An ordinary man is forced to confront both his own demons and the manifestation of the supernatural beyond his comprehension and control Jeremy Furlong is a successful businessman, whose life has been carefully constructed from layer upon layer of lies. That is until now, when he is confronted by the trapped poltergeist spirit of a dead boy in the squalid flat he using to have an affair. The Passion of Jerome premiered at the Peacock stage of the Abbey Theatre in February 1999. "A writer of frenetic energy and imagination." (Sunday Times)
Jerome Neyrey brings a remarkably enlightened approach to the Passion Narrative, and to Luke's particular version of it. The book begins where previous studies leave off, for it goes beyond traditional questions of source and historicity and treats the Lukan Passion Narrative from the standpoint of redaction criticism. Neyrey offers a fresh literary analysis of the text, along with significant thematic and theological insights into Luke's version of Jesus's Passion. Five major episodes in the Passion Narrative are treated: The Farewell Address at the Last Supper, the Garden, Jesus's Trials, his Address to the Women, and the Crucifixion. Although rich in detail, this book continually offers a unified view of the text; readers are constantly offered overviews, summaries of the data, and interpretation of it. The book breaks new ground in suggesting a distinctive Lukan soteriology of the cross and a corresponding Christology. Study of the faith of the dying Jesus becomes a major clue for seeing Jesus as the New Adam in Luke-Acts. This book significantly advances our reading of Luke, especially by the way Acts is brought to bear as an interpretive clue to Luke's whole project, Luke-Acts. Contemporary interpretation of Luke demands study of the way Lukan structures and themes are continued and confirmed in Acts, which holds true especially for the Passion Narrative. Luke brings the story of Jesus into harmony with the story of his church.
CD-ROM accompanying vol. 1 contains ... "high resolution scans of all 153 engravings of Gospel episodes from the 1607 edition of Nadal's Annotations and Meditations on the Gospels." -- v. 1, p. [ix].
Since the early 4th century, Christian pilgrims and visitors to Judea and Galilee have worshipped at and been inspired by monumental churches erected at sites traditionally connected with the life and ministry of Jesus of Nazareth. This book examines the history and archaeology of early Christian holy sites and traditions connected with specific places in order to understand them as interpretations of Jesus and to explore them as instantiations of memories of him. Ryan's overarching aim is to construe these places as instantiations of what historian Pierre Nora has called “lieux de mémoires,” sites where memory crystallizes and, where possible, to track the course and development of the traditions underlying them from their genesis in the Gospel narratives to their eventual solidification in the form of pilgrimage sites. So doing will bring rarely considered evidence to the study of early Christian memory, which in turn helps to illuminate the person of Jesus himself in both history and reception.
Jovinianus, about whom little more is known than what is to be found in Jerome's treatise, published a Latin treatise outlining several opinions: That a virgin is no better, as such, than a wife in the sight of God. Abstinence from food is no better than a thankful partaking of food. A person baptized with the Spirit as well as with water cannot sin. All sins are equal. There is but one grade of punishment and one of reward in the future state. In addition to this, he held the birth of Jesus Christ to have been by a "true parturition," and was thus refuting the orthodoxy of the time, according to which, the infant Jesus passed through the walls of the womb as his Resurrection body afterwards did, out of the tomb or through closed doors.
Analysing major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to twentieth-century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre’s political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.
No other source gives such an intimate portrait of this brilliant and strong minded individual, one of the four great doctors of the West and generally regarded as the most learned of the Latin fathers.
This early work by Jerome K. Jerome was originally published in 1891 and we are now republishing it with a brand new introductory biography. 'Diary of a Pilgrimage' is a novel set during a journey to Oberammergau, in Bavaria, to see the Passion play that is performed there every ten years. Jerome Klapka Jerome was born in Walsall, England in 1859. Both his parents died while he was in his early teens, and he was forced to quit school to support himself. In 1889, Jerome published his most successful and best-remembered work, 'Three Men in a Boat'. Featuring himself and two of his friends encountering humorous situations while floating down the Thames in a small boat, the book was an instant success, and has never been out of print. In fact, its popularity was such that the number of registered Thames boats went up fifty percent in the year following its publication.
Since the earliest days of the Church, theologians have struggled to understand how humanity and divinity coexisted in the person of Christ. Proponents of the Arian heresy, which held that Jesus could not have been fully divine, found significant scriptural evidence of their position: Jesus wondered, questioned, feared, suffered, and prayed. The defenders of orthodoxy, such as Hilary of Poitiers, Ambrose of Milan, Jerome, and Augustine, showed considerable ingenuity in explaining how these biblical passages could be reconciled with Christ's divinity. Medieval theologians such as Peter Lombard, Thomas Aquinas, and Bonaventure, also grappled with these texts when confronting the rising threat of Arian heresy. Like their predecessors, they too faced the need to preserve Jesus' authentic humanity and to describe a mode of experiencing the passions that cast no doubt upon the perfect divinity of the Incarnate Word. As Kevin Madigan demonstrates, however, they also confronted an additional obstacle. The medieval theologians had inherited from the Greek and Latin fathers a body of opinion on the passages in question, which by this time had achieved normative cultural status in the Christian tradition. However, the Greek and Latin fathers wrote in a polemical situation, responding to the threat to orthodoxy posed by the Arians. As a consequence, they sometimes found themselves driven to extreme and sometimes contradictory statements. These statements seemed to their medieval successors either to compromise the true divinity of Christ, his true humanity, or the possibility that the divine and human were in communication with or metaphysically linked to one another. As a result, medieval theologians also needed to demonstrate how two equally authoritative but apparently contradictory statements could be reconciled-to protect their patristic forebears from any doubt about their unanimity or the soundness of their orthodoxy. Examining the arguments that resulted from these dual pressures, Madigan finds that, under the guise of unchanging assimilation and transmission of a unanimous tradition, there were in fact many fissures and discontinuities between the two bodies of thought, ancient and medieval. Rather than organic change or development, he finds radical change, trial, novelty, and even heterodoxy.
The Methuen Drama Guide to Contemporary Irish Playwrights is an authoritative guide to the work of twenty-five playwrights from the last 50 years whose work has helped to shape and define Irish theatre. Written by a team of international scholars, it provides an illuminating survey and analysis of each writer's plays and will be invaluable to anyone interested in, studying or teaching contemporary Irish drama. The playwrights examined range from John B. Keane, Brian Friel and Tom Murphy, to the crop of writers who emerged in the 1990s and who include Martin McDonagh, Marina Carr, Emma Donoghue and Mark O'Rowe. Each essay features: a biographical sketch and introduction to the playwright a discussion of their most important plays an analysis of their stylistic and thematic traits, the critical reception and their place in the discourses of Irish theatre a bibliography of texts and critical material With a total of 190 plays discussed in detail, over half of which were written during the 1990s and 2000s, The Methuen Drama Guide to Contemporary Irish Playwrights is unrivalled in its study of recent plays and playwrights.
