Twenty-First-Century Southern Writers

Twenty-First-Century Southern Writers

Author: Jean W. Cash

Publisher: Univ. Press of Mississippi

Published: 2021-03-19

Total Pages: 191

ISBN-13: 149683335X

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Contributions by Destiny O. Birdsong, Jean W. Cash, Kevin Catalano, Amanda Dean Freeman, David Gates, Richard Gaughran, Rebecca Godwin, Joan Wylie Hall, Dixon Hearne, Phillip Howerton, Emily D. Langhorne, Shawn E. Miller, Melody Pritchard, Nick Ripatrazone, Bes Stark Spangler, Scott Hamilton Suter, Melanie Benson Taylor, Jay Varner, and Scott D. Yarbrough Twenty-First-Century Southern Writers: New Voices, New Perspectives, an anthology of critical essays, introduces a new group of fiction writers from the American South. These fresh voices, like their twentieth-century predecessors, examine what it means to be a southerner in the modern world. These writers’ works cover wide-ranging subjects and themes: the history of the region, the continued problems of the working-class South, the racial divisions that have continued, the violence of the modern world, and the difficulties of establishing a spiritual identity in a modern context. The approaches and styles vary from writer to writer, with realistic, place-centered description as the foundation of many of their works. They have also created new perspectives regarding point of view, and some have moved toward the inclusion of “magic realism” and even science fiction in their work. The nineteen essays in Twenty-First-Century Southern Writers feature a handful of fiction writers who are already well known, such as National Book Award–winner Jesmyn Ward, Tayari Jones, Michael Farris Smith, and Inman Majors. Others deserve greater recognition, and, in many cases, works in this anthology will be the first pieces of analysis dedicated to writers and their work. Twenty-First-Century Southern Writers aims to alert scholars of southern literature, as well as the reading public, to an exciting and varied group of writers, while laying a foundation for future examination of these works.


Southern Writers on Writing

Southern Writers on Writing

Author: Susan Cushman

Publisher: Univ. Press of Mississippi

Published: 2018-05-16

Total Pages: 204

ISBN-13: 1496815017

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Contributions by Julie Cantrell, Katherine Clark, Susan Cushman, Jim Dees, Clyde Edgerton, W. Ralph Eubanks, John M. Floyd, Joe Formichella, Patti Callahan Henry, Jennifer Horne, Ravi Howard, Suzanne Hudson, River Jordan, Harrison Scott Key, Cassandra King, Alan Lightman, Sonja Livingston, Corey Mesler, Niles Reddick, Wendy Reed, Nicole Seitz, Lee Smith, Michael Farris Smith, Sally Palmer Thomason, Jacqueline Allen Trimble, M. O. Walsh, and Claude Wilkinson The South is often misunderstood on the national stage, characterized by its struggles with poverty, education, and racism, yet the region has yielded an abundance of undeniably great literature. In Southern Writers on Writing, Susan Cushman collects twenty-six writers from across the South whose work celebrates southern culture and shapes the landscape of contemporary southern literature. Contributors hail from Mississippi, Alabama, Louisiana, Tennessee, Georgia, South Carolina, North Carolina, Virginia, and Florida. Contributors such as Lee Smith, Michael Farris Smith, W. Ralph Eubanks, and Harrison Scott Key, among others, explore issues like race, politics, and family and the apex of those issues colliding. It discusses landscapes, voices in the South, and how writers write. The anthology is divided into six sections, including “Becoming a Writer;” “Becoming a Southern Writer;” “Place, Politics, People;” “Writing about Race;” “The Craft of Writing;” and “A Little Help from My Friends.”


A Measure of Belonging

A Measure of Belonging

Author: Cinelle Barnes

Publisher:

Published: 2020-10-06

Total Pages:

ISBN-13: 9781938235719

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A fierce collection of essays that tackle the question, "Who is welcome?" while also uplifting and celebrating the incredible diversity in the contemporary South, by twenty-one of the finest young writers of color living and working there. Essays in A Measure of Belonging: Writers of Color on the New American South, examine issues of sex, gender, academia, family, immigration, health, social justice, sports, music, and more. Kiese Laymon navigates the racial politics of publishing while recording his audiobook in Mississippi. Regina Bradley moves to Indiana and grapples with a landscape devoid of her Southern cultural touchstones, like Popeyes and OutKast. Aruni Kashyap apartment hunts in Athens and encounters a minefield of invasive questions. Frederick McKindra delves into the particularly Southern history of Beyonce's black majorettes. From the DMV to the college basketball court to doctors' offices, there are no shortage of places of tension in the American South. Urgent, necessary, funny, and poignant, these essays from new and established voices confront the complexities of the South's relationship with race, uncovering the particular difficulties and profound joys of being a southerner in the 21st century. With writing from Cinelle Barnes, Jaswinder Bolina, Regina Bradley, Jennifer Hope Choi, Tiana Clark, Christena Cleveland, Osayi Endolyn, M. Evelina Galang, Minda Honey, Gary Jackson, Toni Jensen, Aruni Kashyap, Latria Graham, Soniah Kamal, Frederick McKindra, Devi Laskar, Kiese Laymon, Nichole Perkins, Joy Priest, Ivelisse Rodriguez, and Natalia Sylvester.


Rough South, Rural South

Rough South, Rural South

Author: Jean W. Cash

Publisher: Univ. Press of Mississippi

Published: 2016-02-12

Total Pages: 273

ISBN-13: 1496804961

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Essays in Rough South, Rural South describe and discuss the work of southern writers who began their careers in the late twentieth and early twenty-first centuries. They fall into two categories. Some, born into the working class, strove to become writers and learned without benefit of higher education, such writers as Larry Brown and William Gay. Others came from lower- or middle-class backgrounds and became writers through practice and education: Dorothy Allison, Tom Franklin, Tim Gautreaux, Clyde Edgerton, Kaye Gibbons, Silas House, Jill McCorkle, Chris Offutt, Ron Rash, Lee Smith, Brad Watson, Daniel Woodrell, and Steve Yarbrough. Their twenty-first-century colleagues are Wiley Cash, Peter Farris, Skip Horack, Michael Farris Smith, Barb Johnson, and Jesmyn Ward. In his seminal article, Erik Bledsoe distinguishes Rough South writers from such writers as William Faulkner and Erskine Caldwell. Younger writers who followed Harry Crews were born into and write about the Rough South. These writers undercut stereotypes, forcing readers to see the working poor differently. The next pieces begin with those on Crews and Cormac McCarthy, major influences on an entire generation. Later essays address members of both groups—the self-educated and the college-educated. Both groups share a clear understanding of the value of working-class southerners. Nearly all of the writers hold a reverence for the South's landscape and its inhabitants as well as an affinity for realistic depictions of setting and characters.


Southscapes

Southscapes

Author: Thadious M. Davis

Publisher: Univ of North Carolina Press

Published: 2011

Total Pages: 472

ISBN-13: 0807835218

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In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies.<


Writers of the American South

Writers of the American South

Author: Hugh Howard

Publisher: National Geographic Books

Published: 2005-10-11

Total Pages: 284

ISBN-13:

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"Exploring the imaginative link between Southern authors and their geography and how profoundly it shapes their writing, Writers of the American South offers intimate and engaging portraits of twenty-two of the South's most important contributors to American literature. We learn that three generations of writers - Faulkner, Shelby Foote, and Ann Patchett - share the same dreamscape, the battlefield at Shiloh. The compelling tension in Carl Hiaasen's life is revealed as the ruthless development around him on the fragile Florida Keys." "Through a combination of vibrant and evocative photographs and exceptional story-telling and interviews (and including information for visiting the houses that are open to the public). Writers of the American South embarks on a Southern sojourn that illuminates the lives and homes of the region's literary royalty, from whose creative genius unforgettable characters have been conceived, extraordinary stories have been crafted, and classics have emerged."--BOOK JACKET.


The New Writers of the South

The New Writers of the South

Author: Charles East

Publisher: University of Georgia Press

Published: 1987

Total Pages: 324

ISBN-13: 9780820309248

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Stories and selections from novels by twenty writers depict the complexities of life in the modern South


The Storied South

The Storied South

Author: William Ferris

Publisher: UNC Press Books

Published: 2013-08-05

Total Pages: 279

ISBN-13: 1469607557

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The Storied South features the voices--by turn searching and honest, coy and scathing--of twenty-six of the most luminous artists and thinkers in the American cultural firmament, from Eudora Welty, Pete Seeger, and Alice Walker to William Eggleston, Bobby Rush, and C. Vann Woodward. Masterfully drawn from one-on-one interviews conducted by renowned folklorist William Ferris over the past forty years, the book reveals how storytelling is viscerally tied to southern identity and how the work of these southern or southern-inspired creators has shaped the way Americans think and talk about the South. The Storied South offers a unique, intimate opportunity to sit at the table with these men and women and learn how they worked and how they perceived their art. The volume also features 45 of Ferris's striking photographic portraits of the speakers and a CD and a DVD of original audio and films of the interviews.


A Portrait of Southern Writers

A Portrait of Southern Writers

Author:

Publisher:

Published: 2000

Total Pages: 0

ISBN-13: 9781892514837

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The American South has a passionate affinity with literature that no other region of the country can claim and its heritage is evoked and constantly reinvented through the words of its writers. Internationally acclaimed photographer Curt Richter was initially commissioned by Louis D. Rubin Jr. to photograph the founding members of the Fellowship of Southern Writers. The first author to sit for him for the series was Eudora Welty and the last was Alice Walker. The project grew and, over a seven-year period, he photographed over two hundred writers associated with the South. Nearly one hundred of these images appear in A Portrait of Southern Writers, beyond any doubt the most stunning and significant collection of photographs of Southern writers ever gathered. Richter does not focus his lens on capturing the totality of a writer's life but instead presents a moment of reflection in the face of the pressure of, and struggles with, creativity. What emerges is a collection of spectacular images which silently offer us insight into these writers' lives.


The Scary Mason-Dixon Line

The Scary Mason-Dixon Line

Author: Trudier Harris

Publisher: LSU Press

Published: 2009-06-01

Total Pages: 272

ISBN-13: 0807142557

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New Yorker James Baldwin once declared that a black man can look at a map of the United States, contemplate the area south of the Mason-Dixon Line, and thus scare himself to death. In The Scary Mason-Dixon Line, renowned literary scholar Trudier Harris explores why black writers, whether born in Mississippi, New York, or elsewhere, have consistently both loved and hated the South. Harris explains that for these authors the South represents not so much a place or even a culture as a rite of passage. Not one of them can consider himself or herself a true African American writer without confronting the idea of the South in a decisive way. Harris considers native-born black southerners Raymond Andrews, Ernest J. Gaines, Edward P. Jones, Tayari Jones, Yusef Komunyakaa, Randall Kenan, and Phyllis Alesia Perry, and nonsouthern writers James Baldwin, Sherley Anne Williams, and Octavia E. Butler. The works Harris examines date from Baldwin's Blues for Mr. Charlie (1964) to Edward P. Jones's The Known World (2003). By including Komunyakaa's poems and Baldwin's play, as well as male and female authors, Harris demonstrates that the writers' preoccupation with the South cuts across lines of genre and gender. Whether their writings focus on slavery, migration from the South to the North, or violence on southern soil, and whether they celebrate the triumph of black southern heritage over repression or castigate the South for its treatment of blacks, these authors cannot escape the call of the South. Indeed, Harris asserts that creative engagement with the South represents a defining characteristic of African American writing. A singular work by one of the foremost literary scholars writing today, The Scary Mason-Dixon Line superbly demonstrates how history and memory continue to figure powerfully in African American literary creativity.