corman, whilst his reviews have appeared in L.A. Weekly and other publications. F.X. is also the author of TASCHEN's Roman Polanski: The Complete Films. The editor: Paul Duncan has seen lots of films and read lots of comics and books. He wanted to share his enthusiasm for these subjects so he published magazines about comics (Ark) and crime fiction (Crime Time) before launching a series of small film guides (Pocket Essentials). He edits film books for TASCHEN and wroteAlfred Hitchcock: The Complete Films and Stanley Kubrick: The Complete Films.


The Madhouse Effect

The Madhouse Effect

Author: Michael E. Mann

Publisher: Columbia University Press

Published: 2016-09-27

Total Pages: 302

ISBN-13: 0231541813

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The award-winning climate scientist Michael E. Mann and the Pulitzer Prize–winning political cartoonist Tom Toles have been on the front lines of the fight against climate denialism for most of their careers. They have witnessed the manipulation of the media by business and political interests and the unconscionable play to partisanship on issues that affect the well-being of billions. The lessons they have learned have been invaluable, inspiring this brilliant, colorful escape hatch from the madhouse of the climate wars. The Madhouse Effect portrays the intellectual pretzels into which denialists must twist logic to explain away the clear evidence that human activity has changed Earth's climate. Toles's cartoons collapse counter-scientific strategies into their biased components, helping readers see how to best strike at these fallacies. Mann's expert skills at science communication aim to restore sanity to a debate that continues to rage against widely acknowledged scientific consensus. The synergy of these two climate science crusaders enlivens the gloom and doom of so many climate-themed books—and may even convert die-hard doubters to the side of sound science.


Existentialism and Social Engagement in the Films of Michael Mann

Existentialism and Social Engagement in the Films of Michael Mann

Author: Vincent M. Gaine

Publisher: Springer

Published: 2011-10-27

Total Pages: 255

ISBN-13: 0230348440

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Michael Mann's films receive a detailed analysis as existential dramas, including Heat, Collateral , The Last of the Mohicans and Public Enemies. The book demonstrates that Mann's films perform critical engagement with existentialism, illustrating the problems and opportunities of living according to this philosophy.


Blood in the Moonlight

Blood in the Moonlight

Author: Mark E. Wildermuth

Publisher: McFarland

Published: 2010-06-28

Total Pages: 224

ISBN-13: 0786482214

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Director and screenwriter Michael Mann is the creative force behind such movies as Last of the Mohicans and Ali. Markedly reticent, Mann prefers that his personal background remain an enigma, but his disparate films contain clear and consistent messages. One of Mann's focuses is on the Information Age. He addresses the nature of modern communication, its use to manipulate and coerce, and the resultant subjugation of truth. The perils inherent in modern technology and communication stand in stark contrast to the power of symbolic and oral exchange, the trusted medium of Mann's protagonists. This critical exploration of the films of Michael Mann examines his recurring focus on the nature of modern communication and information and their effect on the individual and society. Mann's films highlight the struggle to maintain a connection to reality in a world where information is a commodity manipulated and abused by forces that exert increasing control over its content and dissemination. Each chapter examines one of Mann's films--including Manhunter, The Keep, Last of the Mohicans, The Insider and Ali--in which the protagonist longs for a sense of human connection but is pitted against forces that devalue and destroy individuality. Photographs illustrate specific moments from the films. A bibliography and an index are included.