Amid the grandeur of the remote Pacific Northwest stands Kingcome, a village so ancient that, according to Kwakiutl myth, it was founded by the two brothers left on earth after the great flood. The Native Americans who still live there call it Quee, a place of such incredible natural richness that hunting and fishing remain primary food sources. But the old culture of totems and potlatch is being replaces by a new culture of prefab housing and alcoholism. Kingcome's younger generation is disenchanted and alienated from its heritage. And now, coming upriver is a young vicar, Mark Brian, on a journey of discovery that can teach him—and us—about life, death, and the transforming power of love.
Eight-year-old Zulviya, her sister and her cousin, her mother and her grandmother... they all belong to the loom. For generations the women of Zulviya's family have earned their living by weaving rugs by hand. The rugs are valuable and the women are proud of their beautiful handiwork. But the work is hard. It takes months to weave a rug; each one contains hundreds of thousands of knots. Before one work day has passed, Zulviya will tie thousands of knots. As she sits at her work, Zulviya weaves not one but two patterns. The pattern on the loom will become a fine rug. She weaves a second pattern in her mind. There she sees the green of the Afghani hills, the bright blue of the nearby lake, and the vivid orange of the setting sun. And Zulviya takes comfort in the landscape in her mind. Gloria Whelan's other picture books in the Tales of the World series are Yuki and the One Thousand Carriers (2008 Society of Illustrators Gold Medal winner) and Yatandou (a Junior Library Guild selection). Ms. Whelan lives in Michigan. Pascal Milelli's illustration clients include Harper's, The Atlantic, and Scribner Books. His picture book, The Art Room, by Susan Vande Griek, received the Amelia Frances Howard-Gibbon Illustrator's Award from the Canadian Library Association in 2003. Pascal lives in Vancouver, Canada.
Two of Cheyenne, Wyoming's well-known birdwatchers have collaborated on this celebration of 104 of the Capitol City's most-likely-to-be-seen birds. Photographer Pete Arnold, often found birding local hotspots camera at the ready, shares his art. Author Barb Gorges, bird columnist for the Wyoming Tribune Eagle for 20 years, shares insights into avian residents and visitors.Each of Pete Arnold's 6 by 6-inch bird photos is accompanied by 80-100 words by Barb Gorges about the species. She gives the reader a general impression of the bird from her experience birding Cheyenne for 30 years, plus interesting tidbits about behavior that might be observed in the month the bird is featured.Included is a checklist of all 326 bird species that may be seen in the Cheyenne area with information about what time of year and how easily they may be seen. There's also a list of birdwatching resources and the American Birding Association's Code of Birding Ethics.In the introduction Barb Gorges explains the genesis of the book as "Bird of the Week" blurbs for the Wyoming Tribune Eagle and thanks birding mentors and contributors to the book in the Acknowledgements. In "A Word from the Photographer," Pete Arnold writes about his fascination with photography and birds. Book designer Chris Hoffmeister, Western Sky Design, introduces each month with a chapter title page featuring a patchwork of closeups of the featured birds. While the book is not intended as a field guide, scanning these pages may help with quicker bird identification.
"In this elegant narrative, celebrated naturalist Ted Floyd guides you through a year of becoming a better birder. Choosing 200 top avian species to teach key lessons, Floyd introduces a new, holistic approach to bird watching and shows how to use the tools of the 21st century to appreciate the natural world we inhabit together whether city, country or suburbs." -- From book jacket.
Open your heart and mind to the wisdom of the animal world. Animal Speak provides techniques for recognizing and interpreting the signs and omens of nature. Meet and work with animals as totems and spirit guides by learning the language of their behaviors within the physical world. Animal Speak shows you how to: Identify, meet, and attune to your spirit animals Discover the power and spiritual significance of more than 100 different animals, birds, insects, and reptiles Call upon the protective powers of your animal totem Create and use five magical animal rites, including shapeshifting and sacred dance This beloved, bestselling guide has become a classic reference for anyone wishing to forge a spiritual connection with the majesty and mystery of the animal world.
‘I loved this book as a little girl and listening to my own children reading it has brought back so many wonderful memories. A comforting story to help children face their fears and grow in confidence with the help of others.’ – HRH The Duchess of Cambridge
The eighth in a fantastic series of animal stories for younger readers by Waterstones Children's Book Prize-shortlisted author Helen Peters, with beautiful black-and-white illustrations by Ellie Snowdon. Jasmine's dad is a farmer, and her mum is a large-animal vet, so Jasmine spends a lot of time caring for animals and keeping them out of trouble. Unfortunately, this often means she gets into hot water herself... When Jasmine and Tom discover an injured barn owl in the woods, they race to save his life. But as Star recovers, Jasmine realises that this beautiful bird is also a deadly hunter. Has Jasmine taken on more than she can handle? Brilliant storytelling that will make you laugh and cry, this is Dick King-Smith for a new generation. Perfect for readers aged seven and up. Check out Jasmine's other adventures: A Piglet Called Truffle, A Duckling Called Button, A Sheepdog Called Sky and many more!
They'll love saying WHOO WHOO as they discover the answer to this question and many other new sounds made by feathered friends. Pull the tab to find the answer and laugh along with your little one as you discover new sounds together. Big, bold, comical illustrations, along with 5 adorable animals to meet along the way, will make this book a must-read favorite--again and again, day and night!
A man’s obsession with a beautiful woman leads to danger in this psychological thriller by the author of The Talented Mr. Ripley and The Price of Salt. In a small Pennsylvania town, Robert Forrester is recuperating from a nasty divorce and a bout of psychological trouble. One evening, while driving home, he sees a pretty, young woman framed by her bright kitchen window. Soon, he can’t keep himself away. But when Robert is inevitably discovered, obsession is turned on its head, and he finds himself unable to shake the young woman, nor entirely sure whether he should. From Patricia Highsmith, once called “the balladeer of stalking” by The New Yorker, The Cry of the Owl is a modern classic ready to be reborn. Praise for The Cry of the Owl “Kafka with a vengeance.” —The Spectator (London) “Highsmith generates suspense out of a different sort of fear: not the fear of death, which drives most crime-centered entertainment, but the pettier, more intimate dread of humiliation, of being caught on the street with nothing on. . . . There’s something else here, hard to identify, pulling us along relentlessly, as thrillers do—an undertow, a surge of third-rail current.” —The New Yorker “The Cry of the Owl is a deceptively easy stroll toward personal chaos and destruction. It is thoroughly chilling because nothing seems farfetched. Odd, yes, but believable. . . . The Cry of the Owl is creepy and unsettling, a taut psychological thriller.” —Linnea Lannon, Detroit Free Press “One of her lesser-known works . . . and one of her most unsettling. Which is saying plenty. . . . The crime writer Elmore Leonard has written a host of novels with the same basic plot: Plans go wrong. The story message driving all of Highsmith’s work is similarly simple and clear: We live on thin ice. Highsmith revolts some readers, yet hypnotizes many others. She’s sui generis, a writer of almost occult power.” —Richard Rayner, Los Angeles Times
