La Vita Nuova - in English The New Life - is a poem by Dante Alighieri which expresses the virtues of Medieval courtship and love. First published in 1295 during the dawn of the Italian Renaissance period, this work discusses the praiseworthy aspects of courtship which first appeared during the Medieval era. Dante was a great admirer of this practice, feeling that the tradition elevated both love and courteous behaviour in a manner befitting an experience of such emotive depth. Dante first authored this book during his own association with Beatrice Portinari, a paramour who was to symbolise human love for the artist in both life and death. La Vita Nuova is distinct from other, later works by Dante in that it was authored in his native Italian, rather than the Latin he employed in The Divine Comedy and other works.
"A fresh, new version of a 1962 translation that has had enormous popularity in comparative literature classes. The Vita Nuova (the New Life) is a small book which relates in prose and often very beautiful verse the story of the youthful Dante's love for Beatrice. The esay which follows the translation provides new insights into this puzzling thirteenth-century work. Musa regards Dante's intention in this so-called "Book of Memory" as a cruel and comic commentary on the youthful lover. He argues that Dante, using the tradition of love poetry current in his time, points up the foolishness and shallowness of his protagonist, a self-centered and self-pitying youth who only occasionally in the progress of his suffering catches even a glimpse of the true nature of Love or his beloved. "The sensitive man who would realize a man's destiny must ruthlessly cut out of his heart the canker at its center [i.e. self-pity], the canker that the heart instinctively tends to cultivate." According to Musa, this is one of Dante's central ideas. Dante scholars, libraries, and students of the Italian classics will welcome this distinguished translation and its provocative commentary"--Back cover.
A sparkling translation that gives new life in English to Dante’s Vita Nuova, his transcendent love poems and influential statement on the art and power of poetry, and the most widely read of his works after the Inferno A Penguin Classic Dante was only nine years old when he first met young Beatrice in Florence. Loving her for the rest of his life with a devotion undiminished by even her untimely death, he would dedicate himself to transfiguring her, through poetry, into something far more than a muse—she would become the very proof of love as transcendent spiritual power, and the adoration of her a radiant path into a “new life.” Censored by the Church, written in the Tuscan vernacular rather than Latin, exploding the courtly love tradition of the medieval troubadours, and employing an unprecedented hybrid form to link the thirty-one poems with prose commentary, Vita Nuova, first published in 1294, represents both an innovation in the literature of love and the work of Dante’s that brings this extraordinary poet into clearest view. This limpid new translation, based on the latest authoritative Italian edition and featuring the Italian on facing pages, captures the ineffable quality of a work that has inspired the likes of Ralph Waldo Emerson, Charles Baudelaire, T. S. Eliot, Jorge Luis Borges, Robert Penn Warren, and Louise Glück, and sustains the long afterlife of a masterpiece that is itself a key to the ultimate poetic journey into the afterlife, The Divine Comedy. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
"e;Life of Dante"e; brings together the earliest accounts of Dante available, putting the celebratory essay of literary genius Giovanni Boccaccio together with the historical analysis of leading humanist Leonardo Bruni. Their writings, along with the other sources included in this volume, provide a wealth of insight and information into Dante's unique character and life, from his susceptibility to the torments of passionate love, his involvement in politics, scholastic enthusiasms and military experience, to the stories behind the greatest heights of his poetic achievements.Not only are these accounts invaluable for their subject matter, they are also seminal examples of early biographical writing. Also included in this volume is a biography of Boccaccio, perhaps as great an influence on world literature as Dante himself.
Dante brings the legendary author—and the medieval Italy of his era— to vivid life, describing the political intrigue, battles, culture, and society that shaped his writing. Dante Alighieri’s Divine Comedy has defined how people imagine and depict heaven and hell for over seven centuries. However, outside of Italy, his other works are not well known, and less still is generally known about the context he wrote them in. In Dante, Barbero brings the legendary author’s Italy to life, describing the political intrigue, battles, city and society that shaped his life and work. The son of a shylock who dreams of belonging to the world of writers and nobles, we follow Dante into the dark corridors of politics where ideals are shattered by rampant corruption, and then into exile as he travels Italy and discovers the extraordinary color and variety of the countryside, the metropolises, and the knightly courts. This is a book by a serious scholar with real popular appeal, as evidenced by its bestseller ranking in Italy. It is a remarkable piece of forensic investigation into medieval Italian life.
This celebration of the poet's passionate love for his immortal Beatrice weaves together rapturous sonnets and canzoni with prose commentaries and an autobiographical narrative. A predecessor to The Divine Comedy, La Vita Nuova (The New Life) also serves as an ever-relevant treatise on the art and technique of poetry.
Using Dante’s Inferno to draw out the reality behind the fantasy, author Kim Paffenroth tells the true events… During his lost wanderings, Dante came upon an infestation of the living dead. The unspeakable acts he witnessed —cannibalism, live burnings, evisceration, crucifixion, and dozens more—became the basis of all the horrors described in Inferno. At last, the real story can be told.
