The Paper Ballet is an art project combining dance, paper fashion, and photography. In this integration, the author, Nicole Battelle Van Hook, creates paper fashion reflecting classic ballet characters. The photographer, Alison Evans, captures the styled fairytale for a moment forever frozen in time.
Eight famous dancers -- Marie Taglioni, Carlotta Grisi, Fanny Elssler and Lola Montez among them -- depicted as beautifully costumed paper dolls, each with 3 additional costumes from their most famous roles.
Two reversible punch-out dolls provide young dancers with four ballerinas of diverse backgrounds: Asian, Hispanic, African-American, and Caucasian. A fabulous wardrobe of 32 glamorous outfits features 8 costumes for each dancer. After removing the dolls and their costumes, the inside cover provides the ballerinas with a stage backdrop for their performances.
A charming young ballerina and eightbeautiful costumes from favorite ballets, including "The Nutcracker, Firebird, Sleeping Beauty, Petrouchka," "Don Quixote, " and more."
One doll and 8 costumes for the Lilac Fairy and the Fairy of the Crystal Fountain in The Sleeping Beauty, for Titania in A Midsummer Night's Dream, and 5 other sprites.
A novel of murder, romance, and Cold War espionage set in the world of professional ballet, by the author of Lily Cigar. One by one they died. In Paris. In Switzerland. In Ireland. In California. The most gifted and famous Soviet defectors: victims of an unknown assassin, pawns in a monstrous game. One prize target remains. Dima Lubov. He is the most celebrated new ballet star, leaping from triumph to triumph on stage and plunging into a passionate love affair with Jennifer Hale, the exquisite American prima ballerina who is the perfect partner in his art and in his arms. But a global orchestration of evil is mounting towards a crescendo as the pair of unsuspecting lovers dance ever closer to the abyss . . .
Reworking the Ballet illuminates the choreographic praxis, the context and the politics of reworkings in the light of counter-canonical discourses as developed within feminism, queer theory and postcolonialism.
Watch the Clouds is a compelling memoir about forgiveness and the responsibility for one¿s own life. It is an inspirational story and has the power to lift the reader, if that is what the reader wants. The book is riveting and will not let go of you from the first page. It is a story of devotion, understanding, strength of character and love. The author has an engaging narrative voice and has written this memoir to the reader in the form of a letter, which makes this a truly personal read. She writes from her heart and you can hear her speaking to you. This is a book that will add value to your life.
Part memoir, part dance history and ethnography, this critical study explores ballet's power to inspire and to embody ideas about politics, race, women's agency, and spiritual experience. The author knows that dance relates to life in powerful individual and communal ways, reflecting culture and embodying new ideas. Although ballet can appear (and sometimes is) elite and exclusionary, it also has revolutionary potential.
The Business of Ballet: Diaghilev’s Ballets Russes between Profit and the Avant-garde explores how a remarkable, internationally recognized ballet company, the Ballets Russes, was able to survive for twenty years without stable funding. Focusing on Ballets Russes’s founder, Serge Diaghilev, and his talent for discovering monies through an uncanny ability to secure funds from aristocrats, industrialists, artists, and swindlers, Ira Nadel offers new insight into the financial life of modern ballet. Throughout [his] analysis, Nadel reveals that Diaghilev was able to attract not only financial support but also the most innovative artistic and musical talents and choreographers of the period, who collectively changed the nature of ballet from the conventional to the contemporary. Through it all, Diaghilev never sacrificed the essential Russianness of his enterprise, transforming Russian traditions by incorporating new and original musical and choreographic stagings. In doing so, Nadel argues, Diaghilev’s Ballet Russes revised the idea of ballet as an art form, causing audiences throughout Europe and North America to riot and artists to create revolutionary compositions in art and music.