American Painting of the Nineteenth Century
American Painting of the Nineteenth Century

Author: Barbara Novak

Publisher: Oxford University Press

Published: 2007-01-12

Total Pages: 337

ISBN-13: 0198042256

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In this distinguished work, which Hilton Kramer in The New York Times Book Review called "surely the best book ever written on the subject," Barbara Novak illuminates what is essentially American about American art. She highlights not only those aspects that appear indigenously in our art works, but also those features that consistently reappear over time. Novak examines the paintings of Washington Allston, Thomas Cole, Asher B. Durand, Fitz H. Lane, William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. She draws provocative and original conclusions about the role in American art of spiritualism and mathematics, conceptualism and the object, and Transcendentalism and the fact. She analyzes not only the paintings but nineteenth-century aesthetics as well, achieving a unique synthesis of art and literature. Now available with a new preface and an updated bibliography, this lavishly illustrated volume--featuring more than one hundred black-and-white illustrations and sixteen full-color plates--remains one of the seminal works in American art history.

Art Wars
Art Wars

Author: Rachel N. Klein

Publisher: University of Pennsylvania Press

Published: 2020-07-17

Total Pages: 296

ISBN-13: 0812251946

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A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.

Lectures on Art
Lectures on Art

Author: Washington Allston

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781019775394

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Washington Allston's lectures on art provide an insight into the artistic theories and practices of the early 19th century. Allston was an influential figure in the American art world and his lectures cover a wide range of topics from the use of color to the role of the artist in society. The lectures are accompanied by illustrations and examples from art history, making this a valuable resource for anyone interested in the development of American art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

American Painters on Technique
American Painters on Technique

Author: Lance Mayer

Publisher: Getty Publications

Published: 2013

Total Pages: 316

ISBN-13: 1606061356

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"How paintings were made--in the most literal sense--is an important but largely unknown aspect of the story of American art. This book, like the authors' previous volume on American painting techniques from the colonial period to 1860, is based on descriptions of the materials and methods that painters used, as found in artists' notebooks, painting manuals, magazines, suppliers' catalogues, letters, diaries, books, and interviews. In interpreting this evidence, the authors have made use of their experience as conservators who have treated many important American paintings."--Book jacket.

Masterpieces
Masterpieces

Author: Museum of Fine Arts, Boston

Publisher:

Published: 2008

Total Pages: 216

ISBN-13:

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Mixed from egg whites and vegetable tints, water and soot, oils and rare minerals and applied to bone, wood, metal and canvas, the plastic and expressive properties of paint have stirred artists and their admirers throughout history. The holdings of the Museum of Fine Arts, Boston have grown into a formidable appraisal of one of humankind's oldest and most diverse forms of artistic expression--from its first acquisition, Washington Allston's "Elijah in the Desert" (1818), to recently acquired works by Edgar Degas, Georgia O'Keeffe and Takashi Murakami--and now constitutes one of America's largest permanent collections. The first version of Masterpieces has long been a favorite among museum-goers and art lovers. This new edition expands on the scope of the old, adding new acquisitions and featuring 150 master works by artists from Asia, Europe and the Americas--from delicate Song-dynasty handscrolls to jewel-like images of medieval piety, scenes of mythic drama, austere still lifes, sensitive portraits, grand landscapes and jarring Modern visions. Featuring artists such as Rembrandt, El Greco, Copley, Monet, Sargent and Picasso, anonymous masters of medieval Europe and Asia and living artists of uncompromising vision such as Gerhard Richter and David Hockney, this book is a celebration of the possibilities of paint.

The Correspondence of Washington Allston
The Correspondence of Washington Allston

Author: Nathalia Wright

Publisher: University Press of Kentucky

Published: 2014-07-15

Total Pages: 711

ISBN-13: 0813165040

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Washington Allston (1779-1843), the first major American artist trained in Europe, produced important paintings, explored sculpture and architecture, and published poetry and art criticism. On his return to America he became influential in the cultural and intellectual life of New England. Allston "knew everyone" and corresponded with many of the leading figures of his day, including Wordsworth, Longfellow, Irving, Sully, and Morse. Nathalia Wright's edition is the most comprehensive work to date on Allston, bringing together all known letters by and to him and describing his principal activities in years for which correspondence is lacking. Allston holds an important place in the history of American culture and European art and has long deserved such a volume, which offers a fascinating view of the world of arts and letters during the early American flowering.