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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
This final volume of Bollingen Series L covers the material Coleridge wrote in his notebooks between January 1827 and his death in 1834. In these years, Coleridge made use of the notebooks for his most sustained and far-reaching inquiries, very little of which resulted in publication in any form during his lifetime. Twenty-eight notebooks are here published in their entirety for the first time; entries dated 1827 or later from several more notebooks also appear in this volume. Following previous practice for the edition, notes appear in a companion volume. Coleridge's intellectual interests were wide, encompassing not only literature and philosophy but the political crises of his time, scientific and medical breakthroughs, and contemporary developments in psychology, archaeology, philology, biblical criticism, and the visual arts. In these years, he met and conversed with eminent writers, scholars, scientists, churchmen, politicians, physicians, and artists. He planned a major work on Logic (still unpublished at his death), and an outline of Christian doctrine, also unfinished, though his work toward this project contributed to On the Constitution of the Church and State (1830) and the revised Aids to Reflection (1831). The reader of these notebooks has the opportunity to see what one of the most admired minds of the English-speaking world thought on several issues--such as race and empire, science and medicine, democracy (particularly in reaction to the Reform Bills introduced in 1831 and 1832), and the authority of the Bible--when he wrote without fear of public disapprobation or controversy.
Now back in print, the definitive biography of a seminal figure in film history, whom Orson Welles called “the greatest of all directors.” Jean Renoir’s career almost spans the history years of cinema–from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war. Decades after its release, Renoir’s The Rules of the Game (1939) is the only film to have been included on every top ten list in the Sight & Sound's respected decennial poll since 1952, cementing Renoir’s influence. André Bazin and François Truffaut praised Renoir as the patron saint of the French New Wave. Jean Renoir: Projections of Paradise gives detailed accounts of Renoir’s working methods and captivating appraisals of his films, and his long and fascinating life from his blissful childhood as the son of the great Impressionist painter August Renoir. This is a must-read for students of film and all fans of entertaining, timeless movies.
A Companion to Jean Renoir “An extraordinary collection of essays that more than fulfills the aims of its editors, Alastair Phillips and Ginette Vincendeau. The essays offer exciting, original work from younger scholars as well as long-established authorities, all of which offer invaluable insights into the films, writings, and life of Jean Renoir. Receiving particular attention are questions about the singularity or multiplicity of what the editors call the many ‘Renoirs’ (French, American, Indian; even transnational), especially from the early 1930s through the early 1960s. Whether mining relatively unexplored archive materials, deploying newly current methodological approaches, interrogating one of a wide range of topics and issues, or engaging in close textual analysis, the contributors construct a tantalizing series of innovative ‘road maps’ for future researchers to pursue.” Richard Abel, University of Michigan “Alastair Phillips and Ginette Vincendeau have brought together essays that bring new perspectives to both the best-known and the lesser-known of Renoir’s films. Both French cinema specialists and viewers new to Renoir’s work will find much of interest in this outstanding collection.” Judith Mayne, Ohio State University Dubbed simply “the best director”’ by François Truffaut, Jean Renoir is a towering figure in world film history. This exhaustive survey of his work and life features a comprehensive analysis of his films from the multiple critical perspectives of the world’s leading Renoir scholars. Renoir’s career spanned four decades and four countries and included an extraordinary body of films, some of which – La Grande illusion (1937) and La Règle du jeu (1939) – are universally recognized masterpieces. Fathered by the celebrated painter Pierre-Auguste Renoir, the filmmaker lived through much of the twentieth century, beginning his career in the silent era and ending it in full Technicolor. His films are notable for their paradoxical combination of strong internal coherence and thematic breadth and diversity, and they provide a rich source for today’s scholars of film history and French culture. This handbook, the largest volume on Renoir ever produced in the English language, ranges in scope from extreme close-up analysis of individual films to long-shot explorations of his aesthetics and the social and cultural contexts in which he worked. The most ambitious critical study of Renoir to date, this book will appeal to film enthusiasts as much as scholars and specialists.
Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.
Originally published in France in 2012, Pascal Mégeau's definitive biography of legendary film director Jean Renoir is a landmark work-the winner of a Prix Goncourt, France's top literary achievement. Now available in the English language for the first time, Jean Renoir: A Biography, is the definitive study of one of the most fascinating and creative artistic figures of the twentieth century. The French filmmaker made more than forty films from the silent era to the late '60s and today he is revered by filmmakers and seen by many as one of the greatest of all time. Renoir made acclaimed movies in France, America, India, and Italy and became a writer during the last part of his life. An estimated 75 percent of the book details previously unknown information about the filmmaker, including Renoir's close affiliation with Communism in the '30s (when he was the Party's official director) and his work with the fascist regimes during World War II; his previously uncredited Hollywood film, The Amazing Mrs. Holiday; and new information on the making of his most famous films. Drawing from unpublished or little known sources, this biography is a completely fresh approach to the maker of Grand Illusion and The Rules of the Game, redefining the very function of the movie director and simultaneously recounting the history of a century.
The Big Screen tells the enthralling story of the movies: their rise and spread, their remarkable influence over us, and the technology that made the screen—smaller now, but ever more ubiquitous—as important as the images it carries. The Big Screen is not another history of the movies. Rather, it is a wide-ranging narrative about the movies and their signal role in modern life. At first, film was a waking dream, the gift of appearance delivered for a nickel to huddled masses sitting in the dark. But soon, and abruptly, movies began transforming our societies and our perceptions of the world. The celebrated film authority David Thomson takes us around the globe, through time, and across many media—moving from Eadweard Muybridge to Steve Jobs, from Sunrise to I Love Lucy, from John Wayne to George Clooney, from television commercials to streaming video—to tell the complex, gripping, paradoxical story of the movies. He tracks the ways we were initially enchanted by movies as imitations of life—the stories, the stars, the look—and how we allowed them to show us how to live. At the same time, movies, offering a seductive escape from everyday reality and its responsibilities, have made it possible for us to evade life altogether. The entranced audience has become a model for powerless and anxiety-ridden citizens trying to pursue happiness and dodge terror by sitting quietly in a dark room. Does the big screen take us out into the world, or merely mesmerize us? That is Thomson's question in this grand adventure of a book. Books about the movies are often aimed at film buffs, but this passionate and provocative feat of storytelling is vital to anyone trying to make sense of the age of screens—the age that, more than ever, we are living in.