Poussin resides in the palace of Schleissheim, Hans Holbein in St Catherine's Church in Augsburg and Peter Paul Rubens in Neuburg an der Donau. But even the locations of the galleries'; ancient castles and magnificent palaces; make attractive destinations for excursions. From medieval altarpieces to media installations, from Albrecht Dürer to Andy Warhol, from Ansbach 0to Würzburg: lavishly illustrated and in the words of the people who look after them, this volume tells of famous masterpieces, reveals hidden treasures and invites you to embark upon a journey through the past history and present day of the Pinakotheken in Bavaria.
In the eighteenth and early nineteenth centuries the first modern, public museums of art—civic, state, or national—appeared throughout Europe, setting a standard for the nature of such institutions that has made its influence felt to the present day. Although the emergence of these museums was an international development, their shared history has not been systematically explored until now. Taking up that project, this volume includes chapters on fifteen of the earliest and still major examples, from the Capitoline Museum in Rome, opened in 1734, to the Alte Pinakothek in Munich, opened in 1836. These essays consider a number of issues, such as the nature, display, and growth of the museums’ collections and the role of the institutions in educating the public. The introductory chapters by art historian Carole Paul, the volume’s editor, lay out the relationship among the various museums and discuss their evolution from private noble and royal collections to public institutions. In concert, the accounts of the individual museums give a comprehensive overview, providing a basis for understanding how the collective emergence of public art museums is indicative of the cultural, social, and political shifts that mark the transformation from the early-modern to the modern world. The fourteen distinguished contributors to the book include Robert G. W. Anderson, former director of the British Museum in London; Paula Findlen, Ubaldo Pierotti Professor of Italian History at Stanford University; Thomas Gaehtgens, director of the Getty Research Institute; and Andrew McClellan, dean of academic affairs and professor of art history at Tufts University. Show more Show less
In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.
Vincent Van Gogh is one of the world's most famous artists and now you can carry his painting with you everywhere to inspire your day. This handy notebook is ideal for writing down phone numbers, ideas, important dates, lists or anything you can imagine. Choose a notebook that reflects your personality, perfectly. Beautifully designed by NOTEBOOKABLE. Discover the joy of pen or pencil and paper. Perfect for writing. 122 numbered pages with a prompt where you can write the date. Ruled with 23 lines on the right side pages. Left side pages have 18 lines per page that surround a central blank area where you can sketch, tape a keepsake, record your favorite quote or highlight something important. There are also 4 innovative Summary pages at the back of the notebook where you can record the PAGE number, ABOUT and THOUGHTS for each of your notebook entries. Helping you to organize and summarize your notebook. Cover: Durable paperback/softback with luxury matte finish. Size: Regular (6 x 9 inches), the classic notebook size. Neither too thick or too thin, the size is just right for throwing in your bag or carrying with you. The ideal gift for creative people, students, professionals, commuters, Mom, yourself or anyone. Buy now and join the paper revolution with NOTEBOOKABLE. Follow on Twitter: @notebookable #writeitdown #mynotebookable
The Neue Pinakothek (New Picture Gallery), the first public museum in Europe devoted exclusively to contemporary art, was founded by King Ludwig I of Bavaria. Ludwig took an active interest in contemporary art, especially German art throughout his reign
Regardless of the clichés associated with Pablo Picasso (1881-1973), Max Beckmann (1884-1950), and Willem de Kooning (1904-1997) in the "public" private sphere, their exploration of the theme "woman" go far beyond one-sided definitions. Their portrayals of women are highly nuanced; they have a significance of their own and time and again become sensitive reflections of social and political problems and upheavals. They are not simply surfaces upon which are projected male longings and desires, but catalysts for a confrontation with the artist's own life and history (Picasso), while in Beckmann's work they are completely free, independent counter-images. De Kooning sees them as a separate force within which culminate opportunities for artistic expression. Contributions by art historians, authors, sociologists, and artists approach the theme from a variety of perspectives. Exhibition: Pinakothek der Moderne, Munich, Germany (30.3.-15.6.2012).
One of the most provocative and exciting architects today, Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. At the epicenter of a debate about the role of digital design and new fabrication methods in architecture and general design culture, his projects skillfully blend high technology and detailed craftsmanship, driven by modeling software from the film and aerospace industries. They range from the Ravioli lounge chair for Vitra to the Embryological House, a pre-fab housing type that takes advantage of new manufacturing technologies to produce customized houses adaptable to local conditions. Included are contributions from theorists, architects, and artists, and futurists such as Sylvia Lavin, Ben van Berkel, and Caroline Bos of UN Studio, J.G. Ballard, and Tom Friedman, among others. Greg Lynn FORM offers a window into Lynn's methods and techniques, theoretical positions, and career trajectory. Rather than a retrospective of Lynn's career, it is thought-provoking and forward-looking.
The Art of Looking Up surveys spectacular ceilings around the globe that have been graced by the brushes of great artists including Michelangelo, Marc Chagall and Cy Twombly. From the floating women and lotus flowers of the Senso-ji Temple in Japan, to the religious iconography that adorns places of worship from Vienna to Istanbul, all the way to bold displays like the Chihuly glass flora suspended from the lobby of the Bellagio Hotel in Las Vegas: this book takes you on a tour of the extraordinary artworks that demand an alternative viewpoint. History of art expert Catherine McCormack guides you through the stories behind the artworks – their conception, execution, and the artists that visualised them. In many cases, these artworks also make bold but controlled political, religious or cultural statements, revealing much about the society and times in which they were created. Divided by these social themes into four sections – Religion, Culture, Power and Politics – and pictured from various viewpoints in glorious colour photography, tour the astounding ceilings of these and more remarkable locations: Vatican Palace, Rome, Italy Blenheim Palace, Oxfordshire, UK Louvre Museum, Paris, France Dali Theatre-Museum, Figueres, Catalonia Museum of the Revolution, Havana, Cuba Capitol Building, Washington, DC, USA Four eight-page foldout sections showcase some of the world's most spectacular ceilings in exquisite detail. First and foremost, this is a visual feast, but also a desirable art book that challenges you to seek out fine art in more unusual places and question the statements they may be making.
