The Phonograph and how to Use it

The Phonograph and how to Use it

Author: National Phonograph Company

Publisher:

Published: 1900

Total Pages: 192

ISBN-13:

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"Much has been written concerning the Phonograph since Thomas A. Edison startled the world with the first tin foil machine, a round generation ago. The history of its development, step by step would fill volumes. The earlier types have become obsolete in the march of progress. It is the purpose of this book to illustrate and describe, not only the first distinctly practical Phonograph of Commerce (the type M Electric Phonograph) but all the subsequent types and styles ; together with the various attachments which are now in everyday use. What with the diagrams and the plain instructions, it will be demonstrated that the Phonograph is as easy to take care of and as simple to manage as any mechanical movement that is thoroughly understood by its operator."--Foreword by Editor.


The Audible Past

The Audible Past

Author: Jonathan Sterne

Publisher: Duke University Press

Published: 2003-03-13

Total Pages: 469

ISBN-13: 0822384256

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The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death. Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class. A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology.


American Popular Music and Its Business

American Popular Music and Its Business

Author: the late Russell Sanjek

Publisher: Oxford University Press

Published: 1988-07-28

Total Pages: 586

ISBN-13: 0190243295

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Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.


The Routledge Companion to Death and Literature

The Routledge Companion to Death and Literature

Author: W. Michelle Wang

Publisher: Routledge

Published: 2020-12-07

Total Pages: 512

ISBN-13: 1000220745

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The Routledge Companion to Death and Literature seeks to understand the ways in which literature has engaged deeply with the ever-evolving relationship humanity has with its ultimate demise. It is the most comprehensive collection in this growing field of study and includes essays by Brian McHale, Catherine Belling, Ronald Schleifer, Helen Swift, and Ira Nadel, as well as the work of a generation of younger scholars from around the globe, who bring valuable transnational insights. Encompassing a diverse range of mediums and genres – including biography and autobiography, documentary, drama, elegy, film, the novel and graphic novel, opera, picturebooks, poetry, television, and more – the contributors offer a dynamic mix of approaches that range from expansive perspectives on particular periods and genres to extended analyses of select case studies. Essays are included from every major Western period, including Classical, Middle Ages, Renaissance, and so on, right up to the contemporary. This collection provides a telling demonstration of the myriad ways that humanity has learned to live with the inevitability of death, where “live with” itself might mean any number of things: from consoling, to memorializing, to rationalizing, to fending off, to evading, and, perhaps most compellingly of all, to escaping. Engagingly written and drawing on examples from around the world, this volume is indispensable to both students and scholars working in the fields of medical humanities, thanatography (death studies), life writing, Victorian studies, modernist studies, narrative, contemporary fiction, popular culture, and more.