The Oberon Anthology of Contemporary American Plays

The Oberon Anthology of Contemporary American Plays

Author: Bathsheba Doran

Publisher: Bloomsbury Publishing

Published: 2012-08-10

Total Pages: 312

ISBN-13: 1849436185

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This new series brings together some of the best new writing from contemporary American playwrights. Volume One is introduced by Andre Bishop, Artistic Director of the Lincoln CenterTheater, the most prestigious theatre in the USA. Each play is introduced by critically acclaimed writers themselves. The volume includes: KIN by Bathsheba Doran, (with an introduction by Chris Durang) Kin sheds a sharp light on the changing face of kinship in the expansive landscape of the modern world. 'Simply terrific. Perhaps the finest new play of the season. Funny andaudacious, haunting, and exquisitely wrought.' Charles Isherwood, New York Times MIDDLETOWN by Will Eno (with an introduction by Gordon Lish) Middletown was awarded the prestigious Horton Foote Prize for Promising New American Play in 2010. 'Middletown glimmers from start to finish with tart, funny, gorgeous little comments on big things: the need for love and forgiveness, the search for meaning in life, the long, lonely ache of disappointment.' Charles Isherwood, New York Times COMPLETENESS by Itamar Moses (with an introduction by Doug Wright) Completeness is a 21st-century romantic comedy about the timeless confusions of love. 'A funny, ridiculously smart new play. I haven't seen another play recentlythat so perfectly captured love – hot-blooded, fearless, fi ckle – at this stagein life. I was left with nothing but admiration.' Jeremy Gerard, Bloomberg News GOD'S EAR by Jenny Schwartz (with an introduction by Edward Albee) 'This ode to love, loss and the routines of life has the economy and drywit of a Sondheim love song ... Schwartz is a real talent and she is trying something ambitious ... In [her] very modern way, [she is] making a rather old-fashioned case for the power of the written word.' Jason Zinoman, New York Times


The Oberon Anthology of Contemporary American Plays

The Oberon Anthology of Contemporary American Plays

Author: Ann Marie Healy

Publisher: Bloomsbury Publishing

Published: 2018-10-04

Total Pages: 401

ISBN-13: 1786823217

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The second volume in this series brings together some of the best new writing from contemporary American playwrights. Each play is introduced by critically acclaimed writers themselves. THE EDGE OF OUR BODIES by Adam Rapp, Introduced by AM Homes, follows a teenage girl Bernadette who has to grow up quickly when she discovers she is pregnant. THE COWARD by Nick Jones, introduced by Marsha Norman, is an absurdist comedy set in 18th century England. Lucidus initiates a pistol duel, but when he finds he'll have to fight the son of the man he challenged, he doesn't want to go through with it. His plot to avoid the duel creates more trouble. THE BOOK OF GRACE by Suzan-Lori Parks, introduced by Oskar Eustis, portrays a dysfunctional American family, where anger and mistrust are symptoms of historical abuse. WHAT ONCE WE FELT by Ann Marie Healy, introduced by Paula Vogel, is set in a mysterious parallel universe, where Macy is the last ever author to be published in print, the system has an underclass named the Tradepack, and a woman can only have a baby if she possesses the right kind of 'scan card'.


The Oberon Anthology of Contemporary Argentinian Plays

The Oberon Anthology of Contemporary Argentinian Plays

Author: Mariano Tenconi Blanco

Publisher: Bloomsbury Publishing

Published: 2019-12-05

Total Pages: 319

ISBN-13: 1786828960

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From Ushuaia, the southernmost town in the world to the edges of the great Paraná river, and from the city of Buenos Aires to its fertile plains and the estuaries of northern Argentina, The Oberon Anthology of Contemporary Argentinian Plays provides a unique insight into the preoccupations and the creative responses of one of the major theatre-producing countries in Latin America. Includes the plays: La vida extraordinaria (Extraordinary Life) by Mariano Tenconi Blanco, translated by Catherine Boyle Pato verde (Green Duck) by Fabián Miguel Díaz, translated by Gwen MacKeith Fonavi by Leonel Giacometto, translated by Rosalind Harvey Nou Fiuter (No Future) by Franco Calluso, translated by William Gregory Poema ordinario (Poor Men's Poetry) by Juan Ignacio Fernández, translated by William Gregory Fuego de dragón sobre dragón de madera (Dragon Fire over Wood Dragon) by Candelaria Sabagh, translated by Kate Eaton


The Oberon Anthology of Contemporary Greek Plays

The Oberon Anthology of Contemporary Greek Plays

Author: Lena Kitsopoulou

Publisher: Bloomsbury Publishing

Published: 2017-05-03

Total Pages: 249

ISBN-13: 1783197684

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A diverse selection of plays from the nineties, noughties and 2010’s from a range of established and up-and-coming playwrights based in Greece. The collection includes a foreword and introductions to each play by prominent academics in Greek Contemporary Theatre. 1. M.A.I.R.O.U.L.A by Lena Kitsopoulou, translated by Aliki Chapple (2012) 2. Angelstate by Nina Rapi, translated by the author (2015) 3. Wolfgang by Yannis Mavritsakis, translated by Christina Polyhroniou (2008) 4. Hungry by Charalampos Giannou , translated by the author (2016) 5. Juliet by Akis Dimou, translated by Elizabeth Sakellaridou (1995)


The Oberon Anthology of Contemporary American Plays

The Oberon Anthology of Contemporary American Plays

Author: Ann Marie Healy

Publisher: Oberon Books Limited

Published: 2017-04-30

Total Pages: 468

ISBN-13: 9781849431699

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Some of the best new writing from contemporary American playwrights, collected together and introduced by other acclaimed writers. Includes:The Edge of Our Bodies by Adam Rapp (introduced by AM Homes),The Coward by Nick Jones (introduced by Marsha Norman),The Book of Grace by Suzan-Lori Parks, andWhat Once We Felt by Ann Marie Healy (introduced by Paula Vogel).


The Methuen Drama Book of New American Plays

The Methuen Drama Book of New American Plays

Author: David Adjmi

Publisher: Bloomsbury Publishing

Published: 2013-03-28

Total Pages: 526

ISBN-13: 1472503430

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The Methuen Drama Book of New American Plays is an anthology of six outstanding plays from some of the most exciting playwrights currently receiving critical acclaim in the States. It showcases work produced at a number of the leading theatres during the last decade and charts something of the extraordinary range of current playwriting in America. It will be invaluable not only to readers and theatergoers in the U.S., but to those around the world seeking out new American plays and an insight into how U.S. playwrights are engaging with their current social and political environment. There is a rich collection of distinctive, diverse voices at work in the contemporary American theatre and this brings together six of the best, with work by David Adjmi, Marcus Gardley, Young Jean Lee, Katori Hall, Christopher Shinn and Dan LeFranc. The featured plays range from the intimate to the epic, the personal to the national and taken together explore a variety of cultural perspectives on life in America. The first play, David Adjmi's Stunning, is an excavation of ruptured identity set in modern day Midwood, Brooklyn, in the heart of the insular Syrian-Jewish community; Marcus Gardley's lyrical epic The Road Weeps, The Well Runs Dry deals with the migration of Black Seminoles, is set in mid-1800s Oklahoma and speaks directly to modern spirituality, relocation and cultural history; Young Jean Lee's Pullman, WA deals with self-hatred and the self-help culture in her formally inventive three-character play; Katori Hall's Hurt Village uses the real housing project of "Hurt Village" as a potent allegory for urban neglect set against the backdrop of the Iraq war; Christopher Shinn's Dying City melds the personal and political in a theatrical crucible that cracks open our response to 9/11 and Abu Graib, and finally Dan LeFranc's The Big Meal, an inter-generational play spanning eighty years, is set in the mid-west in a generic restaurant and considers family legacy and how some of the smallest events in life turn out to be the most significant.


Albee and Influence

Albee and Influence

Author:

Publisher: BRILL

Published: 2021-03-01

Total Pages: 211

ISBN-13: 9004448608

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Albee and Influence contains essays, written by leading Albee scholars, that focus on literary and philosophical influences on Edward Albee’s plays as well as essays on writers and works that Albee influenced.


Women Writing and Directing in the USA

Women Writing and Directing in the USA

Author: Kiara Pipino

Publisher: Routledge

Published: 2020-02-20

Total Pages: 335

ISBN-13: 1000044475

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Women Writing and Directing in the USA: A Stage of Our Own features interviews with some of the most successful theatre artists currently working on and off Broadway and beyond. The book provides an insight on what it means and what it takes to be a successful female-identifying playwright and director in the USA, where the professional theatrical landscape is still mostly dominated by straight white men. The interviews explore a wide range of themes, including if and how the artists’ female perspective influenced their art, the social and cultural significance of their work, and how theatre and women working in theatre can participate in awakening greater social awareness. Readers will learn about some of the most current and relevant American theatre artists, such as Young Jean Lee, Pam MacKinnon, Dominique Morisseau, Rachel Chavkin, and Martyna Majok. Written for students in directing and playwriting courses, Women Writing and Directing in the USA: A Stage of Our Own features inspirational and informative stories that will help young theatre artists find and pursue their artistic voices.


Selected Plays by Cuban Playwright Abel González Melo

Selected Plays by Cuban Playwright Abel González Melo

Author: Abel González Melo

Publisher: Bloomsbury Publishing

Published: 2024-10-03

Total Pages: 340

ISBN-13: 1350453803

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"One of Cuba's most important contemporary playwrights, Abel González Melo is known for a hybrid poetics in which he employs contemporary formal features, such as non-linear storytelling and flashbacks, interwoven with elements from the classical tradition in order to stage the ignoble realities of postmodern life. " (Lillian Manzor, University of Miami) Born in Havana in 1980, Abel González Melo is a rare example of a contemporary Cuban playwright whose work is performed and celebrated not only in Cuba, but also in the US, the Americas more widely, Europe, and beyond. Investigating a raft of national and universal themes, such as queer sexuality, the dilemma of leaving or remaining, political power and censorship, family dynamics, the ambition and responsibility of the artist, and so-called 'cancel culture', González Melo's work is international and universal in scope. The result of a 20-year collaboration with translator William Gregory, this collection of six plays surveys González Melo's eclectic two-decade career: from his beginning with earlier works exploring the pulsing underworld of early-2000s Havana in Chamaco and Nevada, through to his most recent takes on theatre and its intersection with contemporary issues in Tell Me the Whole Thing Again and Abyss. Complete with an edited introduction by Ernesto Fundora and a translator's note from Gregory, Selected Plays by Cuban Playwright Abel González Melo explores not only González Melo's oeuvre but also his distinctive stylistic and aesthetic variety, gained from living in both Spain and Cuba.


Contemporary Farce on the Global Stage

Contemporary Farce on the Global Stage

Author: David Gram

Publisher: Taylor & Francis

Published: 2024-04-09

Total Pages: 255

ISBN-13: 1040014356

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Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the 21st century. Often dismissed as frivolous, farce speaks a universal language, with the power to incisively interrogate our world through laughter. Unlike farces of the past, where a successful resolution was a given and we could laugh uproariously at adulterous behaviour, farce no longer guarantees an audience a happy ending where everything works out. Contemporary farce is no longer ‘diverting us’ with laughter. It is reflecting the fractured world around us. With a foreword by award-winning playwright Ken Ludwig, the book introduces readers to the Mechanics of Farce, and the ‘Four Ps,’ which are key elements for understanding, appreciating, and exploring the form. The Five Doors to Contemporary Farce identify five major categories into which farces fall. Behind each door are a wide selection of plays, modern and contemporary examples from all over the world, written by a diverse group of playwrights who traverse gender, race, ethnicity, and sexual orientation. Supplementing each section are comments, observations, and reflections from award-winning playwrights, directors, actors, designers, dramaturgs, and scholars. Designed specifically to give theatre-makers a rounded understanding that will underpin their own productions, this book will also be of use to theatre and performance studies students.