As hundreds of pilgrims arrive at the shrine of St. Winifred, Brother Cadfael wonders if two of the pilgrims, obviously intensely bound to each other, are bound to the murder of a knight in Winchester
The Pilgrims is no ordinary alternate-world fantasy; with this first volume in The Pendulum Trilogy, Will Elliott's brilliantly subversive imagination twists the conventions of the alternate-world fantasy genre, providing an unforgettable visionary experience. Eric Albright is a twenty-six-year-old journalist living in London. That is to say he would be a journalist if he got off his backside. But this luckless slacker isn't all bad—he has a soft spot for his sometimes friend Stuart Casey, the homeless old drunk who mostly lives under the railway bridge near his flat. Eric is willing to let his life just drift by...until the day a small red door appears on the graffiti-covered wall of the bridge, and a gang of strange-looking people—Eric's pretty sure one of them is a giant—dash out of the door and rob the nearby newsagent. From that day on Eric and Case haunt the arch, waiting for the door to reappear. When it does, both Eric and Case choose to go through...to the land of Levaal. A place where a mountain-sized dragon with the powers of a god lies sleeping beneath a great white castle. In the castle the sinister Lord Vous rules with an iron fist, and the Project, designed to effect his transformation into an immortal spirit, nears completion. But Vous's growing madness is close to consuming him, together with his fear of an imaginary being named Shadow. And soon Eric may lend substance to that fear. An impossibly vast wall divides Levall, and no one has ever seen what lies beyond. Eric and Casey are called Pilgrims, and may have powers that no one in either world yet understands, and soon the wall may be broken. What will enter from the other side? The Pendulum Trilogy #1 The Pilgrims #2 Shadow #3 World's End At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Scott Pilgrim continues to battle his girlfriend's evil ex-boyfriends while trying to keep his band together and losing control of his relationship with Ramona.
Twenty-four-year-old Scott Pilgrim must defeat the final ex, Gideon Graves, in order to win the heart of Ramona Flowers, an unforgettable rollerblading delivery girl.
Scott Pilgrim has two girls on the go. When he's with Knives Chau, he feels like he can erase his past and start over. When he's with Ramona Flowers, he's ready to accept all that, grow up and moves on."--Back cover.
Pilgrim, Book Five of the Wayfarer Redemption from Sara Douglass The Star Gate is destroyed and the Star Dance is dead. Icarii Enchanters, gods, and humans alike are helpless as the TimeKeeper Demons lay waste to Tencendor. There must be hope left, but no one knows where to find it. Death lurks in every twist of the Maze, but only those who have the courage to endure death can learn the secrets of the ancient enemy. Caelum SunSoar and his parents know that the only way is to discover the ancient secrets that lay trapped in the mountain Star Finger, and Faraday, martyred heroine, grows ever fearful -- and ever bitter. Must she lose everything to the land? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, Comics and Pop Culture presents more than a dozen perspectives on this rich history and the effects of such adaptations. Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.