The Phantom of the Cinema

The Phantom of the Cinema

Author: Lloyd Michaels

Publisher: SUNY Press

Published: 1998-01-01

Total Pages: 220

ISBN-13: 9780791435687

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The first book to focus on the representation of character in film, encompassing the art cinema, popular movies, and documentaries.


The Phantom of the Movies' Videoscope

The Phantom of the Movies' Videoscope

Author: Phantom of the Movies

Publisher: Three Rivers Press (CA)

Published: 2000

Total Pages: 596

ISBN-13:

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The "Phantom of the Movies", aka Joe Kane, has been avidly watching "B" movies since the 1960s and chronicling their mainstreaming over the past decade. His new book contains 3,000 reviews of thrillers and action flicks, horror, camp and comedy classics, sexploitation, sci-fi, and westerns, and incorporates exclusive celebrity interviews with genre heavyweights Gary Oldham, Jackie Chan, and Pamela Grier, and directors John Waters and Wes Craven. 100 illustrations.


The Phantom Holocaust

The Phantom Holocaust

Author: Olga Gershenson

Publisher: Rutgers University Press

Published: 2013-07-15

Total Pages: 289

ISBN-13: 0813561825

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Even people familiar with cinema believe there is no such thing as a Soviet Holocaust film. The Phantom Holocaust tells a different story. The Soviets were actually among the first to portray these events on screens. In 1938, several films exposed Nazi anti-Semitism, and a 1945 movie depicted the mass execution of Jews in Babi Yar. Other significant pictures followed in the 1960s. But the more directly filmmakers engaged with the Holocaust, the more likely their work was to be banned by state censors. Some films were never made while others came out in such limited release that the Holocaust remained a phantom on Soviet screens. Focusing on work by both celebrated and unknown Soviet directors and screenwriters, Olga Gershenson has written the first book about all Soviet narrative films dealing with the Holocaust from 1938 to 1991. In addition to studying the completed films, Gershenson analyzes the projects that were banned at various stages of production. The book draws on archival research and in-depth interviews to tell the sometimes tragic and sometimes triumphant stories of filmmakers who found authentic ways to represent the Holocaust in the face of official silencing. By uncovering little known works, Gershenson makes a significant contribution to the international Holocaust filmography.


The Phantom Empire

The Phantom Empire

Author: Geoffrey O'Brien

Publisher: W. W. Norton & Company

Published: 1993

Total Pages: 292

ISBN-13: 9780393312966

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The Phantom Empire is a brilliant, daring, and utterly original book that analyzes (even as it exemplifies) the effect that the image saturation of a hundred years of moving pictures have had on human culture and consciousness.


The Phantom: the Complete Avon Novels: Volume #1: the Story of the the Phantom: the Ghost Who Walks

The Phantom: the Complete Avon Novels: Volume #1: the Story of the the Phantom: the Ghost Who Walks

Author: Lee Falk

Publisher:

Published: 2016-11

Total Pages: 0

ISBN-13: 9781613451120

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This first book in the reissue of the original Avon pocket books tells the story of the childhood and adolescence of the twenty-first Phantom. His father, the twentieth Phantom, regales the reader and young Kit Walker of the men who came before him: the fighter who beat Redbeard the Pirate, while gaining the heart of Queen Natala; the harrowing actions that the twentieth Phantom took to regain the friendship of the Rope People, and many more stories. In this opening to the series, we also meet Diana Palmer the love of the Phantom, the woman who always can count on the Phantom to rescue her, even before he becomes The Ghost Who Walks. This thrilling beginning shows the man behind the mask, as Kit and Guran, his confident and friend, embark on the first of many adventures.


The Phantom Tollbooth

The Phantom Tollbooth

Author: Norton Juster

Publisher: Yearling

Published: 1988-10-12

Total Pages: 274

ISBN-13: 0394820371

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With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever. “Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason. Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams!


Paul Thomas Anderson: Masterworks

Paul Thomas Anderson: Masterworks

Author: Adam Nayman

Publisher: Abrams

Published: 2020-10-20

Total Pages: 288

ISBN-13: 168335916X

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An illustrated mid-career monograph exploring the 30-year creative journey of the 8-time Academy Award–nominated writer and director Paul Thomas Anderson has been described as "one of American film's modern masters" and "the foremost filmmaking talent of his generation." Anderson's ï¬?lms have received 25 Academy Award nominations, and he has worked closely with many of the most accomplished actors of our time, including Lesley Ann Manville, Julianne Moore, Daniel Day-Lewis, Joaquin Phoenix, and Philip Seymour Hoffman. In Paul Thomas Anderson: Masterworks, Anderson’s entire career—from Hard Eight (1996), Boogie Nights (1997), Magnolia (1999), Punch Drunk Love (2002), There Will Be Blood (2007), The Master (2012), Inherent Vice (2014), and Phantom Thread (2017) to his music videos for Radiohead to his early short ï¬?lms—is examined in illustrated detail for the ï¬?rst time. Anderson’s influences, his style, and the recurring themes of alienation, reinvention, ambition, and destiny that course through his movies are analyzed and supplemented by ï¬?rsthand interviews with Anderson’s closest collaborators—including producer JoAnne Sellar, actor Vicky Krieps, and composer Jonny Greenwood—and illuminated by ï¬?lm stills, archival photos, original illustrations, and an appropriately psychedelic design aesthetic. Masterworks is a tribute to the dreamers, drifters, and evil dentists who populate his world.


Phantom

Phantom

Author: Susan Kay

Publisher: Llumina Press

Published: 1990

Total Pages: 367

ISBN-13: 1605948454

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An imaginative and sensitive story of the life of the Phantom of the Opera; winner of the Boots Romantic Novel Award.


B Is for Bad Cinema

B Is for Bad Cinema

Author: Claire Perkins

Publisher: SUNY Press

Published: 2014-03-01

Total Pages: 276

ISBN-13: 143844995X

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Considers films that lurk on the boundaries of acceptability in taste, style, and politics. B Is for Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other “low” genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of “bad”—that is, aesthetically, morally, or commercially disreputable—cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach bad cinema in terms of aesthetics, politics, and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic affect, and on to the broader moral and ethical implications of the material. As a result, B Is for Bad Cinema takes an interest in a variety of film examples—overblown Hollywood blockbusters, faux pornographic works, and European art house films—to consider those that lurk on the boundaries of acceptability.