This first book which is titled Passion of a Poem is the actual name of the book, but this version is called A Painful Reality because of the disappointment or harsh views that’s being addressed. The author gave some of the poems a secondary elucidation in addition to the breakdowns because of the facts or necessary research he wanted to implement that was very informative and significant to what he was trying to convey. This is the Passion of a Poet: A Painful Reality.
After decades out of print, Passion—one of June Jordan’s most important collections—has returned to readers. Originally entitled, passion: new poems, 1977-1980, this volume holds key works including “Poem About My Rights,” “Poem About Police Violence,” “Free Flight,” and an essay by the poet, “For the Sake of the People’s Poetry: Walt Whitman and the Rest of Us.” June Jordan was a fierce advocate for the safety and humanity of women and Black people, and for the freedom of all people—and Barack Obama made a line from this book famous: “We are the ones we have been waiting for.” With love and humor, via lyrics and rants, she calls for nothing less than radical compassion. This new edition includes a foreword by Nicole Sealey.
A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.
They were the Romantic generation, famous and infamous, and in their short, extraordinary lives, they left a legacy of glamorous and often shocking legend. In PASSION the interwoven lives and vivid personalities of Byron, Shelley and Keats are explored through the eyes of the women who knew and loved them - scandalously, intensely and sometimes tragically. From the salons of the Whig nobles and the penury and vitality of Grub Street, to the beauty and corruption of Venice and the carrion field of Waterloo, PASSION presents the Romantic generation in a new and dramatic light - actors in a stormy history that unleashed the energies of the modern world.
In a profound new analysis of Dickinson's life and work, Judith Farr explores the desire, suffering, exultation, spiritual rapture, and intense dedication to art that characterize Dickinson's poems, deciphering their many complex and witty references to texts and paintings of the day.
‘The title is Search Party – the idea being that we’re all out here looking for something, and my poems are my way of finding myself.’ A young black poet blending spoken word and rap; an inner city upbringing with a Cambridge education; a social consciousness with a satirical wit and infectious rhythm – George The Poet is the voice of a new generation. Search Party is a thought-provoking and deeply autobiographical collection. From the overtly political ‘Go Home’ to the deeply personal ‘Full-time’; the narrative poems that offer vivid and unapologetic snapshots of inner-city life, such as ‘His Mistakes’, ‘Believer’ and the anthemic ‘My City’; to the provocative social commentary in ‘Lazy Dog’ and ‘YOLO’; to the inspiring, idea-driven pieces such as ‘The Power of Collaboration’ and ‘School Blues’, George takes poetry into new territories and to new audiences, offering a different way to talk about the things that matter, to explore his own experience and ideas, and encourage others explore theirs. George The Poet’s mesmerising and unforgettable live performances have earned him critical acclaim. From sell-out headline gigs and YouTube hits, to recording his own music, and now his first collection of poetry, George uses his work to speak truth to power and challenge our preconceived ideas about the society we’re living in. Whether you’re searching for yourself, for answers, for change – join the search party.
Sacred poetry from twelve mystics and saints, rendered brilliantly by Daniel Ladinsky, beloved interpreter of verses by the fourteenth-century Persian poet Hafiz One of 6 Books Oprah Loves to Give as Gifts During the Holidays “All kinds of beautiful poetry.” –Hoda Kotb In this luminous collection, Daniel Ladinsky—best known for his bestselling interpretations of the great Sufi poet Hafiz—brings together the timeless work of twelve of the world’s finest spiritual writers, six from the East and six from the West. Once again, Ladinsky reveals his talent for creating profound and playful renditions of classic poems for a modern audience. Rumi’s joyous, ecstatic love poems; St. Francis’s loving observations of nature through the eyes of Catholicism; Kabir’s wild, freeing humor that synthesizes Hindu, Muslim, and Christian beliefs; St. Teresa’s sensual verse; and the mystical, healing words of Sufi poet Hafiz—these along with inspiring works by Rabia, Meister Eckhart, St. Thomas Aquinas, Mira, St. Catherine of Siena, St. Teresa of Avila, St. John of the Cross, and Tukaram are all “love poems by God” from writers considered “conduits of the divine.” Together, they form a spiritual treasure to cherish always.
An erotic journal in poems, from a rising star in the American poetry scene, author of the highly acclaimed collection Second Empire. “A book of love poems that consciously and subversively hearken back to Shakespeare’s sonnets, marking Hofmann’s position as one of our necessary poets of erotic desire.” —Jericho Brown, Pulitzer Prize–winning author of The Tradition A Hundred Lovers is a catalog of encounters, sublime, steamy, and frank. Inspired by French autofiction, the poems feel both sharp and diaristic; their lyrical, intimate world brings us everyday scenes imbued with sex. "Eros enters, where shame had lived," the speaker observes, as the poems explore risk and appetite, promiscuity and violence, and, in the wake of his marriage, questions about monogamy and desire. Bringing us both the carefully knotted silk ties of the wedding pair and their undress in a series of Hockney-like interiors where passion colors every object, Hofmann speaks plainly of the saliva, tears, and guts of the carnal, just as he does of the sublime in works of art. A Hundred Lovers invites us to consider our own memories of pleasure and pain, which fill the generous white space the poet leaves open to us between his ravishing lines.
This volume marks the first translation of these prayer-poems into English. Originally written in 1899, Rilke wrote them upon returning to Germany from his first trip to Russia. His experience of the East shaped him profoundly. He found himself entranced by Orthodox churches and monasteries, above all by the icons that seemed to him like flames glowing in dark spaces. He intended these poems as icons of sorts, gestures that could illumine a way for seekers in the darkness. As Rilke here writes, "I love the dark hours of my being, / for they deepen my senses."
A poem by the winner of the Nobel Prize for Literature, illustrated for readers of all ages that will challenge assumptions about falling in love. They’re both convinced / that a sudden passion joined them. Such certainty is beautiful, / but uncertainty is more beautiful still. Love at First Sight is a poem about love and chance and destiny by the 1996 Polish winner of the Nobel Prize for Literature. Illustrated by Italian artist Beatrice Gasca Queirazza, Szymborska’s poem comes to life in entirely new ways for her readers and for lovers everywhere in this oversized book perfect for gift giving. Szymborska tells of two young lovers bound together in an instant—or were they? As the poem unfolds, the reader’s assumptions—like those of the lovers themselves—about certainty and destiny are utterly upended, revealing the paradox and mystery of fate. Here is randomness, tricks of memory, and chance, where noticing the smallest details of our intertwined lives is more essential than asking, Are we meant for each other? “Every beginning / is only a sequel, after all…”
