A classic, with more than 250 illustrations, this book is a visual feast of decorated chests. It is the preeminent encyclopedia of Pennsylvania German blanket chests. New color photography has been added for some of the original chests, and recent scholarship has produced some new information, attributions and other information.
One of the most engaging of such objects is the chest, about which this book is concerned. An ancient style of furniture, at once for sitting and for storage, the chest became the repository of an individual's goods: his (or her) clothes, linens, treasures. When in the eighteenth-century the Germans came in droves to America--to Pennsylvania--they brought the chest and the nascent individualism it represented with them. The majority of these pieces were either finished or simply painted, but the minority of inlaid or paint-decorated chests are the classic pieces of Pennsylvania-German decorative art to this day. -- Pg. 14.
Here and abroad, no other Pennsylvania Dutch motifs have come to be prized more than those created by John Bieber (1763-1825) of Oley Township, Berks County. Without a doubt, the hallmark of a Bieber dower chest (hope chest) is its huge, bulbous, flat hearts diligently laid out with compass. The heart motif was the most reoccurring symbol among 18th-century immigrant artisans. This book celebrates the craftsmanship and history of these Americana pieces of furniture. Color pictures capture the beauty of these various works of art and are a step to cataloging them before they are lost to time. (164pp. color illus. Masthof Press, 2019.)
Cover -- Half-title -- Title -- Copyright -- Contents -- Preface -- Acknowledgments -- INTRODUCTION: Pennsylvania German Studies -- PART 1 HISTORY AND GEOGRAPHY -- 1. The Old World Background -- 2. To the New World: Seventeenth and Eighteenth Centuries -- 3. Communities and Identities: Nineteenth to the Twenty-First Centuries -- PART 2 CULTURE AND SOCIETY -- 4. The Pennsylvania German Language -- 5. Language Use among Anabaptist Groups -- 6. Religion -- 7. The Amish -- 8. Literature -- 9. Agriculture and Industries -- 10. Architecture and Cultural Landscapes -- 11. Furniture and Decorative Arts -- 12. Fraktur and Visual Culture -- 13. Textiles -- 14. Food and Cooking -- 15. Medicine -- 16. Folklore and Folklife -- 17. Education -- 18. Heritage and Tourism -- 19. Popular Culture and Media -- References -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Color plates follow page
How did a mid-eighteenth-century group, the so-called Pennsylvania Germans, build their cultural identity in the face of ethnic stereotyping, nostalgic ideals, and the views imposed by outside contemporaries? Numerous forces create a group's identity, including the views of outsiders, insiders, and the shaping pressure of religious beliefs, but to understand the process better, we must look to clues from material culture. Cynthia Falk explores the relationship between ethnicity and the buildings, personal belongings, and other cultural artifacts of early Pennsylvania German immigrants and their descendants. Such material culture has been the basis of stereotyping Pennsylvania Germans almost since their arrival. Falk warns us against the typical scholarly overemphasis on Pennsylvania Germans' assimilation into an English way of life. Rather, she demonstrates that more than anything, socioeconomic status and religious affiliation influenced the character of the material culture of Pennsylvania Germans. Her work also shows how early Pennsylvania Germans defined their own identities.