Madonna of Divine Love by Raffaello
Madonna of Divine Love by Raffaello

Author: Carla Nicole De Petris

Publisher: Dorrance Publishing

Published: 2020-04-16

Total Pages: 173

ISBN-13: 1646101774

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Madonna of Divine Love by Raffaello By: Carla Nicole De Petris April 6, 2020 marks 500 years since the death of Raffaello Sanzio da Urbino. When he died at only 37 years old, he left the most beautiful paintings, particularly many of Madonna and Child. One particular painting lost since 1544 when it was described by Vasari as a 1514 painting on canvas by Raffaello, for Leonello Pio da Carpi, but since then it was never seen again. The CapodiMonte Museum in Naples describes the 1518 painting on wood as the “Madonna of Divine Love” by Raffaello, but since the eighteenth century many art historians believe that the painting on wood is by GianFrancesco Penni, Raffaello’s pupil, so where is the original painting by Raffaello? This painting was not mentioned for almost five-hundred years. Where was it? Elma believed she had an original Raffaello painting, and she wanted to know whether the story told by her aunt Anna was correct. Carla Nicole De Petris fell in love with this painting, and the story fascinated her. This story follows the history of the painting and the story of the research.

The Life of Raffaello Sanzio Da Urbino
The Life of Raffaello Sanzio Da Urbino

Author: Richard 1770-1831 Duppa

Publisher: Legare Street Press

Published: 2021-09-09

Total Pages: 252

ISBN-13: 9781013653995

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Raffaello Sanzio Da Urbino in Art Collections and in the History of Collecting
Raffaello Sanzio Da Urbino in Art Collections and in the History of Collecting

Author: Claudia La Malfa

Publisher:

Published: 2023-02

Total Pages: 0

ISBN-13: 9781527591271

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Raphael's artworks, paintings, altarpieces, drawings, tapestries, cartoons, prints, ceramics and all other artifacts derived from his works, including copies and forgeries, have been the object of an often-frantic search from his death in 1520 onwards. France, Spain, Germany, England, and Italy were the main destinations for such artworks between the 16th and the 18th centuries, while the market spread overseas from the 19th century onwards. This book is the first full exploration of this phenomenon and of the mechanisms of transmission of Raphael's artifax through inheritance, sales, swaps and shady transactions. It includes essays in English, French and Italian by some of the most knowledgeable scholars on Raphael, museum curators and experts in the history of collecting, and is a landmark in scholarship on Raphael and art collecting.

Raffaello Sanzio da Urbino in Art Collections and in the History of Collecting
Raffaello Sanzio da Urbino in Art Collections and in the History of Collecting

Author: Claudia La Malfa

Publisher: Cambridge Scholars Publishing

Published: 2023-01-13

Total Pages: 333

ISBN-13: 152759128X

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Raphael’s artworks, paintings, altarpieces, drawings, tapestries, cartoons, prints, ceramics and all other artifacts derived from his works, including copies and forgeries, have been the object of an often-frantic search from his death in 1520 onwards. France, Spain, Germany, England, and Italy were the main destinations for such artworks between the 16th and the 18th centuries, while the market spread overseas from the 19th century onwards. This book is the first full exploration of this phenomenon and of the mechanisms of transmission of Raphael’s artifax through inheritance, sales, swaps and shady transactions. It includes essays in English, French and Italian by some of the most knowledgeable scholars on Raphael, museum curators and experts in the history of collecting, and is a landmark in scholarship on Raphael and art collecting.