The Pattern Under the Plough
The Pattern Under the Plough

Author: George Ewart Evans

Publisher: Faber & Faber

Published: 2012-11-15

Total Pages: 208

ISBN-13: 0571286879

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Following his two classics, Ask the Fellows Who Cut the Hay and The Horse in the Furrow, renowned oral historian George Ewart Evans continues his study of the vanishing customs, working habits and rich language of the farming communities of East Anglia with The Pattern Under the Plough (Faber, 1966). Although based on East Anglia, this book was and remains of wider interest, for - as the author pointed out at the time - similar changes were occurring in North America, and also happening with remarkable speed in Africa. In chronicling the old culture George Ewart Evans has taken its two chief aspects, the home and the farm. He describes the house with its fascinating constructional details, the magic invoked for its protection, the mystique of the hearth, the link of the bees with the people of the house, and some of their fears and pre-occupations. Among the chapters on the farm is one of Evans's most original pieces of research: the description of the secret horse societies. Beautifully illustrated by David Gentleman, this book is important not only for the material it reveals about the past but for the implications for present-day society. 'As real (and as valuable) as the evidence unearthed by the spadework of archaeology.' Observer

The Pattern Under the Plough
The Pattern Under the Plough

Author: George Ewart Evans

Publisher: Faber & Faber

Published: 2008-05

Total Pages: 270

ISBN-13: 9780571243792

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Following his two classics, Ask the Fellows Who Cut the Hay and The Horse in the Furrow, renowned oral historian George Ewart Evans continues his study of the vanishing customs, working habits and rich language of the farming communities of East Anglia with The Pattern Under the Plough (Faber, 1966). Although based on East Anglia, this book was and remains of wider interest, for - as the author pointed out at the time - similar changes were occurring in North America, and also happening with remarkable speed in Africa. In chronicling the old culture George Ewart Evans has taken its two chief aspects, the home and the farm. He describes the house with its fascinating constructional details, the magic invoked for its protection, the mystique of the hearth, the link of the bees with the people of the house, and some of their fears and pre-occupations. Among the chapters on the farm is one of Evans's most original pieces of research: the description of the secret horse societies. Beautifully illustrated by David Gentleman, this book is important not only for the material it reveals about the past but for the implications for present-day society. 'As real (and as valuable) as the evidence unearthed by the spadework of archaeology.' Observer

Pattern
Pattern

Author: Helen Billinghurst

Publisher: Triarchy Press

Published: 2020-08-01

Total Pages: 208

ISBN-13: 1911193910

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Artists Helen Billinghurst and Phil Smith offer a handbook for exploration, embodiment and art making in strange times. Uncovering a tattoo in the landscape, they describe the secrets of 'web-walking' and a journey of remarkable encounters.

Plough, Sword, and Book
Plough, Sword, and Book

Author: Ernest Gellner

Publisher: University of Chicago Press

Published: 1989

Total Pages: 288

ISBN-13: 0226287025

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Elucidates and argues for the author's concept of human history from the past to the present.

British rural landscapes on film
British rural landscapes on film

Author: Paul Newland

Publisher: Manchester University Press

Published: 2016-09-01

Total Pages: 318

ISBN-13: 1526104695

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British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit.

Pattern of the Past
Pattern of the Past

Author: David L. Clarke

Publisher: Cambridge University Press

Published: 1981-01-29

Total Pages: 466

ISBN-13: 9780521227636

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The book will be of importance for archaeologists and of interest to anthropologists.

The God Secret
The God Secret

Author: Greg Rigby

Publisher: Strategic Book Publishing

Published: 2011-09-01

Total Pages: 404

ISBN-13: 1618970771

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An attempt to find the origin of the Judeo-Christian concept of God is made by using astronomy and ancient history.

Conversing by Signs
Conversing by Signs

Author: Robert Blair St. George

Publisher: Univ of North Carolina Press

Published: 2000-11-09

Total Pages: 481

ISBN-13: 0807864714

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The people of colonial New England lived in a densely metaphoric landscape--a world where familiars invaded bodies without warning, witches passed with ease through locked doors, and houses blew down in gusts of angry, providential wind. Meaning, Robert St. George argues, was layered, often indirect, and inextricably intertwined with memory, apprehension, and imagination. By exploring the linkages between such cultural expressions as seventeenth-century farmsteads, witchcraft narratives, eighteenth-century crowd violence, and popular portraits of New England Federalists, St. George demonstrates that in early New England, things mattered as much as words in the shaping of metaphor. These forms of cultural representation--architecture and gravestones, metaphysical poetry and sermons, popular religion and labor politics--are connected through what St. George calls a 'poetics of implication.' Words, objects, and actions, referentially interdependent, demonstrate the continued resilience and power of seventeenth-century popular culture throughout the eighteenth century. Illuminating their interconnectedness, St. George calls into question the actual impact of the so-called Enlightenment, suggesting just how long a shadow the colonial climate of fear and inner instability cast over the warm glow of the early national period.