Old Plantation Hymns
Author: William Eleazar Barton
Publisher:
Published: 1899
Total Pages: 56
ISBN-13:
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Author: William Eleazar Barton
Publisher:
Published: 1899
Total Pages: 56
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1851
Total Pages: 82
ISBN-13:
DOWNLOAD EBOOKAuthor: James Battle Avirett
Publisher:
Published: 1901
Total Pages: 220
ISBN-13:
DOWNLOAD EBOOKAuthor: William Francis Allen
Publisher: Applewood Books
Published: 1996
Total Pages: 170
ISBN-13: 1557094349
DOWNLOAD EBOOKOriginally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.
Author: Martha Young
Publisher:
Published: 1901
Total Pages: 182
ISBN-13:
DOWNLOAD EBOOKAuthor: N. B. De Saussure
Publisher: DigiCat
Published: 2022-07-20
Total Pages: 53
ISBN-13:
DOWNLOAD EBOOKOld Plantation Days is a memoir in the form of a letter that Nancy Bostick writes reflecting on her life on a plantation and her marriage and parenthood afterward during the Civil War. Excerpt: The South as I knew it has disappeared; the New South has risen from its ashes, filled with the energetic spirit of a new age.
Author: JoAnne O'Connell
Publisher: Rowman & Littlefield
Published: 2016-09-29
Total Pages: 497
ISBN-13: 1442253878
DOWNLOAD EBOOKThe Life and Songs of Stephen Foster offers an engaging reassessment of the life, politics, and legacy of the misunderstood father of American music. Once revered the world over, Foster’s plantation songs, like “Old Folks at Home” and “My Old Kentucky Home,” fell from grace in the wake of the Civil Rights Movement due to their controversial lyrics. Foster embraced the minstrel tradition for a brief time, refining it and infusing his songs with sympathy for slaves, before abandoning the genre for respectable parlor music. The youngest child in a large family, he grew up in the shadows of a successful older brother and his president brother-in-law, James Buchanan, and walked a fine line between the family’s conservative politics and his own pro-Lincoln sentiments. Foster lived most of his life just outside of industrial, smoke-filled Pittsburgh and wrote songs set in a pastoral South—unsullied by the grime of industry but tarnished by the injustice of slavery. Rather than defining Foster by his now-controversial minstrel songs, JoAnne O’Connell reveals a prolific composer who concealed his true feelings in his lyrics and wrote in diverse styles to satisfy the changing tastes of his generation. In a trenchant reevaluation of his NewYork Bowery years, O’Connell illustrates how Foster purposely abandoned the style for which he was famous to write lighthearted songs for newly popular variety stages and music halls. In the last years of his life, Foster’s new direction in songwriting stood in the vanguard of vaudeville and musical comedy to pave the way for the future of American popular music. His stylistic flexibility in the face of evolving audience preferences not only proves his versatility as a composer but also reveals important changes in the American music and publishing industries. An intimate biography of a complex, controversial, and now neglected composer, The Life and Songs of Stephen Foster is an important story about the father of American music. This invaluable portrait of the political, economic, social, racial, and gender issues of antebellum and Civil War America will appeal to history and music lovers of all generations.