British Women and the Intellectual World in the Long Eighteenth Century

British Women and the Intellectual World in the Long Eighteenth Century

Author: Teresa Barnard

Publisher: Routledge

Published: 2016-03-09

Total Pages: 215

ISBN-13: 1317171373

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Highlighting the remarkable women who found ways around the constraints placed on their intellectual growth, this collection of essays shows how their persistence opened up attributes of potent female imagination, radical endeavour, literary vigour, and self-education that compares well with male intellectual achievement in the long eighteenth century. Disseminating their knowledge through literary and documentary prose with unapologetic self-confidence, women such as Anna Barbauld, Anna Seward, Elizabeth Inchbald and Joanna Baillie usurped subjects perceived as masculine to contribute to scientific, political, philosophical and theological debate and progress. This multifaceted exploration goes beyond traditional readings of women’s creativity to add fresh, at times controversial, insights into the female view of the intellectual world. Bringing together leading experts on British women’s lives, work and writings, the volume seeks to rediscover women’s appropriations of masculine disciplines and to examine their interventions into the intellectual world. Through their engagement with a unique perspective on women’s lives and achievements, the essays make important contributions to the existing body of knowledge in this important area that will inform future scholarship.


Visions of an Unseen World

Visions of an Unseen World

Author: Sasha Handley

Publisher: Routledge

Published: 2015-09-30

Total Pages: 298

ISBN-13: 1317315251

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A study of the production, circulation and consumption of English ghost stories during the Age of Reason. This work examines a variety of mediums: ballads and chapbooks, newspapers, sermons, medical treatises and scientific journals, novels and plays. It relates the telling of ghost stories to changes associated with the Enlightenment.


The Castle of Otranto and The Old English Baron - Gothic Stories

The Castle of Otranto and The Old English Baron - Gothic Stories

Author: Horace Walpole

Publisher: Read Books Ltd

Published: 2023-11-20

Total Pages: 236

ISBN-13: 1528799038

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From the eerie corridors of ancient strongholds to the depths of ancestral secrets, The Castle of Otranto and The Old English Baron are captivating works of classic horror with significant influence in the history of gothic fiction. Esteemed and highly influential, Horace Walpole's The Castle of Otranto (1764) was England's first gothic horror novel, but when Clara Reeve rewrote the story as The Old English Baron (1778) over thirty years later, her work was received with heavy criticism. With looming curses and familial treachery, both works are set in the medieval era with atmospheres steeped in relentless suspense. Yet, where Walpole's prolific work blurs the line between realism and the supernatural, Reeve rewrote the fantastical story with features of naturalism for the modern reader. Discover the origins of gothic fiction in these two prolific novels and read their comparisons and critiques in this volume's featured excerpts by H. P. Lovecraft and Montague Summers.


Obsolete Objects in the Literary Imagination

Obsolete Objects in the Literary Imagination

Author: Francesco Orlando

Publisher: Yale University Press

Published: 2008-10-01

Total Pages: 520

ISBN-13: 0300138210

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Translated here into English for the first time is a monumental work of literary history and criticism comparable in scope and achievement to Eric Auerbach’s Mimesis. Italian critic Francesco Orlando explores Western literature’s obsession with outmoded and nonfunctional objects (ruins, obsolete machinery, broken things, trash, etc.). Combining the insights of psychoanalysis and literary-political history, Orlando traces this obsession to a turning point in history, at the end of eighteenth-century industrialization, when the functional becomes the dominant value of Western culture. Roaming through every genre and much of the history of Western literature, the author identifies distinct categories into which obsolete images can be classified and provides myriad examples. The function of literature, he concludes, is to remind us of what we have lost and what we are losing as we rush toward the future.