This book, first published in 1917, explores the meaning and genesis of the Prologue to the Fourth Gospel. The author, J. Rendel Harris (1852-1941) was a biblical scholar and curator of manuscripts and this book will be of value to anyone with an interest in theology and biblical exegesis.
Captures John's unique perspective and voice in the wider field of Jesus studies In this volume Stanley Porter tackles a variety of important and often highly contentious topics within the Gospel of John as a means of defining and capturing the distinctive Johannine voice. Subjects discussed include John in relation to competing Gospels, the public proclamation of Jesus in John, the sources of John's Gospel, John's prologue, the "I Am" sayings, the notion of truth, the Passover theme, and the ending of the book. Each chapter, besides surveying representative research, puts forward new and insightful proposals regarding the topics concerned. Porter does not shy away from matters that have often perplexed Johannine scholars, and he confronts some of the viewpoints that have led to confusion in the field. In exploring John's unique perspective and voice, Porter makes a significant contribution to the wider fields of Jesus studies and New Testament investigation.
The Prologue to John's Gospel has been an enigmatic object of inquiry in the history of biblical scholarship. This volume reengages readers with thirteen essays from various perspectives on the Prologue. These perspectives include source oriented approaches, form oriented approaches, functional approaches, and alternative non-traditional approaches. This book attempts to pave new paths to understanding the Prologue and cause readers to think more deeply about the beginning of John's Gospel.
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
This book presents a controversial thesis concerning the composition of the Gospel According to John. Most New Testament scholars believe that John was independent of the other three (Synoptic) Gospels, although some hold that he may have been familiar with Mark. This has led many to attempt to reconstruct the history of the community within which and for which John must have written. Brodie argues, however, that until the source question is settled, the historical question remains fruitless. What has been missing from Johannine scholarship, he says, is an accurate sense of the way in which writers of the ancient world set about composing their works. Given this literary context, it can be argued that John knew and used not only all of the Synoptic Gospels, but Acts, Ephesians, and the Pentateuch as well. Finally Brodie concludes that 'John' was the individual John and not the mouthpiece of a putative 'Johannine Community'. The Gospel should thus be read as a unified work, and not as the product of an aggregation of different sources or different dates of redaction.
Current study of the New Testament features many new interpretations. Robert Gundry's book finds them largely wanting and defends traditional ones. Several of its essays have never been published before. Most of the rest, though previously published, have been updated and otherwise revised, sometimes heavily. The studies cover a wide variety of topics in New Testament study, ranging from the Gospels to Revelation and much in between, as for example theological diversity, symbiosis between theology and genre criticism, pre-Papian tradition concerning Mark and Matthew as apostolically Johannine, and mishnaic jurisprudence as compatible with Jesus' blasphemy. In its entirety, this collection of essays shows the weaknesses of many novel interpretations of the New Testament as well as the essential reliability of earliest traditions concerning the New Testament, and the essential reliability of New Testament traditions themselves.
To Christians worldwide, the man Jesus of Nazareth is the centerpiece of history, the object of faith, hope, and worship. Even those who do not follow him admit the vast influence of his life. For anyone interested in knowing more about Jesus, study of the four biblical Gospels is essential. The second edition of Four Portraits, One Jesus has been updated throughout to meet the needs to today's students. It is a thorough yet accessible introduction to the four biblical Gospels and their subject, the life and person of Jesus. Like different artists rendering the same subject using different styles and points of view, the Gospels paint four highly distinctive portraits of the same remarkable Jesus. With clarity and insight, Mark Strauss illuminates these four books addressing the following important areas: First he addresses the nature, origin, methods for study, and historical, religious, and cultural backgrounds of the Gospels. He then moves on to closer study of each narrative and its contribution to our understanding of Jesus, investigating things such as plot, characters, and theme. Finally, he pulls it all together with a detailed examination of what the Gospels teach about Jesus' ministry, message, death, and resurrection, with excursions into the quest for the historical Jesus and the historical reliability of the Gospels. This textbook together with its workbook, video lectures, and laminated sheet gives students everything they need for a thorough and enriching study of Jesus and the Gospels.