From award-winning YA author Brandy Colbert comes a debut middle-grade novel about the only two Black girls in town who discover a collection of hidden journals revealing shocking secrets of the past. Beach-loving surfer Alberta has been the only Black girl in town for years. Alberta's best friend, Laramie, is the closest thing she has to a sister, but there are some things even Laramie can't understand. When the bed and breakfast across the street finds new owners, Alberta is ecstatic to learn the family is black—and they have a 12-year-old daughter just like her. Alberta is positive she and the new girl, Edie, will be fast friends. But while Alberta loves being a California girl, Edie misses her native Brooklyn and finds it hard to adapt to small-town living. When the girls discover a box of old journals in Edie's attic, they team up to figure out exactly who's behind them and why they got left behind. Soon they discover shocking and painful secrets of the past and learn that nothing is quite what it seems.
Diana got hurt—a lot—and she’s decided to deal with this fact by purchasing a life-sized robot boyfriend. Mary and La-La host a podcast about a movie no one’s ever seen. Kelly has dragged her friend Beth out of her comfort zone—and into a day at the fantasy market that neither of them will forget. Girl Town collects the Ignatz Award-winning stories “Radishes” and “Diana’s Electric Tongue” together with several other tales of young adulthood and the search for connection. Here are her most acclaimed mini-comics and anthology contributions, enhanced with new colors and joined by brand-new work. Bold, infatuated, wounded, or lost, Nowak’s girls shine with life and longing. Their stories—depicted with remarkable charm and insight—capture the spirit of our time.
“An eerily beautiful and lyrical story of loss, grief, and how quickly relationships can change, while also changing us.” —Robin Benway, National Book Award winner and bestselling author of Far From The Tree and A Year to the Day “Fast-paced, unputdownable, and full of heart and complicated emotions. An unforgettable story.” —Yamile Saied Méndez, Pura Belpré Award–winning author of Furia, a Reese’s Book Club selection What would you do if everyone you love disappeared? What if it was your fault? For July Fielding, nothing has been the same since that summer before senior year. Once, she had Alex, her loyal best friend, the one who always had her back. She had Sydney, who pushed her during every cross-country run, and who sometimes seemed to know July better than she knew herself. And she had Sam. Sam, who told her she was everything and left her breathless with his touch. Now, July is alone. Every single person in her small town of Lithia has disappeared. No family. No Alex or Sydney. No Sam. July’s only chance at unraveling the mystery of their disappearance is a series of objects, each a reminder of the people she loved most. And a mysterious message: GET TH3M BACK. From the #1 bestselling author of the Matched series, The Only Girl in Town is a searingly candid reckoning with both love and loneliness that perfectly distills the messy, beautiful realities of growing up, growing apart, and the courageous act of self-discovery.
Liberty Porter is your average eight-year-old girl. Except for the fact that her dad is the newly-elected President of the United States. She just moved into her new house--the White House. And she's about to start at her new school. It’s hard being the new girl at school and Liberty’s first few days don’t go as smoothly as she’d like. Having to bring a bodyguard to school? Not cool. Answering a history question about her new home wrong? Really not cool. Not knowing if kids want to be her friend just because she’s the First Daughter. Totally not cool! But if anyone can turn “not cool” into something “cool” it’s Liberty the “coolest” first daughter ever! Join Liberty as she finds true friends, and navigates her way through the corridors of her new school and the White House.
The Only Girl in the Game, one of many classic novels from crime writer John D. MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook. Her employers are the high priests of the great gambling mecca in the desert—and she is their handmaiden. Her job is to lead the lambs to the sacrifice, to keep them happy at the tables, where her partners slaughter the suckers. She longs to be free of the entertainers rubbing elbows with thugs at the craps tables, the divorcées hocking their jewels next to all-night marriage chapels, and the little white balls bouncing along the roulette wheels twenty-four hours a day in this world without end. But no matter how hard she tries to escape her past, she’s fated to be caught forever backstage in the sick glitter of the infamous Las Vegas strip with nothing but sand and neon and money, money, everywhere. Features a new Introduction by Dean Koontz Praise for John D. MacDonald “The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King “My favorite novelist of all time.”—Dean Koontz “To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut “A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark
Two friends who use tattoo magic to send divine messages must rely on each other to survive when they discover the fake deity they serve is very real--and very angry. This dark and twisty YA is perfect for fans of Leigh Bardugo and Kendare Blake.
AN INSTANT NEW YORK TIMES BESTSELLER! From the # 1 New York Times bestselling author of Eat Pray Love and The Signature of All Things, a delicious novel of glamour, sex, and adventure, about a young woman discovering that you don't have to be a good girl to be a good person. "A spellbinding novel about love, freedom, and finding your own happiness." - PopSugar "Intimate and richly sensual, razzle-dazzle with a hint of danger." -USA Today "Pairs well with a cocktail...or two." -TheSkimm "Life is both fleeting and dangerous, and there is no point in denying yourself pleasure, or being anything other than what you are." Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest. Now eighty-nine years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.
The autobiographical essays in The Girls in My Town create an unforgettable portrait of a family in Los Angeles. Reaching back to her grandmother’s childhood and navigating through her own girlhood and on to the present, Angela Morales contemplates moments of loss and longing, truth and beauty, motherhood and daughterhood. She writes about her parents’ appliance store and how she escaped from it, the bowling alley that provided refuge, and the strange and beautiful things she sees while riding her bike in the early mornings. She remembers fighting for equal rights for girls as a sixth grader, calling the cops when her parents fought, and listening with her mother to Helen Reddy’s “I Am Woman,” the soundtrack of her parents’ divorce. Poignant, serious, and funny, Morales’s book is both a coming-of-age story and an exploration of how a writer discovers her voice.
