Prince Istari has spent his life reviled: his parents wish he had never been born, the royal court of Belemere avoids him for fear of angering the king, and everyone else is kept away by his notorious reputation as a deadly sharpshooter. Now a hostage of peace in Tallideth, he is subjected to their hatred as well—even that of Regent Vellem, who once considered him a comrade in arms. Unexpected solace comes in the form of Lord Teverem, a sad, quiet lord who assumed the title when his brother was killed in the explosion for which Istari's father is to blame. He is kind and sweet and a sorely needed bright spot in Istari's life—until Istari meets his family and learns of a dangerous family secret with unexpected ties to Istari's past, a secret that could drag Tallideth and Belemere right back into war...
The Cloth Crown is about a child who is teased so much about wearing a patka (a head covering mostly worn by Sikh boys) that he wants to cut his hair. Faced with this reality, his father shares his own story of dealing with bullies and explains to his son why he decided not to cut his hair as a child. Cloth Crown is an endearing and educational story about turbans, culture, and identity.
Traditional histories of medieval art and architecture often privilege the moment of a work’s creation, yet surviving works designated as "medieval" have long and expansive lives. Many have extended prehistories emerging from their sites and contexts of creation, and most have undergone a variety of interventions, including adaptations and restorations, since coming into being. The lives of these works have been further extended through historiography, museum exhibitions, and digital media. Inspired by the literary category of biography and the methods of longue durée historians, the introduction and seventeen chapters of this volume provide an extended meditation on the longevity of medieval works of art and the aspect of time as a factor in shaping our interpretations of them. While the metaphor of "lives" invokes associations with the origin of the discipline of art history, focus is shifted away from temporal constraints of a single human lifespan or generation to consider the continued lives of medieval works even into our present moment. Chapters on works from the modern countries of Italy, France, England, Spain, and Germany are drawn together here by the thematic threads of essence and continuity, transformation, memory and oblivion, and restoration. Together, they tell an object-oriented history of art and architecture that is necessarily entangled with numerous individuals and institutions.
It's easy to add a pinch of panache to any d�cor with these unique and gorgeous painted designs for chairs, benches, shelves, even pillows. Just transfer the patterns to the furniture, follow the color placement instructions and detailed worksheets, add shadows and highlights as explained, and you have a beautiful piece that would have cost a fortune in a retail store. Decorate a drop-leaf table with colorful fruits of the season: purple grapes, golden pears, luscious peaches, and ripe red apples. An old flea market chair becomes worthy of royalty when given a fun "Queen of Hearts" motif. Or try the Fairest of Them All Mirror, Le Jardin Twig Footstool, Just for Her Cabinet, and other fabulous patterns. A Selection of the Country Homes & Gardens Book Club.
Herakleides was a young man who lived and died in Roman Egypt almost 2000 years ago. This multidisciplinary study of his mummy highlights the funerary practices and religious beliefs of his world.
Packed with 26 fun and colorful exercises geared toward 3- to 6-year-olds, this book offers parents and teachers an outstanding source of creative art activities to inspire and enrich this wide-eyed and open-hearted age group. Activities are organized by medium and designed to encourage self-expression. Each Lab also features the work of a prominent artist for inspiration. Gorgeous photography shows different results from different people using the same lesson, exemplifying the way the lesson brings out each artist’s personal style. Have fun: drawing with food coloring–tinted ice cubes. painting using a spray bottle and tempera paints. printmaking using balloons, lace, and potatoes to place ink. sculpting with tinfoil, cups, and papier-mâché. creating mixed media art with magazines, oil pastels, and wallpaper samples. Targeting one of the most critical developmental periods for children, Little Learning Labs: Art for Little Kids is the perfect book for both parents and teachers who are seeking enriching and unique experiences to offer this age group. This inspirational book stands out as a unique reference for creating fine art with children through finding the student’s own voice, marks, and style and with playful lessons that result in significant skill building. The popular Little Learning Labs series (based on the larger format Lab for Kids series) features a growing list of books that share hands-on activities and projects on a wide host of topics, including art, astronomy, geology, math, and even bugs—all authored by established experts in their fields. Each lab contains a complete materials list, clear step-by-step photographs of the process, as well as finished samples. The activities are open-ended, designed to be explored over and over, often with different results. Geared toward being taught or guided by adults, they are enriching for a range of ages and skill levels. Gain firsthand knowledge on your favorite topic with Little Learning Labs. Explore a fun and inspiring collection of wonderful art activities for the preschool set!
Join us on a behind-the-scenes tour of the filming locations for the award-winning Netflix series The Crown. The series recreates the romance and intrigue at the heart of our very own royal family and within these pages we seek out the settings so integral to the story, linking each 'fictional' site to its real-life counterpart. Covering the first four series, starting with Princess Elizabeth's marriage to Prince Philip in 1947 and concluding in 1990 – in particular with the relationship of Prince Charles and Lady Diana Spencer following their 1981 wedding – this is the perfect opportunity for every fan of The Crown to follow in the footsteps of royalty. Stunning Ely Cathedral provides the backdrop to the iconic Westminster Abbey where Princess Elizabeth's wedding took place, while Belvoir Castle, Hatfield House and Burghley House are just three of the fine locations that 'double' as Windsor Castle. Historic Winchester Cathedral transforms into St Paul's Cathedral in the run-up to the wedding of Charles and Diana, its versatility also seeing it representing both Romsey Abbey and Westminster Abbey. Sweeping across Britain from London and the home counties to the Welsh treasure that is Caernarfon Castle, heading north to Manchester and Liverpool and onwards to the majestic Scottish Highlands, The Crown's Royal Britain takes you on a royal tour of Britain and the venues that were an inspiration for this special drama. Many of the featured sites are open to the public so as well as learning about how these places played their part you can visit and enjoy the real spectacle in person.
Keros is a small, mountainous, and now-deserted island situated between Naxos, Amorgos, and Ios in the southeast Cyclades. Keros became widely known after a series of extensive and clandestine excavations in the 1950s and early 1960s, which concentrated on a particularly rich deposit of material at the site of Kavos, situated at its barren western extremity. These major lootings resulted in the illegal export from Greece of a large number of Early Cycladic objects - mostly fragmentary marble figurines - that flooded the international antiquities market under the general name the Keros Hoard. The cache was said to have included at least 350 Cycladic objects and is now widely dispersed. This study features a review of the archaeological investigations on Keros; a discussion of the so-called Keros Hoard; an extensive account of the various aspects of Cycladic figurines; and a catalogue of the objects identified as coming from the Hoard. Also included are an analysis of the data derived form the Hoard, the results of the study comparing the fragments in the Museum of Cycladic Art with those discovered at Kavos during official archaeological investigations; an interpretation of the Ho
A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390–1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck’s pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not “from life” but “into life.” Animation, not representation, drove Van Eyck and his contemporaries. Turel’s interpretation reverses the commonly held belief that these artists were inspired by the era’s burgeoning empiricism, proposing instead that their “living pictures” helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works’ key role in shaping, rather than simply mirroring, the early modern world.
